This year’s auction will be held online through Paddle 8 and includes photographs contributed by Ed Kashi, Vince Musi, Melissa Farlow, Randy Olson, Damon Winter, Todd Heisler, Ami Vitale and many, many other accomplished photographers. The auction will begin on September 2, 2014 and will end on September 16.
The Space Between: Redefining Public and Personal in Smartphone Photography is curated by photographer and film maker Henry Jacobson, and through a survey of 10 photographers, one collective and one collaborative project, delves into the never-ending debate around smartphones and their function as cameras capable of capturing a moment in time and distributing it all over the world in a matter of seconds.
“The first thing that comes to my mind with that type of show is the Family of Man exhibition,” say DiCampo, referring to Edward Steichen’s celebrated 1955 Museum of Modern Art show, which went on the become the most-travelled exhibition in the history of photography. “Obviously it’s not on that scale. But to me, the kind of work we’re doing is a modern update to that exhibition, especially considering it’s cell phone photography and it’s distributed through social media.”
GeekFest Philly is shaping up to be a stellar year full of inspiration, fun and as always some photo love.
For those looking for the official GeekFest stuff… Here’s the flyer and the schedule
There is a massive subterranean shift (no, not paradigm) happening right now in pro photography and it will define photography for at least the next 10 years. Like the movement of the continents, it is slow, hardly perceptible but irrepressible . Let me explain.
By announcing the separation of Google photo from the Google plus social media platform, the giant search company has clearly announced its intention to intensify the battle for domination of the online photo space
Congratulations to Sohrab! We are looking forward to seeing more of your work gain a wider audience.
Intrigued and curious, we reached out to its author, Derek Pawozek, who happened to have a much longer story to tell. Because his path mimics the evolution of photography and online technology, we sat down and asked him a few questions
I’ve told exactly two photographers about my handicap before tonight but I feel like its time to put it out there publicly. I was ashamed of it but I’m not anymore. It’s part of who I am.
Seattle based and California bred, John Keatley’s photography business is run with the help of a small staff who collaborate on a gamut of marketing projects, including a well-oiled email marketing campaign.
having a large pool of images ( over 6 billion images) is not enough to break-in the photo licensing world .
You are 18 years old. You just got a point and shoot digital camera from Mom as a high school graduation present. You are super excited, as you never had a camera before. A lot of exciting things will happen in your life surrounding photography. I wanted to write this letter to you and give you some advice I wish I knew. This is coming from your 26-year-old-self.
It’s how images are sourced, the process, that the industry needs to be vigilant over.
A Tumblr site called Who Pays Photographers? helps bridge the information gap with a wiki-inspired spreadsheet listing fees paid by numerous publications, both online and in print. The site also provides information about whether the client pays expenses, how long they take to pay, and what photographers like and dislike about the client. All the information is uploaded anonymously by photographers who have shot assignments for the clients.
Many of the blogs I read and the message boards that I visit all seem to be repeating the same message: There’s no work, there’s no money, and the competition is too intense to succeed. To quote one frustrated photographer, “How do you f’ing make a living shooting pictures anymore?”
There’s nothing wrong per se with lifting images off Instagram and using them elsewhere, the editorial and/news contexts being prime examples. But the moment you put such images on the wall of an art exhibition as a curator you better realize there’s a higher bar. Those images better be able to hold their own weight. Sadly, most if the work in Goin’ Mobile failed almost spectacularly to do that. Just like in the case of probably 99% of all Instagram images, the maxim might just be: what is on Instagram should stay on Instagram
is No Cameras Allowed real or just a faked story to get some money out of kids who believe this is how the music photography business works?
As you can see, nearly everyone who visited my site came for the original image, maybe scrolled once or twice through others in that set, then left. The shop page didn’t even make it into the top ten most-visited