Lucas Foglia’s Sweeping Photos of the American West in the Midst of a Mining Boom – Feature Shoot

Lucas Foglia’s Sweeping Photos of the American West in the Midst of a Mining Boom

Frontcountry is Lucas Foglia‘s exploration of the American West, where human figures are swallowed up by an endless horizon and everyday life swells with raw wildness. Foglia spent 7 years traveling through the expanse that is rural Idaho, Montana, Nevada, New Mexico, Texas and Wyoming

James Nachtwey: 30 Years in TIME – LightBox

James Nachtwey: 30 Years in TIME

To celebrate James Nachtwey’s 30 years as a contract photographer for TIME, we have organized an exhibit of 54 layouts that have appeared in the magazine featuring his work from Chechnya to Somalia and from Afghanistan to Burma, along with a series of his powerful, previously unpublished photographs. Below, James Nachtwey, and TIME’s Managing Editor Nancy Gibbs, reflect on the relationship between photographer and publication.

Stephen Wilkes: Time Machine — zPhotoJournal

Stephen Wilkes: Time Machine

I see a lot out there and what I see is people who have talent and work hard…or think they work hard…but the priority they need to get to that special place is going to escape them. They don’t understand that the level of passion and drive that you have to have to be really successful in this business today is amplified. Everybody has a camera and it’s incredible who you’re competing with. So my advice is something Jay Maisel once told me, “You gotta eat, sleep, breathe and drink it. And if you don’t do that, find something else to do!” 

The Last Sentimentalist: a Q. & A. with Duane Michals

Link: The Last Sentimentalist: a Q. & A. with Duane Michals | The New Yorker

The photographer Duane Michals is perhaps best known for his “fictionettes”: dream-like stagings in which Marcel Duchamp, René Magritte, and Andy Warhol have all appeared. These enchanting photo sequences and montages, which are often accompanied by Michals’s handwritten prose, make innovative use of the medium’s ability to suggest what cannot be seen

Christine Osinski: Shoppers, Chicago, and Swimmers 1980-1996

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Link: Christine Osinski: Shoppers, Chicago, and Swimmers 1980-1996 | LENSCRATCH

I believe that good work will eventually find a place in the world, regardless of how long it takes to find its way. It’s most important for photographers to continue to take pictures, regardless of the attention or lack of attention that the work initially receives. I get great pleasure from being a working artist, day in and day out. By continuing to work consistently, I feel I will be ready should opportunity knock.