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	<title>The Click &#187; Portfolios &amp; Galleries</title>
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	<link>http://theclick.us</link>
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		<title>Photographs of Modern Witchcraft</title>
		<link>http://theclick.us/2012/02/photographs-of-modern-witchcraft/</link>
		<comments>http://theclick.us/2012/02/photographs-of-modern-witchcraft/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 01:37:56 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25285</guid>
		<description><![CDATA[Link: Feature Shoot Photographer Alice Smeets was born in the German speaking part of Belgium in 1987 and currently divides her time between Belgium and Haiti]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.featureshoot.com/2012/02/photographs-of-modern-witchcraft/"><br />Link: Feature Shoot<br />
</a></p>
<blockquote><p>Photographer Alice Smeets was born in the German speaking part of Belgium in 1987 and currently divides her time between Belgium and Haiti</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Andrea Bruce&#8217;s Photographs From Refugee Camps in Afghanistan</title>
		<link>http://theclick.us/2012/02/andrea-bruces-photographs-from-refugee-camps-in-afghanistan/</link>
		<comments>http://theclick.us/2012/02/andrea-bruces-photographs-from-refugee-camps-in-afghanistan/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 01:36:06 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25276</guid>
		<description><![CDATA[Link: Lens Inside the family hut, only women and close male relatives were allowed to mourn over the body of the baby boy, Khan Mohammad, who had died earlier that morning. After Andrea Bruce, on assignment for The New York Times, bent over double and eased her way through the low door of the hut, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2012/02/08/uncovering-the-sadness-of-young-deaths/?pagewanted=all"><br />Link: Lens<br />
</a></p>
<blockquote><p>Inside the family hut, only women and close male relatives were allowed to mourn over the body of the baby boy, Khan Mohammad, who had died earlier that morning. After Andrea Bruce, on assignment for The New York Times, bent over double and eased her way through the low door of the hut, she counted 17 women, including the mother, plus the boy’s 10-year-old sister Feroza, and the father, in a one-room house no larger than a normal-size bedroom. It was, she said, even colder inside than outside, where at least there was the weak morning sun.</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Photographing Amusement Parks: Roller Coasters in Rwanda; Fairy Tales in Turkmenistan</title>
		<link>http://theclick.us/2012/02/photographing-amusement-parks-roller-coasters-in-rwanda-fairy-tales-in-turkmenistan/</link>
		<comments>http://theclick.us/2012/02/photographing-amusement-parks-roller-coasters-in-rwanda-fairy-tales-in-turkmenistan/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 01:35:59 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25273</guid>
		<description><![CDATA[Link: LightBox That visit spurred a four-year journey for photographer Anoek Steketee, documented in their series Dream City, through the world of carnies and Ferris wheels from Rwanda to Turkmenistan. The parks’ surreal fairy-tale settings, with perfectly manicured gardens in areas torn by genocide and ethnic clashes, showed the duo that the desire to escape from reality [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://lightbox.time.com/2012/02/08/dream-city-anoek-steketee/#1"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-OThe7OkF3ck/TzMi-yqkVjI/AAAAAAAABNI/TAaWvKLKlFQ/1_spacegun.jpeg?imgmax=800" alt="1 spacegun" title="1_spacegun.jpeg" border="0" width="490" height="490" /><br />Link: LightBox<br />
</a></p>
<blockquote><p>That visit spurred a four-year journey for photographer Anoek Steketee, documented in their series Dream City, through the world of carnies and Ferris wheels from Rwanda to Turkmenistan. The parks’ surreal fairy-tale settings, with perfectly manicured gardens in areas torn by genocide and ethnic clashes, showed the duo that the desire to escape from reality is a universal human need</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>On the Road with the Tea Party Express</title>
		<link>http://theclick.us/2012/02/on-the-road-with-the-tea-party-express/</link>
		<comments>http://theclick.us/2012/02/on-the-road-with-the-tea-party-express/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 01:34:30 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25270</guid>
