
Alyson Fox likes doing things. In her case, ‘things’ mean drawing, taking pictures, designing clothes, making shop windows pretty – and probably one or two more ‘things’ since we last talked.
Check it out here.
Alyson Fox likes doing things. In her case, ‘things’ mean drawing, taking pictures, designing clothes, making shop windows pretty – and probably one or two more ‘things’ since we last talked.
Check it out here.
In honor of this tenth anniversary, we went back to a few PDN’s 30 photographers and asked them to once again share some advice with the next generation of photographers. We asked each of them: What is one of the most important lessons you’ve learned? How have your career goals changed? And, of course: What have you been doing lately?
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I love the craft of creating. That something can affect so many people is a great feeling of accomplishment. It happens so quickly that we tend to take it for granted and it’s really very special. 40 million people will see these pictures in the Geographic, that’s terrifying.
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I met Ofer Wolberger in the Artist in the Marketplace Fellowship program at the Bronx Museum of the Arts in 2003. It was all too apparent at the time that he was headed for great things, while I was headed for Crown Heights and a cabinet full of ramen. Ofer was shooting lustrous and large 4×5 and 8×10 imagery at the time, and had few commercial clients.
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Since I’ve never worked on the advertising side of this industry I called up a friend and offered her anonymity if she would speak honestly with me about that side of the business. You’ll have to trust me that this is a good source and I’ll go so far as to say, if you can imagine the biggest advertising agency in the country and the biggest “named” photographers then that’s where she’s worked and who she’s worked with.
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Magnum shooter Paolo Pellegrin describes how he dealt with the challenges of photojournalism at Guantanamo.
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The other day, I had the chance to visit Jerry Spagnoli’s studio and to talk to him about his work, and afterwards I asked him whether he would be available for a conversation, to be published on this blog. I’m very glad he agreed to it.
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It’s at this point that actor Aaron Eckhart usually comes clean. He lowers his Leica M6 camera, introduces himself, and explains what he’s up to. No, he’s not researching the role of paparazzo. He’s just engaging in his favorite pastime — street photography, something he’s done all over the world for the past seven years. Usually, when he’s recognized, he ends up posing for a picture, in exchange for his subjects’ allowing him to keep shooting. He even offers to make prints for them. “I’ve gotten some pretty good pictures this way,” Eckhart says.
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Documentary photojournalist Eugene Richards has a long career of producing powerful projects on social issues such as drug abuse, mental illness and aging. He is now working on a project on the impact of the Iraq war titled “War is Personal.” Helped by a grant from National Geographic Magazine, he is traveling around the U.S. to work on a series of stories mainly about veterans and their families. PDN recently sat down with Richards at his home in Brooklyn, N.Y., to talk about the project.
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This month we focus on Martin Schoeller, a world-renowned portrait photographer based in New York City. Schoeller is best known for his “Close-Up” portrait series, for which he has photographed a slew of politicians, celebrities and everyday people over the last 10 years. As an editorial portrait photographer, Schoeller’s clients include the New Yorker, GQ, and Rolling Stone, among others. He also has several commercial clients including Goldman Sachs, Nike and Citibank. Schoeller, who began his photographic career as an assistant for Annie Leibovitz, provides an intimate look into his work.
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Kingston has updated the Icons of Photography section of its Website with a new interview with National Geographic photographer Gerd Ludwig. Ludwig is the fourth of the flash memory card maker’s Icons of Photography to be interviewed for the Kingston site
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In anticipation of his visit to UCSB on March 3rd, where he’ll show his latest work and discuss the role of journalists in the modern world, Marcus Bleasdale spent some time chatting over the phone from his home in Norway. He’d just returned from Kenya, where he said the politicians and international community should be “ashamed” for standing by “toothless” while another round of ethnic cleansing occurred.
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The world’s biggest photo agency announced Monday that it intends to go private, with a $2.4 billion sale to private equity firm Hellman & Friedman. (Related story.) Shortly after the announcement, PDN spoke to Getty Images CEO Jonathan Klein to learn more about the deal. Excerpts:
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John Moore is a finalist for Nicest Guy On the Planet competition. O.K., there is no such thing but seriously, what a super guy. Mike worked with John at the Albuquerque Tribune (The Trib’s last day of publication was Saturday, February 23, 2008) close to 20 years ago and saw then that he was one talented, sincere, considerate person who made pictures that reflected these and other endearing aspects of his personality. And so it has been as John has trotted the globe since then. We catch up with him in Pakistan, days after World Press recognized his photographs of the assassination of Benazir Bhutto. And he just won First Place: News Picture Story and an Award of Excellence in the Pictures of the Year International competition
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Cara Phillips is in the process of creating a body of work on the extreme end of the beauty industry, whose work usually is invisible: The plastic/cosmetic surgery business. Since I have always been quite baffled by the general acceptance of beauty ideals that only a tiny fraction of the population can easily conform to, I asked Cara whether she’d be willing to tell me a little bit about her work and about what’s behind it, and I’m glad she agreed to it.
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I’d be lying if I didn’t say I was intimidated by working down the hall from legendary Rolling Stone Director of Photography Jodi Peckman. She’s garnered every accolade the photo industry can hand out and her rolodex is the size of a parmesan cheese wheel
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When photographer Tod Marks first entered into the steeplechase arena most of the veteran media wanted to know, “Who’s the new guy?” They soon found that he was hardly new to the world of horse racing. In fact, he had covered some of the greatest flat races in the last several decades and that hands-on photography experience translated nicely into jump racing. Marks uses his expertise as a photojournalist to get intense action images combined with great emotion at the various steeplechase venues. He travels to almost all the major National Steeplechase Association meets and his work is well-represented in the NSA yearbook and in the industry publication, the Steeplechase Times, where he has been working ever since first helping with the Sean Clancy’s book “Saratoga Days” and the Saratoga Special newspaper back in 2000.
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American photographer Larry Sultan takes time out of his hectic schedule to talk inspiration, achievement, and Charlotte Rampling with wallpaper.com…
Check it out here. Via Brian Ulrich.
British photographer Tim Hetherington talks about his photograph of a US soldier in Afghanistan which has won the 2007 World Press Photo Award. The picture shows an American soldier in a bunker in Afghanistan’s Korengal Valley during fierce fighting with the Taleban.
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