A Conversation with Thomas Weski

What all of these artists have in common is that I often don’t understand their work right away, that I maybe even initially reject it or file it away too quickly in some drawer. But they all pull me back and ask me to re-engage and to look more closely. The fact that these bodies of work initially refuse to be engaged in a simple and easy way makes them all the more precious for me, something I often find hard to put into words.