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	<title>The Click &#187; Photojournalism</title>
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	<link>http://theclick.us</link>
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		<title>FOCUS. FOCUS. FOCUS.</title>
		<link>http://theclick.us/2012/02/focus-focus-focus/</link>
		<comments>http://theclick.us/2012/02/focus-focus-focus/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 15:18:36 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25208</guid>
		<description><![CDATA[Link: The Photo Society One hears this a lot; “photojournalism is changing and even dying.”]]></description>
			<content:encoded><![CDATA[<p><a href="http://thephotosociety.org/blog/focus-focus-focus/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=focus-focus-focus"><br />Link: The Photo Society<br />
</a></p>
<blockquote><p>One hears this a lot; “photojournalism is changing and even dying.”</p></blockquote>]]></content:encoded>
			<wfw:commentRss>http://theclick.us/2012/02/focus-focus-focus/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>The Death of the Editor and the Rise of the Circulation Manager</title>
		<link>http://theclick.us/2012/02/the-death-of-the-editor-and-the-rise-of-the-circulation-manager/</link>
		<comments>http://theclick.us/2012/02/the-death-of-the-editor-and-the-rise-of-the-circulation-manager/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:28:10 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25139</guid>
		<description><![CDATA[Link: Brain Pickings so long as we have a monetization model of information that prioritizes the wrong stakeholders — advertisers over readers — we will always cater to the business interests of the former, not the intellectual interests of the latter]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.brainpickings.org/index.php/2012/01/30/bliven/"><br />Link: Brain Pickings<br />
</a></p>
<blockquote><p>so long as we have a monetization model of information that prioritizes the wrong stakeholders — advertisers over readers — we will always cater to the business interests of the former, not the intellectual interests of the latter</p></blockquote>]]></content:encoded>
			<wfw:commentRss>http://theclick.us/2012/02/the-death-of-the-editor-and-the-rise-of-the-circulation-manager/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why newspapers are closing the shutters on staff photographers</title>
		<link>http://theclick.us/2012/01/why-newspapers-are-closing-the-shutters-on-staff-photographers/</link>
		<comments>http://theclick.us/2012/01/why-newspapers-are-closing-the-shutters-on-staff-photographers/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 17:03:52 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25013</guid>
		<description><![CDATA[Link: guardian.co.uk National papers have gradually been reducing numbers in recent years. Many titles have only a handful. The Independent&#8217;s last staff photographer, the award-winning sports snapper David Ashdown, departed at the end of December.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.guardian.co.uk/media/greenslade/2012/jan/24/news-photography-theindependent"><br />Link: guardian.co.uk<br />
</a></p>
<blockquote><p>National papers have gradually been reducing numbers in recent years. Many titles have only a handful.</p>
<p>The Independent&#8217;s last staff photographer, the award-winning sports snapper David Ashdown, departed at the end of December.</p>
</blockquote>]]></content:encoded>
			<wfw:commentRss>http://theclick.us/2012/01/why-newspapers-are-closing-the-shutters-on-staff-photographers/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>Photographer #431: Darcy Padilla</title>
		<link>http://theclick.us/2012/01/photographer-431-darcy-padilla/</link>
		<comments>http://theclick.us/2012/01/photographer-431-darcy-padilla/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 17:32:29 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24982</guid>
		<description><![CDATA[Link: 500 Photographers: Her most acclaimed body of work is The Julie Project. This long-term project is the story of a woman called Julie Baird. Eighteen years Darcy followed and photographed the story of AIDS, drug abuse, abusive relationships, poverty and death]]></description>
