From The Moscow Times:

“I was there yesterday and talked to the police chief,” Abramyan said. “I can’t understand how a group of people could simply stab a person in the metro in the very center of Moscow and get away. How did the police manage not to arrest anyone? What about their video cameras?”

Two million Armenians live in Russia, Abramyan said. He added that Armenians have been advised against riding the metro in the evening and going out in the outlying districts of cities, where most racially motivated attacks occur.

Here.

From Supertouch:

Fausto Vitello, publisher of Juxtapoz & Thrasher magazines & a seminal figure in the worlds of skateboarding & underground art died suddenly on Saturday afternoon, April 22, 2006. Check back for updates as they become available. This photo of F.V. was taken in 1978. He will be missed…

Here.

From Journal of a Photographer:

That made this lady furious and she said “I will call the cops now” and took out her cell phone. It was a bizarre situation and the only think I could say in that moment was “Alright, go ahead and call the police. Then we can speak about that again.” She looked a little confused, I guess she wasn’t expecting such an answer. She didn’t call the cops but went over to one of the workers in the amusement park telling him that I photographed his son, that I refuse to delete the images and that he should call the security. Nick and me were just looking at each other finding this situation more and more obscure.
Here.

From the New York Times Magazine:

When I spoke to Kai-Fu Lee in Google’s Beijing offices, there were moments that to me felt jarring. One minute he sounded like a freedom-loving Googler, arguing that the Internet inherently empowers its users. But the next minute he sounded more like Jack Ma of Alibaba — insisting that the Chinese have no interest in rocking the boat. It is a circular logic I encountered again and again while talking to China’s Internet executives: we don’t feel bad about filtering political results because our users aren’t looking for that stuff anyway.

They may be right about their users’ behavior. But you could just as easily argue that their users are incurious because they’re cowed. Who would openly search for illegal content in a public Internet cafe — or even at home, since the government requires that every person with personal Internet access register his name and phone number with the government for tracking purposes? It is also possible that the government’s crackdown on the Internet could become more intense if the country’s huge population of poor farmers begins agitating online. The government is reasonably tolerant of well-educated professionals online. But the farmers, upset about corrupt local officials, are serious activists, and they pose a real threat to Beijing; they staged 70,000 demonstrations in 2004, many of which the government violently suppressed.

Here.

Make sure you look at photographer Adriano Avila’s images from Brazil, in C-Heads issue #2.
From Creative Heads:

We proudly present the second issue of C-Heads!

This issue contains great artists, touching and amazing pictures and music for the soul.

Here.

From the Daily Sun, Nigeria’s King of the Tabloids:

Bimbo Akinyele
If by age 29-32, I am still single? Then it must be a curse. Ehn! God forbid sha. That is not my portion. I know there are ladies who are in the habit of snubbing men. I am really sorry for them. They don’t realise that, unfortunately, we are just a seasonal merchandise. Once your season comes and goes, and you fail to grab it, you are likely to bite your fingers in regret. For me o, I will not wait until it is late before I start to pray and fast. It is very important and I know it.

Here.

From the Mail & Guardian:

“Let us eliminate these warlords and set up a peaceful administration supported by the vast majority of people in Mogadishu,” Sulley said, prompting the crowd to chant angry slogans denouncing the warlords.

“Down with the agents of America and down with agents promoting Satanic teaching,” they yelled, according to an Agence France-Presse correspondent on the scene.

Here.

From Lens Culture:

Canadian photogapher Edward Burtynsky worked through diplomatic channels to gain access to photograph many sites undergoing enormous change. With his large format camera, over the course of three years, Burtysnky has captured the vast scale and minute details of monumental transformations of a society. He documents today’s “factories for the world”; the dumping grounds for the hand-recycling of the world’s e-waste; the unprecedented migrations of millions of humans toward brand new urban environments; and the ecological footprint of Three Gorges Dam, the largest dam on the planet that forced the relocation and threatened the livelihoods of more than 1.13 million people.

Here.

From Hamburger Eyes:

When opening Hamburger Eyes Photo Magazine you enter a pictorial history of both the unseen and iconic moments of everyday life. It is organized in such a way that it has become many things to many people. As a photo journal, we share our travels and experiences. As a photo diary, we share our accomplishments and heartaches. And as a photo album, we share our families and friends and reach people on a level they have been familiar with since their first birthday party. Our publication is currently composed of black + white photography. We have contributions from photographers of all levels. Inspired by the traditions that began with National Geographic and Life Magazine, we hope to revitalize the sensation of photography as a craft as well as a tool to record and document.

Here.

From the CDC:

The CDC is a private correctional facility that protects the public through the secure management, discipline, and rehabilitation of California’s advertising.

Here.

From ProductDose:

We went and checked out the opening of the I Am 8 Bit exhibition last night. This group show is the second annual exhibition of ‘80s gaming-inspired art, bringing together over 100 artists in a variety of mediums. The exhibition, co-curated by Jon M. Gibson, is on through May 19 at Gallery Nineteen Eighty Eight in Los Angeles, and if you have any interest in the impact of classic video games on contemporary pop culture, you are going to want to check this show out.