		<description><![CDATA[Link: Photo Booth: The genesis for Jason Andrew’s current project, “Under the Banners of American Flags,” came in April, 2010, as he witnessed the growing momentum across America of what would become the Tea Party movement. Last summer, as Republicans geared up for the Presidential electoral spectacle, Andrew hopped on board the Tea Party Express [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.newyorker.com/online/blogs/photobooth/2012/02/on-the-road-with-the-tea-party-express.html?currentPage=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-H2NbOQqYtXY/TzMikEKQ2gI/AAAAAAAABNA/YFTZZLoyJa8/JasonAndrew0001.jpeg?imgmax=800" alt="JasonAndrew0001" title="JasonAndrew0001.jpeg" border="0" width="465" height="467" /><br />Link: Photo Booth:<br />
</a></p>
<blockquote><p>The genesis for Jason Andrew’s current project, “Under the Banners of American Flags,” came in April, 2010, as he witnessed the growing momentum across America of what would become the Tea Party movement. Last summer, as Republicans geared up for the Presidential electoral spectacle, Andrew hopped on board the Tea Party Express for its fifth tour across the land of the free</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MOMENTS OF THE HUMAN CONDITION</title>
		<link>http://theclick.us/2012/02/moments-of-the-human-condition/</link>
		<comments>http://theclick.us/2012/02/moments-of-the-human-condition/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 15:02:52 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25260</guid>
		<description><![CDATA[Link: Peter Turnley]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.peterturnley.com/moments/01.shtml#pic"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-f7zqitJXI7o/TzKOmrMWx-I/AAAAAAAABM0/Sk4pIrcyMvY/001.jpeg?imgmax=800" alt="001" title="001.jpeg" border="0" width="500" height="337" /><br />Link: Peter Turnley<br />
</a></p>
<blockquote></blockquote>]]></content:encoded>
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		</item>
		<item>
		<title>Misha Friedman&#8217;s Photographs of Tuberculosis</title>
		<link>http://theclick.us/2012/02/misha-friedmans-photographs-of-tuberculosis/</link>
		<comments>http://theclick.us/2012/02/misha-friedmans-photographs-of-tuberculosis/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 15:01:27 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25254</guid>
		<description><![CDATA[Link: Lens Misha Friedman’s photographs of tuberculosis are dark, black-and-white glimpses of passing lives. In many of the frames — shot in Uzbekistan, Ukraine and Russia — there is a wandering, ghostly presence.]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2012/02/08/saving-lives-or-photographing-them/?pagewanted=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-rv4mVgCPe_c/TzKORBLM5DI/AAAAAAAABMs/YoaoSFMdcXg/20120207-lens-TB-slide-AY20-custom1.jpeg?imgmax=800" alt="20120207 lens TB slide AY20 custom1" title="20120207-lens-TB-slide-AY20-custom1.jpeg" border="0" width="480" height="324" /><br />Link: Lens<br />
</a></p>
<blockquote><p>Misha Friedman’s photographs of tuberculosis are dark, black-and-white glimpses of passing lives. In many of the frames — shot in Uzbekistan, Ukraine and Russia — there is a wandering, ghostly presence.</p>
</blockquote>]]></content:encoded>
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		<item>
		<title>Syria Under Siege: Photographs by Alessio Romenzi</title>
		<link>http://theclick.us/2012/02/syria-under-siege-photographs-by-alessio-romenzi/</link>
		<comments>http://theclick.us/2012/02/syria-under-siege-photographs-by-alessio-romenzi/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 15:00:38 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25251</guid>
		<description><![CDATA[Link: LightBox Photographer Alessio Romenzi has been among just such enemies of the Assad government: with fighters of the Free Syrian Army and with the people of Bab Amr, a rebellious district in the besieged city of Homs. On assignment for TIME, he took shelter with local families in a basement of Bab Amr. No [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://lightbox.time.com/2012/02/08/syria-under-siege-photographs-by-alessio-romenzi/#1"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-DuYFYnPtVoA/TzKOEqHeQ6I/AAAAAAAABMk/PXHJKZQ_pcY/roa120206073.jpeg?imgmax=800" alt="Roa120206073" title="roa120206073.jpeg" border="0" width="325" height="488" /><br />Link: LightBox<br />
</a></p>