			<content:encoded><![CDATA[<p><a href="http://500photographers.blogspot.com/2012/01/photographer-431-darcy-padilla.html"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh6.ggpht.com/-3kreI1Kt61s/Tx2ZqxKFROI/AAAAAAAABGA/VbCzfBB7eN0/Darcy6.jpeg?imgmax=800" alt="Darcy6" title="photos by Darcy Padilla" border="0" width="500" height="107" /><br />Link: 500 Photographers:<br />
</a></p>
<blockquote><p>Her most acclaimed body of work is The Julie Project. This long-term project is the story of a woman called Julie Baird. Eighteen years Darcy followed and photographed the story of AIDS, drug abuse, abusive relationships, poverty and death</p></blockquote>]]></content:encoded>
			<wfw:commentRss>http://theclick.us/2012/01/photographer-431-darcy-padilla/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Talent Added: Photojournalism</title>
		<link>http://theclick.us/2012/01/talent-added-photojournalism/</link>
		<comments>http://theclick.us/2012/01/talent-added-photojournalism/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 00:16:47 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24936</guid>
		<description><![CDATA[Dave Burnett Every day is full of new possibilities, new ways of expanding your personal vision. So it was all the more amusing when I recently received in my email inbox one of those updates from LinkedIn, that crazy, billion dollar company (how did THAT happen?) which advised me that one of my LinkedIn contacts [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://werejustsayin.blogspot.com/2012/01/i-just-wish-id-known-it-would-be-that.html">Dave Burnett<br />
</a></p>
<blockquote><p>Every day is full of new possibilities, new ways of expanding your personal vision. So it was all the more amusing when I recently received in my email inbox one of those updates from LinkedIn, that crazy, billion dollar company (how did THAT happen?) which advised me that one of my LinkedIn contacts had updated their profile, and added “Photojournalist” to their list of talents</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>CNN Digital hires Director of Photography</title>
		<link>http://theclick.us/2012/01/cnn-digital-hires-director-of-photography/</link>
		<comments>http://theclick.us/2012/01/cnn-digital-hires-director-of-photography/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 16:48:46 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24906</guid>
		<description><![CDATA[CNN Press Room CNN Digital welcomes Simon Barnett, who starts today as Director of Photography.  In this role, Barnett will oversee how the network’s photography will be used across CNN’s web, tablet, mobile, and emerging platforms, as well as lead the vision for integrating photography into CNN’s multimedia journalism efforts.  He is based at CNN’s [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://cnnpressroom.blogs.cnn.com/2012/01/18/cnn-digital-hires-director-of-photography/">CNN Press Room<br />
</a></p>
<blockquote><p>CNN Digital welcomes Simon Barnett, who starts today as Director of Photography.  In this role, Barnett will oversee how the network’s photography will be used across CNN’s web, tablet, mobile, and emerging platforms, as well as lead the vision for integrating photography into CNN’s multimedia journalism efforts.  He is based at CNN’s global headquarters in Atlanta, and will report to CNN Digital’s VP, Executive Creative Director, Marisa Gallagher.
</p></blockquote>]]></content:encoded>
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		<title>Christopher Anderson signs with New York Magazine</title>
		<link>http://theclick.us/2012/01/christopher-anderson-signs-with-new-york-magazine/</link>
		<comments>http://theclick.us/2012/01/christopher-anderson-signs-with-new-york-magazine/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 21:28:18 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24829</guid>
		<description><![CDATA[British Journal of Photography Magnum photographer Christopher Anderson has joined New York Magazine as its first photographer-in-residence]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.bjp-online.com/british-journal-of-photography/news/2136627/christopher-anderson-signs-york-magazine?WT.rss_f=All+the+latest+articles+from+BJP&#038;WT.rss_a=Christopher+Anderson+signs+with+New+York+Magazine"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-GBP2scclpZo/Twytb6IAQDI/AAAAAAAABDM/2PGQgNVKy1A/dec05-11ows.jpeg?imgmax=800" alt="Dec05 11ows" title="dec05-11ows.jpeg" border="0" width="375" height="500" /><br />British Journal of Photography<br />
</a></p>
