The Devastation of Kharkiv

Russian attacks have terrorized the civilian population in the Ukrainian city.

I visited Kharkiv less than a month before Russian missiles started striking it. Most of the people I met there—and all of the men whom I met there—told me that they, and the city, were ready for war. They thought they knew what war was. A Russian-orchestrated attempt to take over the city had failed in 2014, but, just to the east of Kharkiv, an occupation regime was established, and a shooting war went on for eight years. A giant blue-and-yellow tent in Freedom Square, with a banner that said “Everything for victory,” stood as a stubborn reminder that the war wasn’t over. Then Russia’s full-scale invasion of Ukraine began. Within a few weeks, Kharkiv was unrecognizable.

U.S. Supreme Court to Hear Critical 'Fair Use' Case Over Warhol Photo

The ultimate verdict will have major ramifications on fair use in the visual arts.

Lynn Goldsmith is a famed photographer who is also a long-time American Society of Media Photographers (ASMP) member. In 1984 Vanity Fair licensed one of Goldsmith’s photos of Prince that was shot in December of 1981 for $400 to create an illustration of Prince to be used in an article “Purple Fame.” Vanity Fair did not inform Goldsmith that the photo was being used by Warhol as a reference, and she did not see the article when it was initially published.

Inside An NFT Collector's Eclectic Photo Gallery - Feature Shoot

Peter Molick’s photography collection brings us around the world, from the unforgiving polar nights of Russia’s Kola Peninsula, captured by Simon Roberts, to the sun-baked landscapes of the American West,…

“Despite having sold out a collection of my own, Crossings (Houston), I hadn’t fully bought into the idea of photographs sold as NFTs. But during this conversation, it really became clear to me that an NFT of a photograph is essentially the digital edition offered of that work by an artist, and it can be as simple as that.

WATCH: Visual Storytelling in Sports Photography - PhotoShelter Blog

Sports photography is full of exciting action, raw emotion and powerful moments that live on well beyond the shot clocks, time-outs and commercial breaks. For Abbie Parr and Jean Fruth, covering sports isn’t just about documenting unbridled passion and on

For Abbie Parr and Jean Fruth, covering sports isn’t just about documenting unbridled passion and once-in-a-lifetime moments. It’s also a chance to celebrate a community of dedicated champions, enthusiasts, creatives and more.

A Syrian Photographer’s Gift to Refugee Children

After fleeing his native country for Turkey, Serbest Salih created a mobile darkroom and went on the road teaching kids to make pictures.

The Syrian photographer Serbest Salih had just finished university, in 2014, when the Islamic State laid siege to his home town of Kobani. He fled to the Turkish province of Mardin, just over the border, where tens of thousands of Syrian refugees have settled during the past decade’s civil war. A multiethnic conflict zone at the edge of Mesopotamia, Mardin is home to a community center called the Sirkhane Social Circus School. Under the tutelage of volunteer instructors there, children affected by war learn to juggle, spin plates, and walk on stilts.

For journalists, Ukraine is a WhatsApp war

Lindsey Hilsum, a correspondent for Britain’s Channel 4 News, is one of the most experienced conflict reporters covering the Ukraine war. But she never heads out without an electronic tracking device that allows editors to monitor her every move. She i

LINDSEY HILSUM, A CORRESPONDENT for Britain’s Channel 4 News, is one of the most experienced conflict reporters covering the Ukraine war. But she never heads out without an electronic tracking device that allows editors to monitor her every move. She is in constant and nearly instantaneous contact with her desk, and works closely with a security team with resources both inside and outside Ukraine. WhatsApp and Signal groups connect her to colleagues in the field—and provide a level of real-time battlefield information that, a decade ago, would have been available only to a top general.
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Categorized as War

Photographing the Reality of War

Lynsey Addario, a Times photojournalist in Ukraine, shares her experiences on the ground and how she communicates with her subjects during difficult moments.

A Matter of Conscience: Acclaimed combat photojournalist Maks Levin reported missing near Kyiv | The Milwaukee Independent

Lyseiko said that Levin took his personal car and went to photograph hostilities on March 13. He left his car near the village of Huta Mezhyhirska and went to the village of Moshchun. A text message was sent from his phone at 11:23 a.m., and after that he was not heard from again. Later, it was reported that hostilities started within the area where Levin was planning to work. It is presumed that he could have been wounded or taken prisoner by Russian troops.

A Ukrainian Photographer Documents the Invasion of His Country

For Maxim Dondyuk, the story was always personal, but never more than over the past few weeks

n the seconds before impact, mortars whistle as they fall, making a loud and almost plaintive sound Maxim Dondyuk will never forget. He will not forget the sting of their shrapnel, which felt like a hot knife in his arm, or the sight of the women and children he photographed during the shelling near Kyiv on March 6. He hopes the people who see his photos will not be able to forget them either. “I don’t stay here and do this because I am a masochist,” Dondyuk, who is Ukrainian, says by phone from the center of Kyiv. “I do it because sometimes a photo can change people, change societies.” With luck, he says, it might help stop a war.

Patrick Chauvel: "In War Photography, Some Brutality Must Be Shown" — Blind Magazine

Patrick Chauvel, 72, covers the war in Ukraine for Paris-Match. A few hours before his departure, he welcomed Blind at his home to look back on his 50 years of war photography. Half a century of history told in an album published for the 30th anniversary

At 72, Patrick Chauvel covers the war in Ukraine for Paris-Match. A few hours before his departure, he welcomed Blind at his home to look back on his 50 years of war photography. Half a century of history told in an album published for the 30th anniversary of Reporters Without Borders, entitled 100 photos for freedom of the press.