<blockquote><p>Photographer Alessio Romenzi has been among just such enemies of the Assad government: with fighters of the Free Syrian Army and with the people of Bab Amr, a rebellious district in the besieged city of Homs. On assignment for TIME, he took shelter with local families in a basement of Bab Amr. No one dared to step outside or even venture upstairs for fear of government shells crashing onto them. Bodies were dragged into homes from the street so they would not rot in the open. The dead littered the corridors. It was too dangerous to hold funerals. Romenzi counted 25 civilian fatalities in just two hours of bombardment in his immediate area. As he wrote in an email, “The word ‘safe’ is not in our dictionary these days.”</p></blockquote>]]></content:encoded>
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		</item>
		<item>
		<title>Grozny: Nine Cities (10 Photos)</title>
		<link>http://theclick.us/2012/02/grozny-nine-cities-10-photos/</link>
		<comments>http://theclick.us/2012/02/grozny-nine-cities-10-photos/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 14:58:08 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25242</guid>
		<description><![CDATA[Link: PDN Olga Kravets, Maria Morina and Oksana Yushko have been working on “Grozny: Nine Cities” for more than two years]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.pdnphotooftheday.com/2012/02/12655"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-iPAjLKV6Nak/TzKNfTM3HGI/AAAAAAAABMU/xsT3-5Sa-kM/groznyninecities18.jpeg?imgmax=800" alt="Groznyninecities18" title="groznyninecities18.jpeg" border="0" width="494" height="500" /><br />Link: PDN<br />
</a></p>
<blockquote><p>Olga Kravets, Maria Morina and Oksana Yushko have been working on “Grozny: Nine Cities” for more than two years</p></blockquote>]]></content:encoded>
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		<title>Magical Photos From a Small Town in Northern Russia</title>
		<link>http://theclick.us/2012/02/magical-photos-from-a-small-town-in-northern-russia/</link>
		<comments>http://theclick.us/2012/02/magical-photos-from-a-small-town-in-northern-russia/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 13:04:37 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Editor's Choice]]></category>
		<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25232</guid>
		<description><![CDATA[Link: Lens Evgenia Arbugaeva has warm memories of a very cold place. She grew up in Tiksi, a port town on Siberia’s Arctic coast — to her, a magical realm of wonder and discovery where she reveled in the “little miracles” of her endless natural playground]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2012/02/07/siberian-memories-warm-and-real/?pagewanted=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh5.ggpht.com/-YC7osFb5M6Q/TzEhXiVJ2gI/AAAAAAAABMI/h8iaAfgKHm8/20120202-lens-magicrussia-slide-GG87-custom1.jpeg?imgmax=800" alt="20120202 lens magicrussia slide GG87 custom1" title="20120202-lens-magicrussia-slide-GG87-custom1.jpeg" border="0" width="480" height="320" /><br />Link: Lens<br />
</a></p>
<blockquote><p>Evgenia Arbugaeva has warm memories of a very cold place.</p>
<p>She grew up in Tiksi, a port town on Siberia’s Arctic coast — to her, a magical realm of wonder and discovery where she reveled in the “little miracles” of her endless natural playground</p></blockquote>]]></content:encoded>
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		<item>
		<title>Photographs on the Brain #42</title>
		<link>http://theclick.us/2012/02/photographs-on-the-brain-42/</link>
		<comments>http://theclick.us/2012/02/photographs-on-the-brain-42/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 15:19:41 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25211</guid>
		<description><![CDATA[Link: LPV Magazine Christophe Negrel]]></description>
			<content:encoded><![CDATA[<p><a href="http://lpvmagazine.com/2012/02/photographs-on-the-brain-42/"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-MU_O1kTSnhc/Ty_vfsI9JZI/AAAAAAAABL0/55je55T4sZ8/photostream.jpeg?imgmax=800" alt="Christophe Negrel" title="by Christophe Negrel" border="0" width="500" height="331" /><br />Link: LPV Magazine<br />
</a></p>
<blockquote><p>Christophe Negrel</p></blockquote>]]></content:encoded>
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		<item>
		<title>Tom Paiva</title>
		<link>http://theclick.us/2012/02/tom-paiva/</link>
		<comments>http://theclick.us/2012/02/tom-paiva/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 16:05:33 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25190</guid>