Here.

From Magnum Photos:

Alex Majoli’s work in Marseille finds its form here in a series of diptychs: a “portrait in black” appears next to a close view of a nocturne close-up landscape of areas under work in Marseille. They were made for the Ministry of Culture about the social-architectural transformation of the city of Marseille called EUROMED.

From this juxtaposition results an impression of beauty, strength, and visual pleasure. It doesn’t come only from a visually pleasant image, but from a unity, a meeting of intents that are both at the origin of and enriched by the specific process of creation of this particular project. The combination of the two pictures is sustained by the strong priciple of the personal experience, constant in the work of Alex Majoli, and by the unique taste and direction: always wanting to go to the core point, always having the essential questions, questions with no answer, always being “clinical” as Alex himself says.

The black background in the portraits is an effect created during the shooting, in full daylight. With a very limited exposure and a strong flash. The people in the portraits are mostly people doing the same routine trip in the streets of Marseille center. Some are passing by here by very chance. Alex isn’t interested in the posture but by the position: where are they? The exact position on Earth retrieved by the GPS is the unique complementary information given by the photographer. Can the latitude and longitude give us an answer?

The same artificial light characterizes the landscapes, photographed at night, while the city is sleeping. Alex went back during the night with the same GPS navigator. As the person is no longer the character of the plot of life imposed by the context, “the landscapes are not really landscapes.” They are small pieces of reality, just as we are. -Lorenza Orlando

Here.

From Juxtapoz:

Opening night photos from the Art Dorks group show at Toyroom Gallery in Sacramento, CA.

Photos by Mildred

Opening Reception April 14, 2006 – 7pm-Late
Runs thru May 13th, 2006

The Art Dorks… Shawn Barber, Mike Burnett, David Chung, Brendan Danielsson, Mark Elliot, Jad Fair, Robert Hardgrave, Gregory Jacobsen, Travis Louie, Chris Mostyn, Jason Murphy, Jeremy Pruitt, Katie Ridley, Meagan Ridley, Chris Ryniak, Kim Scott, and Johnny Yanok

Here.

From the Cape Argus:

Shoppers ran for their lives when bloody warfare between two rival Cape Flats gangs spilled over into a crowded Wynberg shopping mall.

The confrontation, between members of rival Hanover Park gangs the Ghetto Kids and the Americans, began outside the magistrate’s court where a gang leader was appearing yesterday.

It then spilled into the streets and the busy Maynard Mall.

Three men were stabbed.

Here.

From the New York Times:

“During the first week that the additional on-site racks were in service, 43 percent of the Star Tribunes removed from those racks were not paid for. For the second week the rate was 41 percent. This is called ‘pilferage’ in our business; but put more plainly, it is theft, pure and simple.”

Mr. Alexander proceeded apace: “Taking more than one newspaper from a rack when you have only inserted enough money for one paper is unacceptable and will not be tolerated. Employees who steal newspapers will put their jobs at risk. There is zero tolerance when it comes to stealing from our company, even if it is a 25-cent newspaper.”

When the memo landed on Romenesko, the journalism site, the company, rather than realizing that it had stepped in something unwholesome, began telling employees that the leaker would be found out and dealt with. The sideshow left some employees embarrassed and wondering why a debate over free personal copies of the paper was obscuring the fact that the public was buying the newspaper — and almost any newspaper — less frequently.

Here.

From PDN:

In a year when journalism from Hurricane Katrina dominated the Pulitzer Prizes, the staff of The Dallas Morning News won the 2006 Pulitzer for breaking news photography for coverage of the hurricane. It is the second time in three years The Dallas Morning News has claimed the breaking news photography prize.

Todd Heisler of the (Denver) Rocky Mountain News won the feature photography Pulitzer Prize for the “Final Salute” project. It is Heisler’s second Pulitzer. In 2003, he was part of the Rocky Mountain News team that won the breaking news photography prize for coverage of wildfires.

Here.

From the New York Times:

A practiced escape artist, Charles Taylor knows he is better off in Europe than in Sierra Leone, where thousands of people would happily administer vigilante justice. Any escape from the protection of the United Nations detention center in Freetown would be a death sentence.
Here.

From the New York Times:

The documentary honors the victims of the Armenian genocide and also pays tribute to dissidents in Turkey who are brave enough to speak out despite government censorship. And that makes it all the odder that so many public television stations here censored the follow-up program as soon as a few lobby groups complained.

Here.

From the New York Times:

But Mazher Mahmood, a reporter whose modus operandi is to dress up as a wealthy Arab businessman and secretly record conversations with his unwitting victims, recently met his match in George Galloway, a member of the British Parliament and frequent critic of Israel and the United States.

Here.

Photo Gallery from Jason M. Olson Photography:

another gallery. this time the demolition derby in duchesne. part of the glory days of utah six. you know, back when it existed.
Here.

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