It goes like this: “The more megapixels a camera has, the better the pictures.”
It’s a big fat lie. The camera companies and camera stores all know it, but they continue to exploit our misunderstanding. Advertisements declare a camera’s megapixel rating as though it’s a letter grade, implying that a 7-megapixel model is necessarily better than a 5-megapixel model.
A megapixel is one million tiny colored dots in a photo. It seems logical that more megapixels would mean a sharper photo. In truth, though, it could just mean a terrible photo made of more dots. A camera’s lens, circuitry and sensor — not to mention your mastery of lighting, composition and the camera’s controls — are far more important factors.
My first real camera, Adam Richardson:
There are few products that have had as profound an effect on their category as the T90 had on the modern SLR, not the least of which is the interface paradigm that it introduced and which is copied almost verbatim on every SLR (and many point and shoots) on the market today, 20 years later. Some parts of it interface are common-place on many products beyond cameras as well, such as Blackberries.
Photo buffs know a few things for certain: it’s best to shoot with the sun behind you, red-eye can be avoided with the right flash, and Leica makes some of the most sought-after cameras. Its latest, the Leica M8, is a 10-megapixel digital camera built on Leica’s M system of lenses.
Never before has the world of photography seen such a lens. Developed for long distance wildlife photography this supertele lens provides 21x magnification. In search of the highest imaginable image quality the client decided for 6×6 medium format and the Hasselblad 203 FE as the best camera he is aware of.
At 1700 mm focal length and a speed of f/4 this lens put requirements on optical glas, lens assembly and quality assurance methods, never before encountered in photo lens manufacture. This 256 kg behemoth also required Carl Zeiss to develop totally new ways of operating a telephoto lens, including servo controlled aiming and focusing.
Announced today at NAB: Red One, an HD camcorder that boasts 11.4 megapixels at up to 60fps.
the glossy black iTalkPro now boasts twin internal microphones for recording in CD-quality stereo, taking advantage of the 5G iPod’s superior stereo and monaural sampling modes, and a bold red recording light around its one-touch recording button. It also features a unique on-screen gain adjustment menu and a bottom-mounted port for an external microphone of your choice.
Epson Japan has today announced a subtly improved version of its unique R-D1 Digital Rangefinder Camera. Just like the R-D1 the R-D1s features the a six megapixel APS-C size sensor and supports Leica M and L mount lenses. New features include a ‘Quick View’ record review function, RAW+ JPEG support, Adobe RGB color space, image parameter control, long exposure noise reduction and higher playback magnification.