		<description><![CDATA[Link: L E N S C R A T C H Over the past year I have been working on this project of the closed auto dealerships in Los Angeles. Well over 3500 dealerships have closed nationwide, laying off an estimated 200,000 people. This presence is felt in these acres of empty asphalt and boarded [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lenscratch.com/2012/02/tom-paiva.html"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-8MVkzp9JE-8/Ty1XOkEoAeI/AAAAAAAABLc/AMxRBOBcwtU/View%2525208n-111110-810a.jpeg?imgmax=800" alt="View 8n 111110 810a" title="View 8n-111110-810a.jpeg" border="0" width="319" height="400" /><br />Link: L E N S C R A T C H<br />
</a></p>
<blockquote><p>Over the past year I have been working on this project of the closed auto dealerships in Los Angeles. Well over 3500 dealerships have closed nationwide, laying off an estimated 200,000 people. This presence is felt in these acres of empty asphalt and boarded up buildings</p></blockquote>]]></content:encoded>
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		</item>
		<item>
		<title>Battle of the Panoramas</title>
		<link>http://theclick.us/2012/02/battle-of-the-panoramas/</link>
		<comments>http://theclick.us/2012/02/battle-of-the-panoramas/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 00:59:09 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25181</guid>
		<description><![CDATA[Link: Photo Booth: New York City is long and tall, and there are a million ways to slice it. In a show called “Widely Different,” part of the inaugural exhibition of the recently re-opened South Street Seaport Museum]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.newyorker.com/online/blogs/photobooth/2012/02/widely-different.html?currentPage=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-tHVg9XLaKic/TyyCwcl2kmI/AAAAAAAABLQ/R-8Jucc6vVs/120213_panorama-01_p102.jpeg?imgmax=800" alt="120213 panorama 01 p102" title="120213_panorama-01_p102.jpeg" border="0" width="465" height="213" /><br />Link: Photo Booth:<br />
</a></p>
<blockquote><p>New York City is long and tall, and there are a million ways to slice it. In a show called “Widely Different,” part of the inaugural exhibition of the recently re-opened South Street Seaport Museum</p></blockquote>]]></content:encoded>
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		<item>
		<title>Antonio Bolfo, the Police Officer With a Camera</title>
		<link>http://theclick.us/2012/02/antonio-bolfo-the-police-officer-with-a-camera/</link>
		<comments>http://theclick.us/2012/02/antonio-bolfo-the-police-officer-with-a-camera/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 15:06:00 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25175</guid>
		<description><![CDATA[Link: Lens There are all sorts of reasons why people become New York City police officers. Tradition. Family ties. The pension. Antonio Bolfo’s reasoning was simple. “I was bored,” he said.]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2012/02/03/on-the-beat-with-a-gun-and-a-camera/?pagewanted=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-Hksup4YLAZQ/Tyv31hBW18I/AAAAAAAABLE/Xwgimo4E2ug/Screen%252520Shot%2525202012-02-03%252520at%2525208.05.02%252520AM.png?imgmax=800" alt="Screen Shot 2012 02 03 at 8 05 02 AM" title="Screen Shot 2012-02-03 at 8.05.02 AM.png" border="0" width="500" height="327" /><br />Link: Lens<br />
</a></p>
<blockquote><p>There are all sorts of reasons why people become New York City police officers. Tradition. Family ties. The pension. Antonio Bolfo’s reasoning was simple.</p>
<p>“I was bored,” he said.</p></blockquote>]]></content:encoded>
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		</item>
		<item>
		<title>One Shot Teenie: The Photographs of Charles Harris</title>
		<link>http://theclick.us/2012/02/one-shot-teenie-the-photographs-of-charles-harris/</link>
		<comments>http://theclick.us/2012/02/one-shot-teenie-the-photographs-of-charles-harris/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 15:04:36 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25172</guid>
		<description><![CDATA[Link: LightBox “One Shot” Harris freelanced for the Pittsburgh Courier, chronicling the life of black neighborhoods throughout the city.]]></description>
			<content:encoded><![CDATA[<p><a href="http://lightbox.time.com/2012/02/03/charles-teenie-harris/#1"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-RnOy7rdzT-0/Tyv3ge3bLKI/AAAAAAAABK8/cIXEvsTfDnA/apples.jpeg?imgmax=800" alt="Apples" title="apples.jpeg" border="0" width="500" height="392" /><br />Link: LightBox<br />
</a></p>
<blockquote><p>“One Shot” Harris freelanced for the Pittsburgh Courier, chronicling the life of black neighborhoods throughout the city.</p></blockquote>]]></content:encoded>
