Link: Lens

Misha Friedman’s photographs of tuberculosis are dark, black-and-white glimpses of passing lives. In many of the frames — shot in Uzbekistan, Ukraine and Russia — there is a wandering, ghostly presence.

Link: LightBox

Photographer Alessio Romenzi has been among just such enemies of the Assad government: with fighters of the Free Syrian Army and with the people of Bab Amr, a rebellious district in the besieged city of Homs. On assignment for TIME, he took shelter with local families in a basement of Bab Amr. No one dared to step outside or even venture upstairs for fear of government shells crashing onto them. Bodies were dragged into homes from the street so they would not rot in the open. The dead littered the corridors. It was too dangerous to hold funerals. Romenzi counted 25 civilian fatalities in just two hours of bombardment in his immediate area. As he wrote in an email, “The word ‘safe’ is not in our dictionary these days.”

Link: Lens

Evgenia Arbugaeva has warm memories of a very cold place.

She grew up in Tiksi, a port town on Siberia’s Arctic coast — to her, a magical realm of wonder and discovery where she reveled in the “little miracles” of her endless natural playground

Link: British Journal of Photography

The 2012 edition of the Sony World Photography Awards is just around the corner – coming to London in April. But, the World Photography Organisation has today announced its shortlisted photographers

so long as we have a monetization model of information that prioritizes the wrong stakeholders — advertisers over readers — we will always cater to the business interests of the former, not the intellectual interests of the latter

Link: Lens

Before Art Basel, Miami Beach and “Miami Vice,” there was another South Florida.

It was cheesier, scarier, goofier and much closer to the bone. Times Square with alligators. “Funny and depressing at the same time,” said Michael Carlebach, a photojournalist, photographic historian and educator.

Link: La Lettre de la Photographie

The 360-degree panoramas of Evgueniy Ivanov tell the private life of the Great Patrioic War at the beginning of this century. These tracking shots of life depict a nation and its heroes.

Link: Lens

Bharat Choudhary has seen the power of religious hatred up close. After the 2002 sectarian riots in Gujarat, Mr. Choudhary counseled victims who had been paralyzed or raped during the violence.

His clients were Muslims. Mr. Choudhary is Hindu.

Link: LightBox

The Postcards from America box book, in a signed edition of 500, is available exclusively at www.postcards.magnumphotos.com 

Link: AMERICAN SUBURB X

I’ve been photographing the American cultural landscape for the past twenty years. Utilizing different series that I’ve done involving the everyday urban and suburban places we encounter, I’ll strive to make visual and verbal connections between these overlapping territories of American life while sticking to our theme of how sprawl has affected inner city environments.

Link: L E N S C R A T C H:

for the last several years I have practiced what I call “Photographic Celibacy.” My photo magazines are donated, my books gather dust on the shelf and I do not seek out new work on the internet. Not studying other photographers work has been very helpful and I give this technique much of the credit in helping me unearth my vision and to become more creative.

Lens

A sprawling show devoted to an intense decade in the city’s history opens Friday at the International Center of Photography. “Weegee: Murder Is My Business” delivers on its promise, and then some, showcasing the work of the legendary photographer Arthur Fellig from 1935 to 1946.

Raw File

The Tank Man of Tienanmen Square. Muhammad Ali standing over Sonny Liston in victory. The portrait of the Afghan Girl on the cover of National Geographic. Many of us can automatically recall these photos in our heads, but far fewer can name the photographers who took them. Even fewer know what those photographers look like.

Tim Mantoani hopes to change that by taking portraits of famous photographers holding their most iconic or favorite photos in his new book Behind Photographs: Archiving Photographic Legends. Mantoani has shot over 150 of these portraits in the last five years, most of which are contained in the book.

let’s not kid ourselves here. As much as Hollywood and media conglomerates want to protect their businesses, Google and Facebook want to steal it. Nobody is fighting for your rights. They’re simply deciding who will be in control of the copyrighted material you produce

If you get afraid of making mistakes, you are toast. You’re done. You’ve got to have courage. You’ve got to believe in yourself and the people who you surround yourself with, that you can go ahead, and your going to weigh the options, your going to be decisive, but a lot of its going to be visceral. This is really important because when it comes too intellectual, it becomes too cool. But when it becomes more visceral, and I’m not talking about flying off the handle, but there’s a gut thing.

THE WILD WEIRD WORLD OF SPORTS

This past year, for me, has been the year of the book. The year I achieved a dream. The year I gave birth. The year I became a father.

I’ve been a little hesitant to write about my book. Maybe because it still doesn’t seem real. But I’m slowly coming to terms with reality, that it is in fact real. Very real.

Another reason I’ve put off this entry is because of how truly personal this book is to me. Not sure if I can express it in words.

L E N S C R A T C H:

Happy 2012! A huge thank you to all the hundreds of photographers that sent me their favorite images of 2011. Note that these images are favorites and speak to the photographer in a meaningful way. I love creating this annual post, allowing photographers who have never shared their work to sit along side significant image makers. They way I see it is that we all share a common passion and why not bump up against each other once in awhile.

I wish you all many successes in 2012 and that the joy of creating photographs continues to enrich your lives. Thank you for reading Lenscratch and for enhancing my life with your work. This post is created in 5 parts so as not to crash the rss feed (which happened last year). Simply keep going through older posts until you reach the end.

Photo Raw interviewed Stanley Greene at the Visa pour l’Image international festival of photojournalism.

via Duckrabbit

Duncan Davidson

Cinch, the latest camera strap from Luma Labs