<blockquote><p>Magnum photographer Christopher Anderson has joined New York Magazine as its first photographer-in-residence
</p></blockquote>]]></content:encoded>
			<wfw:commentRss>http://theclick.us/2012/01/christopher-anderson-signs-with-new-york-magazine/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>When Hard Times Hit, Young Journos Hit the Road</title>
		<link>http://theclick.us/2012/01/when-hard-times-hit-young-journos-hit-the-road/</link>
		<comments>http://theclick.us/2012/01/when-hard-times-hit-young-journos-hit-the-road/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 21:27:40 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24826</guid>
		<description><![CDATA[Raw File Back at the house, the crew proceeded to tear into the roadkill, separating the meat, fat, skeleton and hide. The testicles were preserved in a jar of alcohol and placed on the spice rack next to a free-range squirrel head. Adventures like this have not been uncommon for Tim and Noah Hussin (above), [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.wired.com/rawfile/2012/01/when-hard-times-hit-young-journos-hit-the-road/all/1">Raw File<br />
</a></p>
<blockquote><p>Back at the house, the crew proceeded to tear into the roadkill, separating the meat, fat, skeleton and hide. The testicles were preserved in a jar of alcohol and placed on the spice rack next to a free-range squirrel head.</p>
<p>Adventures like this have not been uncommon for Tim and Noah Hussin (above), brothers and journalists who have been biking across America for over a year now. After raising a little over $3,000 on Kickstarter, they set out to document people who they believe are rethinking American values toward community and challenging the cookie-cutter lifestyle of the suburbia the brothers grew up in.</p></blockquote>]]></content:encoded>
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		</item>
		<item>
		<title>The Heyday is Now</title>
		<link>http://theclick.us/2012/01/the-heyday-is-now/</link>
		<comments>http://theclick.us/2012/01/the-heyday-is-now/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 23:08:04 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24762</guid>
		<description><![CDATA[Perfesser Kev This is a sermon, so feel free to mutter an occasional amen or shout a hallelujah. And like any congregation of believers, you probably already know some of the things I’m going to say. But we are here to reinvigorate our faith, so please be seated while I take the pulpit, thump the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://blog.kevinmoloney.com/?p=1164">Perfesser Kev<br />
</a></p>
<blockquote><p>This is a sermon, so feel free to mutter an occasional amen or shout a hallelujah. And like any congregation of believers, you probably already know some of the things I’m going to say. But we are here to reinvigorate our faith, so please be seated while I take the pulpit, thump the mic and clear my throat.</p>
<p>You are living in the best time in history to be a photojournalist.</p></blockquote>]]></content:encoded>
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		<item>
		<title>Lynsey Addario&#8217;s 2011: From Libyan War Captive To New Mother</title>
		<link>http://theclick.us/2011/12/lynsey-addarios-2011-from-libyan-war-captive-to-new-mother/</link>
		<comments>http://theclick.us/2011/12/lynsey-addarios-2011-from-libyan-war-captive-to-new-mother/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 22:09:38 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24625</guid>
		<description><![CDATA[NPPA Remember when said to his wife – and to the world – via CNN, &#8220;You&#8217;ve gotta come back here because we&#8217;ve got to have kids&#8221;?]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nppa.org/news_and_events/news/2011/12/addario.html">NPPA<br />
</a></p>
<blockquote><p>Remember when said to his wife – and to the world – via CNN, &#8220;You&#8217;ve gotta come back here because we&#8217;ve got to have kids&#8221;?</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stanley Greene &#124; Photo Raw Magazine</title>
		<link>http://theclick.us/2011/12/stanley-greene-photo-raw-magazine/</link>
		<comments>http://theclick.us/2011/12/stanley-greene-photo-raw-magazine/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 17:27:51 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Photojournalism]]></category>
		<category><![CDATA[Video & Multimedia]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24596</guid>
