Juxtapoz Magazine - Joseph Lawton "Being and There" @ Aurelia Gallery
Being and There is a photographic travel journal featuring black and white photography by Joseph Lawton from India, China, Indonesia, Russia, Fra...
War, Sex, and Violence, Or Life According to Yan Morvan
With the project Yan Morvan Archives, Battcoop publishing takes a comprehensive look at the photojournalist’s work.
Spirit: Focus on Indigenous Art, Artists, and Issues: Pat Kane - LENSCRATCH
The project, Here Is Where We Shall Stay by Pat Kane focuses on how Indigenous people in my region are moving towards meaningful self determination by resetting the past. The act of reclaiming culture and identity is ongoing, and my friends here are resil
The Recipients of the 42nd W. Eugene Smith Fund Grant
The Award is being shared among Five Photographers covering stories from around the world. Each winner will receive $10,0000 to be used to continue their individual projects on a range of subjects.
Territory and Memory: Four Road Trips across Forgotten Russia
Today’s Russia is known mostly for its politics, the splendor of Saint Petersburg, and Moscow’s monuments. To get into the heart of the largest nation on the planet, Blind hits the road with four young photographers who explore their country’s territory a
The Little-Seen World of Demolition Derbies
The shirtless, sweating men splayed across and against car hoods and dashboards in Derby convey a sense of bonded brotherhood and physical intimacy.
Ken Graves and Eva Lipman expose the surprisingly tender and at times erotically charged moments that happen before and after impact, when human and machine bodies come into close contact.
Deponie (Landfill) - Photographs by Tobias Kruse | Essay by Jörg Colberg | | LensCulture
In these quietly disturbing black-and-white photographs, Tobias Kruse confronts the unsettling first decade of East Germany after the fall of the Wall, including its Nazi past and present
More on Consent
There obviously is a topic here that extends beyond this particular case in question. Last year, I wrote an article about consent that focused on what I see as photographers’ obligations. It might be worthwhile, though, to approach the subject matter from the other side: from the vantage point of those find themselves on the other side of the camera.
Michael Grecco, US punk and post punk photographer - interview
Photographer and filmmaker Michael Grecco was in London recently, exhibiting at Photo London in support of his book Punk Post Punk New Wave published last | Louder Than War
Spirit: Focus on Indigenous Art, Artists, and Issues: Brian Adams - LENSCRATCH
A year ago, Spirit: Focus on Indigenous, Art, Artists and Issues, was launched featuring artists Will Wilson, Shelley Niro, Meryl McMaster, Kiliii Yuyan, Donna Garcia, Pat Kane, Jeremy Dennis, and the collaboration of Kali Spitzer and Bubzee. The objectiv
I AM INUIT is a project that seeks to connect the world with Alaskan Inuit (Inupiat, Yup’ik, Cup’ik and St. Lawrence Island Yupik) and the Arctic, through common humanity. In 2015, Brian Adams and The Inuit Circumpolar Council Alaska teamed up to visit 20 Inuit villages in Alaska resulting in the book I AM INUIT (Benteli) and an international traveling exhibition with the Anchorage Museum.
26 Black-and-White Photography Favorites from LensCulture | LensCulture
LensCulture’s editors revisit 26 of the most popular recent articles that feature black-and-white photography – portfolios, essays, interviews, exhibitions and book reviews
Badlands – The Leica camera Blog
Beyond the tourist trails: In his series Badlands, Tomeu Coll reveals the gloomier side of his homeland, Mallorca.
Epiphany Knedler: Wish You Were Here - LENSCRATCH
I can’t remember where I first came across the work of Epiphany Knedler, but I was so knocked out by the installation of her MFA show that it was hard to forget. She created an immersive space that forced us to reconsider the selling of the West, romantic
The Afghan War: A Photographer’s Journal
The Times photographer Tyler Hicks, who chronicled the 20-year war, captured American troops in battle, the deaths of civilians, schoolgirls in class and the struggles of ordinary Afghans to survive.
One of the first things the New York Times photographer Tyler Hicks witnessed after arriving in Afghanistan in late 2001, soon after U.S. airstrikes on Oct. 7 opened the invasion, was the execution of a wounded Taliban fighter. The scene shocked him, upending everything he thought he knew about war and about the Afghan Northern Alliance — the U.S.-aligned fighters who had been his guides and protectors, and the Talib’s killers.
Feng Li’s Absurdist Dramas on the Streets of Chinese Cities
Feng Li's latest work delivers a surreal world, where joy and grief, cruelty and fragility are distributed among kindred spirits.
The photographer’s latest work delivers a surreal world, where joy and grief, cruelty and fragility are distributed among kindred spirits.
The Last Man - Photographs by Lauren Grabelle | Interview by Cat Lachowskyj | LensCulture
Out on her partner’s ranch in remote Montana, Lauren Grabelle documents her surroundings with a bite, picturing life as it is lived in wilderness, bordered by mountains and shared with a variety of beasts
The Constructed Self - Photographs and text by Karen Navarro | Critic’s insight from Alona Pardo | LensCulture
Reimagining portraiture as a playful practice of deconstruction, Karen Navarro’s visual puzzles remind us that identity is a fluid and multifaceted process
In Visible Light – The Leica camera Blog
The Q2 has been Sam Ferris's faithful companion for the past two years, while he explores the streets of Sydney. He spoke to us about what drives him.
Magnum announces new Nominees, Associate and Member at its 74th AGM in Paris | Magnum Photos Magnum Photos
“It feels amazing, humbling, exciting and huge to think that I have been nominated by Magnum photographers, who have been among my favorite photographers since I started taking pictures. It also feels right to contribute with my point of view, as a documentarist and as an Arab woman,” says Boulos of her nomination. “I hope that the future holds, for me, many encounters, collaborations and new ways of documenting, questioning and resisting the world we live in.”
Perspective | ‘Happy to see you here’: The peace and joy of Blackness on Martha’s Vineyard
Photographer Cornell Watson's recent vacation with his family to Martha's Vineyard showed him what seemed like a fantasy: Black people living life seemingly free of the anxieties and stresses that life normally holds.