A marriage of art and activism, the artist’s searing photographs reveal the human toll of economic injustice.
This fall, Frazier will publish “Flint Is Family in Three Acts,” a record of her five-year collaboration with people affected by the ongoing contaminated-water crisis in Flint, Mich. “The Last Cruze,” a formidable and moving volume of portraits and interviews with the autoworkers, was released in December. “If you take the work seriously, it changes how you see people,” said the artist Doug DuBois, another friend and mentor, who taught Frazier at Syracuse University. Her work has the power to propel viewers “from empathy to activism,” he said. “If you get it, you’re going to get angry.”
Van Agtmael’s images in his new book, “Sorry for the War,” highlight all the little ways in which the war twists and perverts whatever it touches, over there as well as over here.
For a decade and a half, Peter van Agtmael has been photographing the conflicts in Iraq and Afghanistan and their human fallout around the globe. In 2014, he published “Disco Night Sept 11,” which chronicled some of the more unexpected echoes between the wars overseas and the home front between 2006 and 2013. His new book, “Sorry for the War,” focusses on Iraq but roves farther afield. It includes images of refugees in Europe, U.S. military veterans Stateside, victims of an isis terrorist attack in Paris, an American guard at Guantánamo, and an Iraqi civilian injured in the battle of Mosul. Each individual picture is startlingly rich and lucid. Cumulatively, though, they present the viewer with a riddle: What can we learn from this body of work as a whole?
The Magnum president’s latest book reinterprets her cult classic Learn to See for young people.
Eyes Open is loosely inspired by Meiselas’ previous cult classic, Learn to See, a sourcebook of ideas from and for teachers and students published by the Polaroid Foundation in 1974. Reimagining this volume nearly 50 years later, Eyes Open saw Meiselas work with students and their work, not to mention an array of teachers who also submitted ideas for the newly published tome.
Ten years after the Revolution, she is coming out with a new version of her book In The Shadow of the Pyramids, which at the time portrayed the emotional chaos the photographer felt when, in 2005, she left the U.S. to return to Egypt, where she experienced the political whirlwind that was transforming her country then.
The late photographer, who left behind more than two million images, spent her life in search of the elusive iconic frame.
“Mary Ellen would never have made this book,” Martin Bell, Mary Ellen Mark’s husband and collaborator of more than thirty years, writes in an essay accompanying The Book of Everything, the three-volume collection of the photographer’s life’s work recently published by Steidl.
Pairing extracts of pages from her personal diaries with portraits of young women in their teens, the American photographer paints a candid picture around the complexity of growing up.
The placement of Templeton’s accounts and the photographs was carefully considered, to ensure no mistakes were made with regard to associating particular words with specific images. She was especially mindful of sequencing. “I didn’t want to place any entry I thought was really sensitive next to a person,” she says. “I didn’t want any misinterpretations.” By candidly revealing her intimate thoughts and reflections, Templeton de-stigmatises subjects which too often go undiscussed, demonstrating a path through even the most difficult times.
“This amazing compendium of photographs celebrating the Golden State is truly a love letter to California. One hundred and ten photographers offer intriguing photographs and perspectives on our special sliver of the west coast. At a time of Covid, wildfi
It is a brave individual who is willing to take on a visual exploration of the entire state of California, especially a state that has landscape ranging from the sublime to the more sublime–landscape, people, and places that sit along a spectacular coastline, landscapes that include iconic National Parks and mountain ranges, landscapes that move across deserts and fields of agriculture. But alas, artist and curator Michael Rababy took it all on, and the result is a new book, California Love: A Visual Mixtape, showcasing a stunning collection of work by 110 California-based photographers in 320 pages with 608 images. The book reveals a shared appreciation and alignment for all that makes this west coast state the storytelling, dream-holding place that it is. The images are as varied stylistically as the state is geographically, and reflect the people, places, and personality that help define California.
Last summer, the photojournalist and animal rights activist Konrad Lozinski went undercover to document life inside an integrated pig fattening barn in Poland. “This photo was taken during the daytime,…
When I drive through the streets of Los Angeles, I am overwhelmed by the homeless encampments that are literally everywhere–in door ways, under freeway over passes, in every park in the city–clusters of tents are now a ubiquitous part of the landscape. Co
"The Seven Cities" is the third in his series called "The Invisible Yoke." Here he looks at the people and places of Hampton Roads, and at the weight of memory.
Eich’s latest photography book, “The Seven Cities,” is a look at the places and people that make up Hampton Roads. It shows the variety that anyone can discover in an hour’s drive from an oyster roast in Suffolk to a Russian Orthodox Church service in Virginia Beach to an Amtrak bus station stop in Newport News. It also illuminates the grief, hope, anxiety and laughter of its people.