		<description><![CDATA[Photo Raw interviewed Stanley Greene at the Visa pour l&#8217;Image international festival of photojournalism. via Duckrabbit]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/33980727?title=0&amp;byline=0&amp;portrait=0&amp;color=ffffff" width="400" height="225" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p><a href="http://www.photoraw.org/node/176"></p>
<blockquote><p>Photo Raw</a> interviewed Stanley Greene at the Visa pour l&#8217;Image international festival of photojournalism.</p>
</blockquote>
<p>via <a href="http://duckrabbit.info/blog/">Duckrabbit</a></p>]]></content:encoded>
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		<item>
		<title>Iraqi Photographers Captured the Costs of War</title>
		<link>http://theclick.us/2011/12/iraqi-photographers-captured-the-costs-of-war/</link>
		<comments>http://theclick.us/2011/12/iraqi-photographers-captured-the-costs-of-war/#comments</comments>
		<pubDate>Wed, 21 Dec 2011 13:52:38 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>
		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24485</guid>
		<description><![CDATA[Lens In my mind’s eye, there is a perpetually revolving carousel of images that define the Iraq war. Many of them I saw in person. But many I did not. A pool of red, bloody water reflects passers-by with the precision of a mirror. Crushed plastic bottles float on the unruffled surface. That photograph was [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2011/12/21/iraqi-photographers-captured-the-costs-of-war/?pagewanted=all">Lens<br />
</a></p>
<blockquote><p>In my mind’s eye, there is a perpetually revolving carousel of images that define the Iraq war. Many of them I saw in person. But many I did not.</p>
<p>A pool of red, bloody water reflects passers-by with the precision of a mirror. Crushed plastic bottles float on the unruffled surface. That photograph was taken by Ahmad al-Rubaye, a former carpenter and wedding photographer, at the scene of a bombing.</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>CNN&#8217;s iReport Produces Controversy, Llama Photos</title>
		<link>http://theclick.us/2011/12/cnns-ireport-produces-controversy-llama-photos/</link>
		<comments>http://theclick.us/2011/12/cnns-ireport-produces-controversy-llama-photos/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 19:03:30 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24474</guid>
		<description><![CDATA[Raw File &#124; Wired.com CNN attempts to mitigate the predictably chaotic and non sequitur submissions from its almost 1 million registered users by offering online journalism tutorials (shown above), but only 7 percent of iReport content is vetted for wider use by the organization. Critics are skeptical these educational efforts are enough to turn iReport [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.wired.com/rawfile/2011/12/cnns-ireport-produces-controversy-llama-photos/all/1"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-cQaIWsrsbC0/TvDcQt2MlyI/AAAAAAAAA88/WiKK9Pg9yFY/ireport-toilet-paper.jpeg?imgmax=800" alt="Ireport toilet paper" title="ireport-toilet-paper.jpeg" border="0" width="500" height="360" /><br /> Raw File | Wired.com<br />
</a></p>
<blockquote><p>CNN attempts to mitigate the predictably chaotic and non sequitur submissions from its almost 1 million registered users by offering online journalism tutorials (shown above), but only 7 percent of iReport content is vetted for wider use by the organization. Critics are skeptical these educational efforts are enough to turn iReport into a dependably quality product.</p>
</blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Michael Kamber Looks Back on Iraq War</title>
		<link>http://theclick.us/2011/12/michael-kamber-looks-back-on-iraq-war/</link>
		<comments>http://theclick.us/2011/12/michael-kamber-looks-back-on-iraq-war/#comments</comments>
		<pubDate>Mon, 19 Dec 2011 15:17:38 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Photojournalism]]></category>
		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24429</guid>
		<description><![CDATA[Michael Kamber, Lens When the war started, photojournalism did show its power to sway public opinion. But it was in those early years as well — in some of the same images — that we saw photojournalism’s failures.]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2011/12/19/bearing-witness-in-iraq/?pagewanted=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh6.ggpht.com/-mrfHoQ01MOc/Tu9VkAtKs0I/AAAAAAAAA74/vTVeA60NRFA/20111219-LensKamber-slide-4BLO-custom1.jpeg?imgmax=800" alt="20111219 LensKamber slide 4BLO custom1" title="20111219-LensKamber-slide-4BLO-custom1.jpeg" border="0" width="350" height="234" /><br />Michael Kamber, Lens<br />
