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The Death of a Parent, Captured in Photos – Feature Shoot

The photographer Argus Paul Estabrook remembers his mother calling him from the hospital, and he remembers flying from Seoul to be with his family in the United States. But much of his father’s battle with pancreatic cancer remains a blur. By the time he was diagnosed, it had already reached Stage 4, and when it was all said and done, Estabrook‘s father would live for only three more weeks. “Time was really jumbled like that one drawer where nothing is in the right place,” the photographer admits. “Memories become fractured and mixed together.”

Sébastien Van Malleghem – Nordic Noir « burn magazine

An artistic residence in Norway (Halsnoy Cloister, 2013) ignites a passion with the North. Iceland, then Scandinavia further fuels the flame, revealing a personal confrontation with an endless space, a passionate and brutal encounter.

A Photographer Chronicles Upheaval in His Suburban Home Town | The New Yorker

The photographer Al Thompson arrived in the United States as a teen-ager from Jamaica, in 1996, to join his mother in Spring Valley, a New York City suburb situated in Rockland County. “What was surprising to me was how big everything was,” Thompson told me recently, about visiting shops and stores during his first days in his new home. Buying CDs, making cassettes, being grounded for the first time, and playing soccer and basketball in Spring Valley Memorial Park—a focal point of the community, where he encountered a medley of “languages, accents, and inflections”—were the activities that initiated him into American teen-age life. At the time, Rockland County was one of the most diverse places in the country, and host to the largest Haitian population outside of the Miami area—Haitian Presidents have made it a point to visit this “Little Haiti” during diplomatic missions in the U.S.

Developer x For Freedoms | LENSCRATCH

It Is A Miracle We Are Standing Here. The title of the exhibition currently hanging at the International Center for Photography speaks to the crisis of modern day social fabrics, art making, and political climate. When For Freedoms and I began discussing the creation of this show, and how we could use it as a platform to continue their mission of promoting work and artists creating evocative, politically, and personally motivated work, I immediately saw the connections between their mission and that of the Developer series here on Lenscratch.

Remembering the Life and Legacy of Patrick D. Pagnano, Street Photographer – Feature Shoot

On October 7, 2018, the photographer Patrick D. Pagnano died, leaving behind a treasury of classic American street photography and documentary work made over more than 50 years.

Tracy L. Chandler: At the Edge | LENSCRATCH

Tracy L Chandler’s compelling and poignant series Edge Dwellers is photography at it’s best. The work speaks to the power of the medium as a vehicle for baring witness, for understanding and contemplating humanity, and for providing connection to unseen populations. Tracy’s large format capture of marginalized individuals that make their home on the edges of the California coast reveals a particular community that is often ignored and misunderstood, as they struggle with the affects of addition and abuse. A large part of her practice is connecting to her subjects in a profound way, slowing down her photography and making portraits as a collaborative experience.

A Portrait of Mexico Through the Eyes of Graciela Iturbide – Feature Shoot

In 1969, Graciela Iturbide was enrolled in the prestigious University Center for Film Studies at the National Autonomous University of Mexico, with the dream of becoming a film director — until she began studying with Manuel Álvarez Bravo, the nation’s foremost photographer.

Depth of Field: Living by the Rivers – Witness

If the stories in this edition of Depth of Field share a common thread — apart from their distinguished photographic storytelling — it’s their interest in the flux and churn of life in China in 2019, where nothing seems fixed and the pressure of constant movement reshapes the contours of institutions and of individual lives.

Geography of Poverty by Matt Black – Magnum Photos Blog

Matt Black’s ongoing project The Geography of Poverty, looks at designated “poverty areas” — with poverty rates of above 20 per cent as defined by the US census—and examines the conditions of powerlessness, prejudice, and pragmatism among America’s poor. Having travelled 100,000 miles across 46 American states—and Puerto Rico—he has found that, rather than being anomalies, these communities are woven into the fabric of the country, as much a reality as the so-called American Dream.

Andrew Sullivan – Endangered Species « burn magazine

Mexico’s murder rate went up 16% in the first half of 2018, a grim statistic that suggested this year would be the bloodiest in the country’s history. Time magazine approximated that someone was killed every 15 minutes in May. Where I live in Mexico has the reputation of being a safe haven. In travel around the country, I have seldom been in danger, yet I worry about personal safety. Reconciling my daily life with the headlines I see in the “prensa amarilla” leads to thoughts that I’m living in a fantastical bubble while a war rages closer than I want to believe.

Southbound: Photographs of and about the New South, Day 7 | LENSCRATCH

On our final day of posts for Southbound: Photographs of and about the New South, we feature a selection of the co-curators Mark Sloan and Mark Long’s essay on emplacing the new south. I think that there is no better text to summarize the exploration of Southern identity and culture that we’ve featured throughout the week, so without further adieu…

Southbound: Photographs of and about the New South, Day 6 | LENSCRATCH

In addition to an amazing curation of Southern photography and writing, Southbound also features an incredible interactive map depicting concentrations of everything from African Americans to chickens, confederate symbols to field crops, as well as an “Index of Southernness”. This index was created by fusing the other maps presented, showcasing “classic regional geographic patterns of core, domain, and sphere, where places that read as most Southern are readily identifiable.” According to the curators, “In representing places where southerness is most intense, the Index reveals the resilience of the region. By also showing how southerness transitions across space, the map weaves a rich regional tapestry.”

Discovering contemporary Mexico beyond the daily headlines: The images of Graciela Iturbide – The Washington Post

Which is why 2019 is the appropriate year for the world to discover Graciela Iturbide, who now has extensive exhibitions in Boston and Mexico City. For a half-century, Iturbide has traveled across her own country with a camera loaded with black-and-white film. She has taken pictures that are often described as dreamlike, surreal or painterly, but those words fall short.

Southbound: Photographs of and about the New South, Day 5 | LENSCRATCH

We are continuing our feature of images and text from Southbound: Photographs of and about the New South today, with an essay by author, editor, and southern food aficionado John T. Edge.

The New Yorker The New Yorker

Seven Years on the Margins in Rural Mississippi | The New Yorker

The small city of Greenwood, Mississippi, at the eastern fringe of the Delta, is home to the historic black neighborhood of Baptist Town. The area is known for its contribution to the blues—musicians like Robert Johnson and David (Honeyboy) Edwards played there—and for housing some of the city’s poorest residents. According to census data, forty-eight per cent of Greenwood’s black residents live in poverty, compared to eleven per cent of white residents. Baptist Town, an enclave of mobile homes and shotgun shacks, cut off from the rest of the city by train tracks, has the feeling of being stuck in time. In the 2011 film “The Help,” it was used as a stand-in for Mississippi during Jim Crow.

A Devastating Portrait of Genocide in Myanmar – Feature Shoot

In March 2008, Bengali photographer, educator, and activist Saiful Huq Omi traveled to a refugee camp, and spent ten days there, conducting hundreds of interviews. What he learned on that fateful trip would change his life forevermore. Over the next decade, Omi entered a shadow world where evil and chaos reign. His determination to bring light to the plight of the Rohingya rendered him one of them, both in spirit and in flesh, becoming a target for persecution himself.

Southbound: Photographs of and about the New South, Day 4 | LENSCRATCH

For the fourth day of our weeklong feature of images and text from Southbound: Photographs of and about the New South, the photographs are accompanied by an essay by historian, author, film-maker, and all around expert on the South, William Ferris.

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