			<wfw:commentRss>http://theclick.us/2012/02/one-shot-teenie-the-photographs-of-charles-harris/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>I-4 or bust</title>
		<link>http://theclick.us/2012/02/i-4-or-bust/</link>
		<comments>http://theclick.us/2012/02/i-4-or-bust/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:35:07 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25160</guid>
		<description><![CDATA[Link: Redlights and Redeyes I-4 is an interesting road.  Connecting Daytona, Orlando and Tampa, it slices the nub of South Florida right off the map, it provides a vast array of landmarks – strange kitschy theme parks, vasectomy billboards, and rest stop oasis after oasis.  It is also fertile ground for voters and an area [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://chiplitherland.com/blog/2012/02/01/i-4-or-bust/"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh6.ggpht.com/-_a9CPxTYKKI/Tyq7OSXOjsI/AAAAAAAABKk/BCoaMLCXZOY/I-4_0011.jpeg?imgmax=800" alt="I 4 0011" title="I-4_0011.jpeg" border="0" width="500" height="333" /><br />Link: Redlights and Redeyes<br />
</a></p>
<blockquote><p>I-4 is an interesting road.  Connecting Daytona, Orlando and Tampa, it slices the nub of South Florida right off the map, it provides a vast array of landmarks – strange kitschy theme parks, vasectomy billboards, and rest stop oasis after oasis.  It is also fertile ground for voters and an area candidates target every election cycle.</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>newt, mitt, ron, and rick&#8230;</title>
		<link>http://theclick.us/2012/02/newt-mitt-ron-and-rick/</link>
		<comments>http://theclick.us/2012/02/newt-mitt-ron-and-rick/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:34:25 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25157</guid>
		<description><![CDATA[Link: Redlights and Redeyes here are some random rectangles from the week of covering Mitt Romney’s win in the Florida Primary with some scraps from the cutting room floor as a bonus.]]></description>
			<content:encoded><![CDATA[<p><a href="http://chiplitherland.com/blog/2012/02/01/newt-mitt-ron-and-rick/"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh5.ggpht.com/-Avj9X3ti65A/Tyq7DwNXMvI/AAAAAAAABKc/sxDdWBSrQ1k/debate063.jpeg?imgmax=800" alt="Debate063" title="debate063.jpeg" border="0" width="500" height="333" /><br />Link: Redlights and Redeyes<br />
</a></p>
<blockquote><p>here are some random rectangles from the week of covering Mitt Romney’s win in the Florida Primary with some scraps from the cutting room floor as a bonus.</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Guatemala: Eternal Spring, Eternal Tyranny</title>
		<link>http://theclick.us/2012/02/guatemala-eternal-spring-eternal-tyranny/</link>
		<comments>http://theclick.us/2012/02/guatemala-eternal-spring-eternal-tyranny/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:31:10 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25148</guid>
		<description><![CDATA[Link: Lens This week, while Mr. Ríos Montt is under house arrest, Ms. Simon is reprinting her book “Guatemala: Eterna Primavera, Eterna Tirania,” a chronicle of the worst of the war years that builds upon her 1988 volume “Guatemala: Eternal Spring, Eternal Tyranny.” This time, she has raised $20,000 through Kickstarter to help produce 4,000 [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2012/02/02/a-testament-from-guatemalas-war-years/?pagewanted=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh6.ggpht.com/-6zOR4y9S21w/Tyq6TPqjjZI/AAAAAAAABKE/IQRFa_C_fBE/20120202-LensGuatemala-slide-DURW-custom1.jpeg?imgmax=800" alt="20120202 LensGuatemala slide DURW custom1" title="20120202-LensGuatemala-slide-DURW-custom1.jpeg" border="0" width="190" height="243" /><br />Link: Lens<br />
</a></p>
<blockquote><p>This week, while Mr. Ríos Montt is under house arrest, Ms. Simon is reprinting her book “Guatemala: Eterna Primavera, Eterna Tirania,” a chronicle of the worst of the war years that builds upon her 1988 volume “Guatemala: Eternal Spring, Eternal Tyranny.” This time, she has raised $20,000 through Kickstarter to help produce 4,000 copies on glossy stock and with sewn bindings that will be sold for about $10 each. More important, she has set aside some 1,000 copies to be given away to schools and teachers in Guatemala.</p>
</blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>The Founding Fathers of Video Games</title>
		<link>http://theclick.us/2012/02/the-founding-fathers-of-video-games/</link>
