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Link: Instagram and Murder — BagNews

There has been quite a bit of discussion about the Instagram photos of shooting victims at the Empire State Building yesterday, with as much debate on the actual photo threads as off. Much of the discussion involves propriety, with suggestions in media the images were too immediate, too numb, too insensitive.


Link: Gregory Heisler Interview

Grayson: On the opposite side of the spectrum from being subject-proof, do you have photo shoots that fail from time to time?
Gregory: I think they all suck. The picture I was hoping for is never the picture I get, but yeah, I think they fail all the time. Fortunately my clients don’t think they do, so I can continue to have a career. But I just look at them and think, ugh.

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Link: A Tyranny of Ones – The Photo Society

David Burnett:

There just didn’t seem to be enough hours in the day that I could manage so that the work load of both shooting and file management was done with confidence  and competence.  In addition,  I was exhibiting signs of retrograde camera envy.  Besides the digital cameras at hand, I wanted to shoot with my 1940s Speed Graphic, a beautiful old beast of a press camera, with a 1943 aerial recon camera lens on it.  I have shot with this camera for a decade, and find that when I look into its amazing viewfinder, I see things I just miss with my digi cams.  The old lens, long and fast, sees the world in a very different way than the Canons, and in many ways IS a perfect foil for the smaller more agile counterparts.  First, it uses Film.  There is no practical affordable digital back for a 4×5” camera at least not yet, and frankly I kind of hope no one develops one anytime soon.  There is, in the use of film, film holders, and a semi ancient camera, something very satisfying, very “I have to get this in ONE shot,” something very, shall we say, Romantic.

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Link: American Photographs by Walker Evans – TIME LightBox – LightBox

Like the work of most great artists, the best of Walker Evans’ pictures are marvels of contradiction. Or, rather, they acquire their power through the contradictions they deftly reconcile. One especially striking example: a photograph from 1930 (slide 11 in this gallery) comprised of elements so incongruous that, taken together, they really should not bear scrutiny for more than a few moments before the viewer, shrugging indifferently, moves on.


Link: Can You Take a Photograph Anywhere? – NYTimes.com

Literally every day, someone is being arrested for doing nothing more than taking a photograph in a public place. It makes no sense to me. Photography is an expression of free speech.

Since 9/11, there’s been an incredible number of incidents where photographers are being interfered with and arrested for doing nothing other than taking pictures or recording video in public places.

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Link: The Boy from Troy by Brenda Ann Kenneally – LightBox

There was an uneasy identification between the two of us that grew into friendship over the next eight years while I continued to document Kayla, Sabrina and their friends who lived as a family on the same block. A family, I discovered, that was formed largely in response to increasingly punitive legal, moral and economic shifts within their working class community. I watched, as school either became the interface between the justice system and a disengaged teenager or a lifeline thrown from an involved teacher. At year six, I began to agonize about the utility of this monster story and when Donny began school, it became evident that he was the story. Donny is the proverbial child that this neighborhood raised


Link: Bruce Davidson: Thoughts On A Lifetime With Leica « The Leica Camera

Well, there are two things I’ve never done: I’ve never been under fire in a war and I never learned how to open my eyes underwater. For example, I had a fashion assignment on the beaches of Miami, but there were Portuguese Man O’ War jellyfish so we couldn’t jump into the surf as planned. So the art director said to me, “Bruce, let’s rent a motel pool,” and I said, “That’s a great idea!” He replied, “OK, I’ll rent an underwater camera.” I dove in with this waterproof camera to take pictures of these actors playing with the new fashionable stretch fabric clothing, but I never opened my eyes underwater. When I got out of the water, the actors asked how it looked and I said, “It’s beautiful!”  When the pictures were edited, there were headless people — headless children without arms, women with half their heads gone, etc. The art director said, “This is brilliant work. This is superb! How did you do it?” I never told them, to this day, that I had never seen a thing

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Link: lens culture: Power, The Fourth Prix Pictet Shortlist

Twelve photographers have been shortlisted for the prestigious fourth Prix Pictet. This year’s theme for the photography prize is Power.

The artists, all with outstanding portfolios, come from ten countries: Algeria, Azerbaijan, Belgium, France, Netherlands, South Africa, Spain, United Kingdom, United States and Vietnam.

Les Culture is pleased to provide an overview of the finalists’ portfolios here in a high-resolution slide show of 115 images.

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Link: Tom Stoddart: Perspectives « The Leica Camera

Today marks the Opening Ceremonies of the London 2012 Olympics and Stoddart hopes that his exhibition Perspectives will open up more awareness of global issues that are in stark contrast to the caliber of health that the athletes showcase. The exhibition starts today at one of London’s prime South Bank sites and will run from 25 July – 11 September, throughout the Olympic and Paralympic Games. Seventy-eight of Stoddart’s black and white pictures will form a free, open-air display at More London Riverside, between City Hall and HMS Belfast.

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Link: Beyond 7 Billion – latimes.com

After remaining stable for most of human history, the world’s population has exploded over the last two centuries. The boom is not over: The biggest generation in history is just entering its childbearing years. The coming wave will reshape the planet, and the impact will be greatest in the poorest, most unstable countries.
BY KENNETH R. WEISS :: PHOTOGRAPHY BY RICK LOOMIS

via NPPA

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Link: gustavo jononovich – richland | burn magazine

RICHLAND is my first long-term book project about the over-exploitation of the natural resources in Latin America and the resulting long-term negative effects, both human and environmental. The push for accelerated world economic growth has led to increasing demand for natural resources. Rather than benefit from natural resources abundance and wealth, local people living in areas of exploitation have experienced loss of livelihoods, health problems, human rights violations and environmental degradation

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