Category: Technique & Workflow

How to make a photobook


Link: Conscientious Extended

My headline is slight disingenuous: There actually is no simple recipe for photobook making. If you asked ten people about how to make a photobook, you’d probably end up with ten different answers. That said, from what I can tell, most photobook makers seem to agree on quite a few things. So I thought I’d throw my own thoughts into the mix. I hope that some people might find them useful

Anatomy of the Ideal Google+ Profile


Link: PhotoShelter

I’m going to skip the argument about whether you really need another social media account or how it can benefit your photography business, because the bottom line is this: we know from the analytics that social media drives traffic to photography websites (the aggregate of PhotoShelter websites sees about 23% of their total referral traffic from social media). More visitors to your website ultimately means the potential for more business. The end.

Setting up your Canon 5D mkII (and mkIII?)


Link: Vincent Laforet

The 5D MKII came out nearly 4 years ago – but this is still one of the single most common questions I get to this day as new people are continually entering the HDSLR world.  I also find that many professionals aren’t aware of many of these settings themselves and I thought: “Better late than never.”    So here are the settings that I have used with the Canon 5D MKII – and a comparison between the standard picture profile, the profile I recommend, and the Technicolor profile with some examples on grading

Mob Wives – Behind the Scenes

MobWives Peoples FINAL low
Link: F. Scott Schafer

Got a call from VH1 to do a very large scale, two-day production for Mob Wives Season 2. They wanted a very decadent, over-the-top image that represented the countdown to midnight, as well as the new season, which started on New Years Day. The idea was that this image was taken moments before the main cast members engaged in an all-out brawl. We knew this would be a very complicated shot due to the sheer number of people involved, the restrictions of the location, and the limitations surrounding the main cast. For instance, the main women could not all be in the room at the same time. Since they are on a reality show, if there was any interaction between them, it needed to be recorded by the TV cameras. So we had to photograph them separately and then stitch them together along with all the other pieces that would be involved in this composite.