		<comments>http://theclick.us/2012/02/the-founding-fathers-of-video-games/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 16:30:22 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Gaming]]></category>
		<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25145</guid>
		<description><![CDATA[Rip Off is such a great game. Hard time choosing between it and Major Havoc for the pic&#8230; Link: LightBox A youth wasted on video games unexpectedly paid off for me in an assignment to profile the old dogs behind the newest gaming company: Innovative Leisure]]></description>
			<content:encoded><![CDATA[<p>Rip Off is such a great game. Hard time choosing between it and Major Havoc for the pic&#8230;</p>
<p><a href="http://lightbox.time.com/2012/02/02/the-founding-fathers-of-video-games/#1"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-pch3FeUQApw/Tyq6Gs9rkPI/AAAAAAAABJ8/xvtSImFXSVc/time_atari_20120116_0137-copy.jpeg?imgmax=800" alt="Time atari 20120116 0137 copy" title="time_atari_20120116_0137-copy.jpeg" border="0" width="500" height="333" /><br />Link: LightBox<br />
</a></p>
<blockquote><p>A youth wasted on video games unexpectedly paid off for me in an assignment to profile the old dogs behind the newest gaming company: Innovative Leisure</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Luiz Carlos Barreto and Tropical Light</title>
		<link>http://theclick.us/2012/02/luiz-carlos-barreto-and-tropical-light/</link>
		<comments>http://theclick.us/2012/02/luiz-carlos-barreto-and-tropical-light/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 14:53:00 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25121</guid>
		<description><![CDATA[Link: Lens Before he became one of Latin America’s most prolific filmmakers — with more than 80 movies credited to his production company — Luiz Carlos Barreto was a photographer. For 15 years beginning in the late 1940s, he worked for O Cruzeiro, a Brazilian weekly magazine similar to Life or Look traveling all over [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://lens.blogs.nytimes.com/2012/02/01/forget-the-light-shoot-the-shadows/?pagewanted=all"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh4.ggpht.com/-9NaKo-tfWT0/TylRykV83KI/AAAAAAAABJw/FKes9n9clMw/20120201-LensBarreto-slide-RDMC-custom1.jpeg?imgmax=800" alt="20120201 LensBarreto slide RDMC custom1" title="20120201-LensBarreto-slide-RDMC-custom1.jpeg" border="0" width="480" height="321" /><br />Link: Lens<br />
</a></p>
<blockquote><p>Before he became one of Latin America’s most prolific filmmakers — with more than 80 movies credited to his production company — Luiz Carlos Barreto was a photographer. For 15 years beginning in the late 1940s, he worked for O Cruzeiro, a Brazilian weekly magazine similar to Life or Look traveling all over Latin America and also working as a correspondent in Europe.</p></blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Magnum Emergency Fund Announces 2012 Grantees</title>
		<link>http://theclick.us/2012/02/magnum-emergency-fund-announces-2012-grantees/</link>
		<comments>http://theclick.us/2012/02/magnum-emergency-fund-announces-2012-grantees/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 14:52:29 +0000</pubDate>
		<dc:creator>Trent Nelson</dc:creator>
				<category><![CDATA[Contests]]></category>
		<category><![CDATA[Portfolios & Galleries]]></category>

		<guid isPermaLink="false">http://theclick.us/?p=25118</guid>
		<description><![CDATA[Link: LightBox The Magnum Foundation Emergency Fund has made an exclusive announcement to LightBox disclosing the winners of its 2012 grants. The fund, which began in 2009, awards the annual prize to photographers from around the world who use their cameras to shed light on underserved issues and communities.]]></description>
			<content:encoded><![CDATA[<p><a href="http://lightbox.time.com/2012/02/01/exclusive-magnum-emergency-fund-announces-2012-grantees/#1"><img style="display:block; margin-left:auto; margin-right:auto;" src="http://lh3.ggpht.com/-cmHEoalAq1k/TylRqe4UdHI/AAAAAAAABJo/ZalHedWCLqQ/maxon02.jpeg?imgmax=800" alt="Maxon02" title="maxon02.jpeg" border="0" width="500" height="325" /><br />Link: LightBox<br />
</a></p>
<blockquote><p>The Magnum Foundation Emergency Fund has made an exclusive announcement to LightBox disclosing the winners of its 2012 grants. The fund, which began in 2009, awards the annual prize to photographers from around the world who use their cameras to shed light on underserved issues and communities.</p>
</blockquote>]]></content:encoded>
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		<slash:comments>0</slash:comments>
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