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Is Ryan Kelly’s Pulitzer Prize-winning Photograph an American ‘Guernica’?

At first glance, the photograph is nearly impossible to make sense of visually or politically. Cars are not supposed to drive into pedestrians; fellow citizens are not supposed to kill each other over political differences. And there’s so much in the frame of the image – so many figures and forms crowded together, most only partially visible – that you can’t take it in all at once.

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