</a></p>
<blockquote><p>When the war started, photojournalism did show its power to sway public opinion. But it was in those early years as well — in some of the same images — that we saw photojournalism’s failures.</p>
</blockquote>]]></content:encoded>
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		<item>
		<title>Christopher Hitchens, duckrabbit, a festive fistful and a challenge to Falmouth University</title>
		<link>http://theclick.us/2011/12/christopher-hitchens-duckrabbit-a-festive-fistful-and-a-challenge-to-falmouth-university/</link>
		<comments>http://theclick.us/2011/12/christopher-hitchens-duckrabbit-a-festive-fistful-and-a-challenge-to-falmouth-university/#comments</comments>
		<pubDate>Sun, 18 Dec 2011 15:47:37 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24417</guid>
		<description><![CDATA[duckrabbit Part of the absurd fallout from last week’s ridiculous moment when VII’s Anastasia Taylor Lind jumped to her feet and repeatedly punched duckrabbit in the face at the LCC Masters end of year show after-party, have been the attempts behind the scenes to influence what we do or don’t say about it on our [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://duckrabbit.info/blog/2011/12/well-fuck-that-is-what-i-say-christopher-hichens-duckrabbit-a-festive-fistful-and-a-challenge-to-falmouth-university/?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A+duckrabbit%2FNrks+%28duckrabbit%29">duckrabbit<br />
</a></p>
<blockquote><p>Part of the absurd fallout from last week’s ridiculous moment when VII’s Anastasia Taylor Lind jumped to her feet and repeatedly punched duckrabbit in the face at the LCC Masters end of year show after-party, have been the attempts behind the scenes to influence what we do or don’t say about it on our blog.</p>
<p>So for any of you concerned or interested, here are ten things worth knowing about duckrabbit, followed by a proposal and a challenge, neither of which involves a face full of knuckles.</p>
</blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>iPhone Hipstamatic- still bad for photojournalism?</title>
		<link>http://theclick.us/2011/12/iphone-hipstamatic-still-bad-for-photojournalism/</link>
		<comments>http://theclick.us/2011/12/iphone-hipstamatic-still-bad-for-photojournalism/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 13:41:38 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24372</guid>
		<description><![CDATA[Shooting from the Hip I just want some clarity on where the iPhone Hipstamatic debate stands, 10 months after the Winter controversy. So, I was wondering&#8230; - Are iPhone Hipstamatic images fully accepted now? - Do others find them as compelling as I do? - Is content still king? - Is it cheating or easier [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://newsblogs.chicagotribune.com/shooting-from-the-hip/2011/12/iphone-hipstamatic-still-bad-for-photojournalism.html">Shooting from the Hip<br />
</a></p>
<blockquote><p>I just want some clarity on where the iPhone Hipstamatic debate stands, 10 months after the Winter controversy.<br />
So, I was wondering&#8230;<br />
- Are iPhone Hipstamatic images fully accepted now?<br />
- Do others find them as compelling as I do?<br />
- Is content still king?<br />
- Is it cheating or easier to make a great image with an iPhone?<br />
- Can they be entered in contests and compete side by side with photos made with more traditional tools?</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Upcoming – VII’s free online Visual Journey Seminars</title>
		<link>http://theclick.us/2011/12/upcoming-%e2%80%93-vii%e2%80%99s-free-online-visual-journey-seminars/</link>
		<comments>http://theclick.us/2011/12/upcoming-%e2%80%93-vii%e2%80%99s-free-online-visual-journey-seminars/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 15:07:39 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24351</guid>
