<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Portfolios-Galleries on The Click</title>
    <link>https://theclick.us/categories/portfolios-galleries/</link>
    <description>Recent content in Portfolios-Galleries on The Click</description>
    <generator>Hugo -- 0.157.0</generator>
    <language>en-us</language>
    <copyright>All rights reserved.</copyright>
    <lastBuildDate>Wed, 11 Mar 2026 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://theclick.us/categories/portfolios-galleries/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Legendary NFL Photographer to Mark the Draft with Exhibition</title>
      <link>https://theclick.us/2026/03/11/legendary-nfl-photographer-to-mark-the-draft-with-exhibition/</link>
      <pubDate>Wed, 11 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/03/11/legendary-nfl-photographer-to-mark-the-draft-with-exhibition/</guid>
      <description>Legendary sports and rock and roll photographer Michael Zagaris is putting on an exhibit in The Steel City.</description>
    </item>
    <item>
      <title>Olga Ignatovich, The Soviet War Photographer Whose Archive Fell Into Oblivion</title>
      <link>https://theclick.us/2026/03/10/olga-ignatovich-the-soviet-war-photographer-whose-archive-fell-into-oblivion/</link>
      <pubDate>Tue, 10 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/03/10/olga-ignatovich-the-soviet-war-photographer-whose-archive-fell-into-oblivion/</guid>
      <description>Long before the invention of photography, archives have languished for years, sometimes decades, in closets and attics.</description>
    </item>
    <item>
      <title>Curran Hatleberg: Blood Green</title>
      <link>https://theclick.us/2026/03/09/curran-hatleberg-blood-green/</link>
      <pubDate>Mon, 09 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/03/09/curran-hatleberg-blood-green/</guid>
      <description>Perhaps one of the more difficult questions a photographer faces when making a book is an editorial one: what image should follow another, how one photograph leads into the next, and what kind of sense this sequencing produces. It is often a question of flow and interruption, of how meaning accrues or is frustrated through</description>
    </item>
    <item>
      <title>Kiana Hayeri: No Woman&#39;s Land</title>
      <link>https://theclick.us/2026/03/08/kiana-hayeri-no-womans-land/</link>
      <pubDate>Sun, 08 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/03/08/kiana-hayeri-no-womans-land/</guid>
      <description>I first became aware of Kiana Hayeri’s work in 2020 when the New York Times Magazine featured her photographs of women incarcerated in Afghan prisons for killing their husbands. I was immersed in my own long-term project photographing women in New York State who had been convicted of homicide, and, in the two decades I</description>
    </item>
    <item>
      <title>Tom Zimberoff: The White Fence and more..</title>
      <link>https://theclick.us/2026/03/02/tom-zimberoff-the-white-fence-and-more../</link>
      <pubDate>Mon, 02 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/03/02/tom-zimberoff-the-white-fence-and-more../</guid>
      <description>After yesterday’s Black and White Portrait exhibition, today continues our exploration of faces in monochrome. As an Angeleno, I was excited to discover the photographs of Tom Zimberoff, particularly his project on Mexican-American immigrants in East LA, through his recognition in the 2025 Critical Mass Top 50. We met at the opening at the Duncan Miller Gallery and shared</description>
    </item>
    <item>
      <title>Ben Marcin: The Holdouts</title>
      <link>https://theclick.us/2026/02/28/ben-marcin-the-holdouts/</link>
      <pubDate>Sat, 28 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/28/ben-marcin-the-holdouts/</guid>
      <description>I have been following Ben Marcin’s work for years–his terrific typologies of houses/buildings standing alone in the landscape – vestiges of history, time, and community. He has built a legacy of considering the architecture of how we live. I am happy to share that Marcin is releasing a book of several projects, published by GOST.</description>
    </item>
    <item>
      <title>Staying with the trouble: interview with Andy Sewell</title>
      <link>https://theclick.us/2026/02/26/staying-with-the-trouble-interview-with-andy-sewell/</link>
      <pubDate>Thu, 26 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/26/staying-with-the-trouble-interview-with-andy-sewell/</guid>
      <description>Invoking Donna Haraway’s question, ‘How do we stay engaged, how do we stay with the trouble?’, photographer and recipient of the Lewis Baltz Research Fund #12 Andy Sewell talks to Tim Clark about Slowly and Then All at Once. Exhibited in Reggio Emilia, Italy, as part of Fotografia Europea 2025, the project visualises climate crisis, elite power and protest. From Extinction Rebellion demonstrations to high-level climate diplomacy, Sewell discusses photography’s ability to convey both the fragility and interconnection of these moments, and the slim but real space for hope, and possibly change.</description>
