He chronicled the fashion shifts of stylish young Black New Yorkers in the 1980s and ’90s in photographs celebrated at the Bronx Museum of the Arts.
When Jamel Shabazz was a teenager in Brooklyn, a gang member opened his eyes to the power of photography. Shabazz was introduced by a junior high school friend to one of the Jolly Stompers. During Shabazz’s visit to his apartment, the Stomper, who was only 18 or 19 himself, took out thick photo albums with pictures of his confederates. “They had a style I had never seen before,” Shabazz said. “They wore suits, and their pants had creases. You would never know they were in a gang.”
Mimi Plumb used to live on the edges of the city where the rents were cheap. Nearby, on the summit of the hill, were folded layers of radiolarian cher...
Plumb’s life was marked by nights out dancing at the Crystal Pistol in the Mission, or listening to a punk polka band at the Oasis. Neil, the clarinet player, wore faux leather naugahosen, with spikes protruding from his head. Sometimes they played pool at Palace Billiards. At the Exotic/Erotic Ball, a bird man and a nurse hid in the corners. A steely-eyed silver man in his tuxedo stared back at Plumb from behind his mask, the camera flash shining a light on him.
Two photographers share how Michele McNally, who shepherded a new age of photography at The New York Times, touched their lives and work.
She wanted to teach me photo editing to better inform my photography. For months, we met at 7 a.m. to look through 75 years of Fortune magazine photography at what is now called the Life Picture Collection. She’d explain to me her vision of a successful frame, what she looked for in a photographic composition and why some images had become icons. We’d sift through the hundreds of folders each morning before the workday began.
The photographs in Ross McDonnell’s book Joyrider are a coming-of-age story, one where everything and everyone are constantly changing in the midst of...
A cinematographer by trade, McDonnell began photographing young residents of the Ballymun housing estate in Dublin, Ireland, in 2006 after studying film at university. A failed government social experiment in the process of being torn down, Ballymun had become a symbol of Dublin’s underclass, ravaged, as the book explains, “by successive drug epidemics and inter-generational malaise.”
Since 2005, nearly 2200 newspapers across the United States have shuttered, and newspaper jobs have plummeted nearly 57%. Photojournalists have been hit hard by the cuts. But now a new business model is hoping to reverse the trend—and not just support pho
Exodus | By Nicolò Filippo Rosso In Latin America, lack of job opportunities, limited access to education, and political corruption have persisted for generations, fueling cycles of violence and di…
As I documented migrants’ journeys, I kept in mind the diversity of reasons that push each population to emigrate. Still, I also understood how the political persecutions, the impunity, and the problematic access to primary rights such as food and healthcare broadly affect Latin America’s societies, provoking mass migrations across the continent. Decades of civil war, endemic poverty, or violence make it hard for migrants to find better conditions than those they are fleeing.
The oppressive drone laws in Texas have been found to be unconstitutional.
The drone law in question amounted to a broad ban on drone use for a wide range of purposes that included journalism. The NPPA says that it stood against the law back when it was first proposed in 2013 and, at the time, urged the legislature to reject the bill.
Photographing hypermodern urban landscapes through the ghostly haze of LEDs and smog, Mårten Lange’s new work from China shows a country haunted as mu...
Made in 2018 and 2019 in the six largest cities of the country, the series depicts urban places that have expanded rapidly in recent years and that appear both futuristic and suspended outside of time. Following Lange’s long-time fascination with ideas of utopia and dystopia, this is his most extensive work to date
Simon Townsley reveals the stories behind some of his most impactful photographs from the conflict
I was part of a team of photographers and writers covering the first weeks of the conflict, following Russia’s invasion on February 24. None of us had any real idea how the situation would evolve or what to expect. We still don’t know what lies ahead.
Russian attacks have terrorized the civilian population in the Ukrainian city.
I visited Kharkiv less than a month before Russian missiles started striking it. Most of the people I met there—and all of the men whom I met there—told me that they, and the city, were ready for war. They thought they knew what war was. A Russian-orchestrated attempt to take over the city had failed in 2014, but, just to the east of Kharkiv, an occupation regime was established, and a shooting war went on for eight years. A giant blue-and-yellow tent in Freedom Square, with a banner that said “Everything for victory,” stood as a stubborn reminder that the war wasn’t over. Then Russia’s full-scale invasion of Ukraine began. Within a few weeks, Kharkiv was unrecognizable.
The ultimate verdict will have major ramifications on fair use in the visual arts.
Lynn Goldsmith is a famed photographer who is also a long-time American Society of Media Photographers (ASMP) member. In 1984 Vanity Fair licensed one of Goldsmith’s photos of Prince that was shot in December of 1981 for $400 to create an illustration of Prince to be used in an article “Purple Fame.” Vanity Fair did not inform Goldsmith that the photo was being used by Warhol as a reference, and she did not see the article when it was initially published.
Peter Molick’s photography collection brings us around the world, from the unforgiving polar nights of Russia’s Kola Peninsula, captured by Simon Roberts, to the sun-baked landscapes of the American West,…
“Despite having sold out a collection of my own, Crossings (Houston), I hadn’t fully bought into the idea of photographs sold as NFTs. But during this conversation, it really became clear to me that an NFT of a photograph is essentially the digital edition offered of that work by an artist, and it can be as simple as that.
Sports photography is full of exciting action, raw emotion and powerful moments that live on well beyond the shot clocks, time-outs and commercial breaks. For Abbie Parr and Jean Fruth, covering sports isn’t just about documenting unbridled passion and on
For Abbie Parr and Jean Fruth, covering sports isn’t just about documenting unbridled passion and once-in-a-lifetime moments. It’s also a chance to celebrate a community of dedicated champions, enthusiasts, creatives and more.
After fleeing his native country for Turkey, Serbest Salih created a mobile darkroom and went on the road teaching kids to make pictures.
The Syrian photographer Serbest Salih had just finished university, in 2014, when the Islamic State laid siege to his home town of Kobani. He fled to the Turkish province of Mardin, just over the border, where tens of thousands of Syrian refugees have settled during the past decade’s civil war. A multiethnic conflict zone at the edge of Mesopotamia, Mardin is home to a community center called the Sirkhane Social Circus School. Under the tutelage of volunteer instructors there, children affected by war learn to juggle, spin plates, and walk on stilts.
Lindsey Hilsum, a correspondent for Britain’s Channel 4 News, is one of the most experienced conflict reporters covering the Ukraine war. But she never heads out without an electronic tracking device that allows editors to monitor her every move. She i
LINDSEY HILSUM, A CORRESPONDENT for Britain’s Channel 4 News, is one of the most experienced conflict reporters covering the Ukraine war. But she never heads out without an electronic tracking device that allows editors to monitor her every move. She is in constant and nearly instantaneous contact with her desk, and works closely with a security team with resources both inside and outside Ukraine. WhatsApp and Signal groups connect her to colleagues in the field—and provide a level of real-time battlefield information that, a decade ago, would have been available only to a top general.
The French American photographer, known for his documentation of the human condition for the past 40 years, shares his experience alongside Ukrainian refugees, from the day he left his home in Paris, and returned.