		<description><![CDATA[via dvafoto VII have just announced a series of 5 free, online seminars with member photographers]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/33306426?byline=0&amp;portrait=0&amp;color=d9091d" width="400" height="225" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>via <a href="http://www.dvafoto.com/2011/12/upcoming-viis-free-online-visual-journey-seminars/?utm_source=feedburner&#038;utm_medium=feed&#038;utm_campaign=Feed%3A+dvafoto-posts+%28dvafoto-posts%29">dvafoto<br />
</a></p>
<blockquote><p>VII have just announced a series of 5 free, online seminars with member photographers</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>The Amazing Yellow-Bordered Magazine — Part II</title>
		<link>http://theclick.us/2011/12/the-amazing-yellow-bordered-magazine-%e2%80%94%c2%a0part-ii/</link>
		<comments>http://theclick.us/2011/12/the-amazing-yellow-bordered-magazine-%e2%80%94%c2%a0part-ii/#comments</comments>
		<pubDate>Mon, 12 Dec 2011 15:00:41 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24331</guid>
		<description><![CDATA[Some stories can be tough nuts to crack. Girl Power, in this months issue (September 2011), was one such nut.]]></description>
			<content:encoded><![CDATA[<p><a href="http://stanmeyer.com/blog/2540/the-amazing-yellow-bordered-magazine-%E2%80%94%C2%A0part-ii/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-amazing-yellow-bordered-magazine-%25e2%2580%2594%25c2%25a0part-ii"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-O48MJTsSlkg/TuYXFglv-_I/AAAAAAAAA5Y/uEgqHoiwqic/Novella-Fourpack.jpeg?imgmax=800" alt="Novella Fourpack" title="Novella-Fourpack.jpeg" border="0" width="500" height="343" /><br />
</a></p>
<blockquote><p>Some stories can be tough nuts to crack.</p>
<p>Girl Power, in this months issue (September 2011), was one such nut.</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>CPOY Awards: What Winning Means</title>
		<link>http://theclick.us/2011/12/cpoy-awards-what-winning-means/</link>
		<comments>http://theclick.us/2011/12/cpoy-awards-what-winning-means/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 01:24:34 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Contests]]></category>
		<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24301</guid>
		<description><![CDATA[Photo Booth: The 66th annual College Photographer of the Year awards were announced last month, selected from among more than fourteen thousand submissions. What kinds of careers can the talented young winners expect?]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.newyorker.com/online/blogs/photobooth/2011/12/cpoy-awards-what-winning-means.html?currentPage=all">Photo Booth:<br />
</a></p>
<blockquote><p>The 66th annual College Photographer of the Year awards were announced last month, selected from among more than fourteen thousand submissions. What kinds of careers can the talented young winners expect?</p>
</blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Massoud Hossaini&#8217;s Front-Page Photograph From an Attack in Kabul</title>
		<link>http://theclick.us/2011/12/massoud-hossainis-front-page-photograph-from-an-attack-in-kabul/</link>
		<comments>http://theclick.us/2011/12/massoud-hossainis-front-page-photograph-from-an-attack-in-kabul/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 01:24:14 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Photojournalism]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=24299</guid>
		<description><![CDATA[Lens Massoud Hossaini was photographing young Afghan Shiites during a procession for Ashura, which marks the death of Shiite Islam’s holiest martyr. Some of those he had photographed recognized him. The 30-year-old photographer, who is Shiite himself, remembered seeing some of them smile. Then, everything changed.]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2011/12/07/in-the-midst-of-a-horrific-scene-tears/?pagewanted=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-CVsLTSiFp2Q/TuARuaWCbbI/AAAAAAAAA4Y/v6Jpu9YH0bY/20111207-lens-massoud-slide-P7K7-custom1.jpeg?imgmax=800" alt="20111207 lens massoud slide P7K7 custom1" title="20111207-lens-massoud-slide-P7K7-custom1.jpeg" border="0" width="480" height="317" /><br />Lens<br />
</a></p>
<blockquote><p>Massoud Hossaini was photographing young Afghan Shiites during a procession for Ashura, which marks the death of Shiite Islam’s holiest martyr. Some of those he had photographed recognized him. The 30-year-old photographer, who is Shiite himself, remembered seeing some of them smile.</p>
<p>Then, everything changed.</p></blockquote>]]></content:encoded>
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