New Guide! How I Got The Shot: Second Edition

In this new guide, How I Got The Shot, 12 new photographers share behind-the-scenes video, lighting diagrams and gear lists.

12 new photographers break down how they arrived at their final vision — sharing work in commercial, fashion, portrait, automotive photography, and more

Duterte’s War on Drugs Through a Local Photographer’s Eyes – The New York Times

“When a President Says ‘I’ll Kill You’” is a Times documentary on the deadly crusade led by President Rodrigo Duterte of the Philippines that he has called “a war on drugs.” The film features Raffy Lerma, a photojournalist for The Philippine Daily Inquirer who has tirelessly worked to tell the story of the the killings. Andrew Glazer, a senior video producer for The Times, recounts some of his experiences making the documentary.

Report: Video isn't as popular with viewers as it is with advertisers - Poynter

From person-to-person coaching and intensive hands-on seminars to interactive online courses and media reporting, Poynter helps journalists sharpen skills and elevate storytelling throughout their careers.

Readers spent nearly two times more time looking at longform content (text posts with more than 1,000 words) than they did the average post. Online video, by comparison, was viewed three-tenths less than the average post. Slideshows, meanwhile, were viewed slightly more (three tenths) than the average post.

Deception and One Last Roll of Film: The Story Behind the Tank Man Photo

As part of their incredible "100 Most Influential Photographs of All Time" project, TIME is telling the stories behind some of the most powerful

Widener shares this story in his own words in the video interview above. As image after image that he had captured scrolls across the screen, you hear about how he drew “the short straw” and put his life on the line to capture the Tiananmen square protests as they happened.

BEST NEWS BLOOPERS 2016

Funny news bloopers that hit the internet in 2016. PLEASE SUBSCRIBE! https://goo.gl/2gJW4j BEST NEWS BLOOPERS 2012 https://youtu.be/gesm2CiVbuo BEST NEWS BLO...

While documenting a war-torn Syria, photojournalist Nish Nalbandian has seen countless buildings perforated by bullet holes. He’s seen rockets illuminating the night sky. He’s also encountered body parts— limbs and torsos blown off by artillery shells.

Meeting ‘the Other’ Face to Face

With “The Enemy” project at M.I.T., the photojournalist Karim Ben Khelifa hopes to engender a form of empathy beyond the reach of traditional documentary film.

But when I stand, I quickly find myself in a featureless all-white room, a kind of Platonic vestibule. On the walls at either end are striking poster-size black-and-white portraits taken by the noted Belgian-Tunisian photographer Karim Ben Khelifa, one showing a young Israeli soldier and another a Palestinian fighter about the same age, whose face is almost completely hidden by a black hood.

Campaign '16 In Pictures: Watch the School of Visual Arts Lecture by RTP's Michael Shaw - Reading The Pictures

On 9/22/16, The School of Visual Arts presented "Campaign '16 In Pictures," a lecture by Reading the Pictures publisher, Michael Shaw. Watch it here.

On September 22nd, 2016, Michael Shaw presented a lecture at The School of Visual Arts in New York tracing the visual arc of this presidential election beginning with one Clinton tweet back in September 2014

Juxtapoz Magazine - Artist Took a Selfie Every Hour for an Entire Year

In 1980 Teching Hsieh took a self-portrait every hour on the hour for an entire year. In 1980 Teching Hsieh, who is known for his long-term performanc...

In 1980 Teching Hsieh, who is known for his long-term performances and immersive projects, took a self-portrait every hour on the hour for an entire year. This short film by Versus captures the essence of Hsieh's One Year Performance 1980–1981 (Time Clock Piece).

Just a background melody - Thoughts of a Bohemian

Sport photography has always been about the defining moment. As a New York Times experiment shows during , it might not be the case anymore...

What the New York Times did ( and continues to do) is use Facebook Live to show all the images from the Olympics as they are coming in from Reuters, Getty, AP, EPA and AFP. One after the other, with no captions and just credits. And since wire services move very fast, those pictures are just a few minutes old

Strategies for Sensitive Visual Storytelling Panel - The Photo Brigade

This special panel moderated by ViewFind's Lead Photo Editor Andrea Wise explores some of the delicate issues that arise when making bodies of work on sensitive topics.

This special panel moderated by ViewFind’s Lead Photo Editor Andrea Wise explores some of the delicate issues that arise when making bodies of work on sensitive topics. The panel consists of NYC-based ViewFind contributors including Dorie Hagler, Michael Santiago, Jonah Markowitz, and Radcliffe (Ruddy) Roy.

This Must-See Timelapse Took Three Years and One Million Photos to Make

The Lion City II – Majulah is a photographic love letter to Singapore; actually, love novel might be more appropriate. A time-lapse overflowing with

The Lion City II – Majulah is a photographic love letter to Singapore; actually, love novel might be more appropriate. A time-lapse overflowing with creative camera work brought together with brilliant editing, it’s not an understatement to say photographer Keith Loutit just raised the timelapse bar.

LFI artist talk – Bruce Gilden (video) - Leica Rumors

Magnum photographer Bruce Gilden is talking about his projects: Coney Island, Haiti, Black Country and American Made. Related posts: “American Made” by Bruce Gilden (video) Bruce Gilden on his project for RATP Bruce Gilden – Postcards from America, Magnum

Magnum photographer Bruce Gilden is talking about his projects: Coney Island, Haiti, Black Country and American Made.

Thomas Peschak Uses Photojournalism to Help Save Our Oceans | American Photo

Originally trained as a marine biologist, Thomas Peschak transitioned from the field in 2004 in order to pursue a discipline he felt was even more effective in ocean conservation efforts: photojournalism. Peschak is now a photographer for National Geographic Magazine and the Director of Conservation for the Save our Seas Foundation. He has been named as one of the 40 most influential nature photographers in the world.