    </item>
    <item>
      <title>Jack Pierson Revisits His Miami Moment</title>
      <link>https://theclick.us/2026/02/19/jack-pierson-revisits-his-miami-moment/</link>
      <pubDate>Thu, 19 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/19/jack-pierson-revisits-his-miami-moment/</guid>
      <description>For his exhibition &amp;#34;The Miami Years&amp;#34; at the Bass, Pierson returns to South Beach, presenting photographs, paintings, and &amp;#39;80s-era memories.</description>
    </item>
    <item>
      <title>The Emotional Saturation of William Eggleston’s “Last Dyes”</title>
      <link>https://theclick.us/2026/02/18/the-emotional-saturation-of-william-egglestons-last-dyes/</link>
      <pubDate>Wed, 18 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/18/the-emotional-saturation-of-william-egglestons-last-dyes/</guid>
      <description>In the David Zwirner exhibition &amp;#34;The Last Dyes,&amp;#34; the intensity of color in the photographer&amp;#39;s dye-transfer prints is rarified and precise.</description>
    </item>
    <item>
      <title>A Tour Through Central Park’s Cruising Grounds</title>
      <link>https://theclick.us/2026/02/14/a-tour-through-central-parks-cruising-grounds/</link>
      <pubDate>Sat, 14 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/14/a-tour-through-central-parks-cruising-grounds/</guid>
      <description>Vince Aletti on the work of the photographer Arthur Tress, and his new book, “The Ramble, 1969 NYC.”</description>
    </item>
    <item>
      <title>The 2026 LOVE Exhibition</title>
      <link>https://theclick.us/2026/02/14/the-2026-love-exhibition/</link>
      <pubDate>Sat, 14 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/14/the-2026-love-exhibition/</guid>
      <description>In the words of our great prophet, Bad Bunny, “The only thing more powerful than hate is love.” As I put this exhibition together, I kept thinking about how difficult it can be to navigate our country’s politics—and life itself. Yet, these photographs filled with love, tenderness, and beauty offer a wonderful tonic to the</description>
    </item>
    <item>
      <title>Richard Koenig: Field Notes: View from a Hotel Window</title>
      <link>https://theclick.us/2026/02/13/richard-koenig-field-notes-view-from-a-hotel-window/</link>
      <pubDate>Fri, 13 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/13/richard-koenig-field-notes-view-from-a-hotel-window/</guid>
      <description>Recently I was able to travel to the western United States while working on a long-term photographic project. While planning my route, after seeing that I would pass through Butte, Montana, I had what I thought was an original idea: re-shoot Robert Frank’s View from a Hotel Window. In 2021 I’d done a re-photography project</description>
    </item>
    <item>
      <title>Shane Hallinan: The 2025 Salon Jane Award Winner</title>
      <link>https://theclick.us/2026/02/12/shane-hallinan-the-2025-salon-jane-award-winner/</link>
      <pubDate>Thu, 12 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/12/shane-hallinan-the-2025-salon-jane-award-winner/</guid>
      <description>Shane Hallinan recently was awarded The 2025 Salon Jane Award Winner for Women in Photography through the Center of Photographic Art‘s International Juried Exhibition. Jane Olin of Salon Jane states: In the spirit of giving back, Salon members created an annual Salon Jane Award for a Woman Photographer.  We are dedicated to supporting women photographers with this award and to help amplify their visual voices. Cig Harvey,</description>
    </item>
    <item>
      <title>Review Santa Fe: Leslee Broersma: Tracing Academia</title>
      <link>https://theclick.us/2026/02/11/review-santa-fe-leslee-broersma-tracing-academia/</link>
      <pubDate>Wed, 11 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/11/review-santa-fe-leslee-broersma-tracing-academia/</guid>
      <description>In early November 2025, I was invited to CENTER’s Review Santa Fe. Being my first time in the Southwest and experience on the Reviewer side of the table, I wasn’t quite sure what to expect. As an educator, I love reviewing work; when others hear “critique,” they may shy away, but I love the experience</description>
    </item>
    <item>
      <title>Photographs of Mali on the Cusp of Independence</title>
      <link>https://theclick.us/2026/02/07/photographs-of-mali-on-the-cusp-of-independence/</link>
      <pubDate>Sat, 07 Feb 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/02/07/photographs-of-mali-on-the-cusp-of-independence/</guid>
      <description>Zoë Hopkins writes about the Malian photographer Seydou Keïta’s retrospective at the Brooklyn Museum.</description>
    </item>
  </channel>
</rss>
