For an investigative project on the violent and unregulated world of fishing in international waters, Adam Dean managed to document life aboard one such vessel.
Although Adam Dean had photographed for The New York Times in Southeast Asia before, he was excited to work with Ian Urbina on part of his investigative series, “The Outlaw Ocean.” He saw it as an opportunity to dig into a story and spend some time trying to find out what was really going in the violent, unregulated world of fishing boats in international waters.
The spectacle of faith makes for luminous photography. Buddhism, in particular, lends itself to the lens: those shaven heads and richly hued monastic robes; the swirls of incense; the pure expressions of devotees to a religion whose first precept is “do not kill.” But as photographer Adam Dean and I discovered when traveling through Burma and Thailand from May to June, Buddhism’s pacifist image is being challenged by a radical strain that marries spirituality with ethnic chauvinism
Adam Dean, a Beijing-based photojournalist represented by Panos Pictures, arrived in Japan roughly 20 hours after the March 11 earthquake and tsunami that struck the northeastern coast of the country. After he returned home to Beijing on March 26, Dean
Adam Dean, a Beijing-based photojournalist represented by Panos Pictures, arrived in Japan roughly 20 hours after the March 11 earthquake and tsunami that struck the northeastern coast of the country. After he returned home to Beijing on March 26, Dean (one of the 2011 PDN 30 emerging photographers) answered our questions about the logistical challenges of covering the catastrophe, and also wrote about the story’s emotional impact.
As the scale of the devastation became apparent, dozens of other photographers packed their bags and headed to Japan too, including Magnum Photos’ Dominic Nahr, VII Photo’s James Natchwey, Paula Bronstein of Getty Images and Associated Press’ David Guttenfelder. Panos Pictures photographer Adam Dean arrived in Tokyo just 20 hours after the earthquake hit – and was shocked by what he found. “I am working with a writer out here and between the two of us, we’ve covered earthquakes in China, Pakistan and Indonesia, cyclones in Burma and tsunamis in Thailand, India and Sri Lanka, wars in Afghanistan and Iraq as well as undercover reporting trips to North Korea and Burma,” he tells BJP. “But from a logistical point of view this has been one of the hardest assignments we’ve had to cover.”
The photographer Adam Dean, who recently received a POYi award for his photograph from Afghanistan and was named one of PDN’s new and emerging …
The photographer Adam Dean, who recently received a POYi award for his photograph from Afghanistan and was named one of PDN’s new and emerging photographers to watch this year, turned his camera on the devastation and aftermath in Japan this week.
Witness to an Assassination – The Digital Journalist
by Adam Dean:
In the climate of fear surrounding Bhutto and Pakistan in general, due to the deteriorating security situation and massive double suicide bombings that marred her homecoming in October, the days of hundreds of thousands of supporters attending political rallies were a thing of the past. On my way to the rally both my hotel concierge and taxi driver had warned me of the dangers of attending Bhutto’s rally as there had been another suicide bomber apprehended before detonating his explosives at a rally the previous day in Peshawar. With the benefit of hindsight, it seemed like the writing was on the wall.
The security at the gates into the park was very thorough and once inside the security seemed much better organized and the rally went ahead as expected. There were a handful of local wire photographers there along with John Moore of Getty Images and myself. We were leaving after the rally, assuming Bhutto would make a quick exit for security reasons, but hundreds of supporters managed to break through the barriers in the park and surround her convoy as she tried to make her departure. Once again she came out of the sunroof and started greeting her cheering fans as her vehicle crawled along the road. I was about 20 meters from her vehicle and started shooting with a long lens as it turned and came towards me.