Its unusual composition and the fact that the militants’ silhouettes seem out of proportion to other elements led some AFP clients to call the agency to check it was real. Of course, it was.
So Google’s algorithms took the two similar photos and created a moment in history that never existed, one where my wife and I smiled our best (or what the algorithm determined was our best) at the exact same microsecond, in a restaurant in Normandy.
The episode “should be treated like a sex crime, a privacy invasion taken to an extreme,” said Jules Polonetsky, executive director of the Future of Privacy Forum, an advocacy group based in Washington. “Sites allowing the sharing of these pictures can and should be taking proactive action to remove these pictures.”
Now, all of a sudden, we get the most horrific scenes surrounding Hamas fighters conducting a public execution, and nobody has anything to say about the sudden materializing of the invisible ones — not to mention, how the Reuters agency, in still another instance, brings us front row?
I’m quite uncomfortable with the VICE videos, especially when their head of news programming refused to disclose the terms upon which they were created. Do the VICE videos provide context, the video producer on hand establishing himself as an embed and a documentarian? Yes, they do. At the same time, however, how much was VICE there for the sensation and to enhance their own scintillating brand?
Agence France-Presse, more commonly known as AFP, is in the hot seat once again, less than a year after they and Getty were ordered to pay $1.2 million to photographer Daniel Morel. This time though, the ordeal is far less expensive, ending with an apology shared on Facebook.
Last week, Balkanist magazine published an account by a young presumably-British journalist’s of her sexual assault by a colleague on the night of her arrival in Kyiv, Ukraine, to cover the political situation there. The piece is well worth a read, raising important points about what women face working in the male-dominated field of conflict journalism.