This year’s offerings range from enormous, luxe tomes like Garry Winogrand to smaller, more intimate works like The Pigs. Overall the selection confirms — in a heartening way, for all of us — that even as unwieldy maelstroms of information emerge from all of our digital devices, many of us still enjoy being transfixed, or transported, by an encounter with a singular vision. After all, the pleasure and quiet thrill that one gets sitting down with a good book — especially one that pushes the boundaries of the format — simply can’t be reproduced in mere ones and zeroes. In that spirit of celebrating a still-vital art form, we humbly offer our take on the photobooks we loved most in 2013.
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