NYTimes.com says:
From the time he arrived in the United States from Chile as a college student in 1965, the photographer Camilo José Vergara has been haunting, and haunted by, American cities.
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in Photography
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Thomas Hawk says:
On Monday May 18, I spent the afternoon and early evening down meeting with the Lightroom team at Adobe’s headquarters in San Jose California. At present there are about 30 individuals directly related to the production of Lightroom, the software that I use to process my images (you can see many of their names on the splash screen for the product when Lightroom loads). There are many additional people beyond the 30 that contribute to the product in some way, shape or form and you can click on full credits to see an even larger list of names.
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Feature Shoot says:
Davin Ellicson (b. 1978) is working on a long-term project about the transformation of rural life in Eastern Europe as the European Union expands. He lived and farmed with a peasant family for a year in the Maramures region of northern Romania, the most traditional area of Europe, and is now pursuing stories throughout the Balkans.
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Nikon Rumors says:
I received that tip anonymously several days ago. The name Nikon D300s is not really what we all expected, but everything makes sense (at least to me): same as the D300 plus HD movie mode, built-in mic and stereo audio input, dual SD and CF slots
in Equipment
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Sebastião Salgado says:
I was in Kuwait in 1991. The first Gulf war had just finished, but the oil wells were still burning. To get into the country, I had to go to Saudi Arabia and hire a four-wheel drive the colour of the sand – because that was the colour of the US army vehicles. Then, to cross the border, someone told me to find a card in the same sort of colours as a US army ID card and wave it upside-down. Nobody stopped me, and I got through.
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BLDGBLOG says:
These extraordinary images—published here for the first time—show the imperial palaces of Saddam Hussein converted into temporary housing for the U.S military. Vast, self-indulgent halls of columned marble and extravagant chandeliers, surrounded by pools, walls, moats, and, beyond that, empty desert, suddenly look more like college dormitories. Weight sets, flags, partition walls, sofas, basketball hoops, and even posters of bikini’d women have been imported to fill Saddam’s spatial residuum. The effect is oddly decorative, as if someone has simply moved in for a long weekend, unpacking an assortment of mundane possessions.
Via Conscientious
in Interviews
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Lens Blog – NYTimes.com says:
The shadow of a train runs along the Baghdad Railway, used by the Turkish government to deport thousands of Armenians in 1915. In the window, there is a figure of a traveler, the photographer herself: Kathryn Cook. The image, among the first in her photo essay, “Memory of Trees,” conveys the sense of a personal journey into a historically resonant landscape.
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PDN says:
It may be the best photojournalism project we can’t show you: A powerful three-screen audio-visual presentation about the war in Afghanistan. The difficulty is that it requires a theater rigged with three projectors. So far, Tim Hetherington’s “Sleeping Soldiers” triptych has only been screened in one place, the 2009 New York Photo Festival.
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Photometadata.org says:
To protect your copyrights. To make money licensing photography. To smooth your workflow. To track image use. To find images you need. To find them again. You need to understand and use photo metadata. We can help.
Via PDN.
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Belmont Series – Images by Kathryn WagnerVia Kathryn Wagner: Photographer: New photographic series: “Belmont”
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NYTimes.com says:
And yet a raw-celebrity movement has been slow in coming. That may be because, as several editors said privately, celebrities’ publicists almost always demand retouching of wrinkles and visible cellulite. As a result, a celebrity can look different from one magazine to the next.
in Ethics
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burn magazine says:
Photographed predominantly in the broken, rusted, skeletons of communities around Sakhalin Island, Russia, these images explore the wintry atmosphere of a remote land and its people, long scarred from the Soviet era and left behind in modern times.
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Thomas Hawk says:
I had a few questions regarding why I mark off the Canon logos on my camera gear based on the video I posted earlier today with Marc Silber. I thought I’d explain that here in a new post.
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NYTimes.com says:
In this small town just across the border from Germany, a small group of Dutch scientists and one irrepressible Austrian salesman have dedicated themselves to the task of reinventing one of the great inventions of the 20th century — Polaroid’s instant film.
in Equipment
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Troy Harvey says:
I received a phone call in the late afternoon hours of May 6, informing me of a fire in the hills of Santa Barbara. Not knowing the exact details of the fire, I quickly packed my things and headed for the flames.
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Brian Blanco says:
Interestingly enough, turning in my company-owned equipment wasn’t the hardest part. Nor was it saying good-bye to my friends and colleagues at my farewell potluck held in the section of empty cubicles that, in the not-so-distant past, had been bustling with activity and decorated with family photos of the employees who once sat and worked there. Even the long walk, after having been summoned, to the infamous little room next to the publisher’s office wasn’t really that painful. For me, the hardest thing about getting laid off from my staff position was waking up the next morning and realizing I had nowhere to go.
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Lens Blog – NYTimes.com says:
These compelling Widelux views of an Arkansas prison farm were taken in 1975 by Bruce Jackson, an academic who accidentally became a photographer.
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Todd Spoth says:
I have always been a proponent of multimedia and video. It excited me, and I love to learn new skills. I made a list of things I wanted to learn, a list of resources to learn from, and a list of skills I thought the normal newspaper photojournalist transitioning to multimedia would not likely seek out. Things on the last list are arguably less relevant to the traditional journalist, but I wanted to have skills others didn’t, such as knowledge of specialized programs like Adobe After Effects, creative titling and editing, and 3D graphics, among others.
