<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>Curran-Hatleberg on The Click</title>
    <link>https://theclick.us/tags/curran-hatleberg/</link>
    <description>Recent content in Curran-Hatleberg on The Click</description>
    <generator>Hugo -- 0.161.1</generator>
    <language>en-US</language>
    <copyright>All rights reserved.</copyright>
    <lastBuildDate>Mon, 09 Mar 2026 00:00:00 +0000</lastBuildDate>
    <atom:link href="https://theclick.us/tags/curran-hatleberg/index.xml" rel="self" type="application/rss+xml" />
    <item>
      <title>Curran Hatleberg: Blood Green</title>
      <link>https://theclick.us/2026/03/09/curran-hatleberg-blood-green/</link>
      <pubDate>Mon, 09 Mar 2026 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2026/03/09/curran-hatleberg-blood-green/</guid>
      <description>Perhaps one of the more difficult questions a photographer faces when making a book is an editorial one: what image should follow another, how one photograph leads into the next, and what kind of sense this sequencing produces. It is often a question of flow and interruption, of how meaning accrues or is frustrated through</description>
    </item>
    <item>
      <title>Florida’s Shadow Country - The New Yorker</title>
      <link>https://theclick.us/2016/03/28/floridas-shadow-country-the-new-yorker/</link>
      <pubDate>Mon, 28 Mar 2016 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2016/03/28/floridas-shadow-country-the-new-yorker/</guid>
      <description>&lt;h2 id=&#34;floridas-shadow-country&#34;&gt;&lt;a href=&#34;http://www.newyorker.com/culture/photo-booth/floridas-shadow-country&#34;&gt;Florida’s Shadow Country&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;In Curran Hatleberg’s latest project, the Florida of leisure and artifice, of Disney World and Miami Beach, is nowhere to be found.&lt;/p&gt;
&lt;p&gt;via The New Yorker: &lt;a href=&#34;http://www.newyorker.com/culture/photo-booth/floridas-shadow-country&#34;&gt;http://www.newyorker.com/culture/photo-booth/floridas-shadow-country&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Curran Hatleberg’s new project, “Shadow Country,” is named after Peter Matthiessen’s novel about the brutal Florida frontier of the early twentieth century. The Sunshine State of leisure and artifice, of Disney World and Miami Beach, is nowhere to be found. Rather, Hatleberg’s photographs are a collection of subdued moments, captured during a months-long journey (made with the support of a grant from the Magnum Foundation) across the less-travelled reaches of the state&lt;/p&gt;</description>
    </item>
    <item>
      <title>MATTE Magazine Presents: Photos That Don&#39;t Fit Anywhere | VICE | United States</title>
      <link>https://theclick.us/2015/09/18/matte-magazine-presents-photos-that-dont-fit-anywhere-vice-united-states/</link>
      <pubDate>Fri, 18 Sep 2015 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2015/09/18/matte-magazine-presents-photos-that-dont-fit-anywhere-vice-united-states/</guid>
      <description>&lt;h2 id=&#34;matte-magazine-presents-photos-that-don&#34;&gt;&lt;a href=&#34;http://www.vice.com/read/matte-magazine-presents-the-homeless-issue-405&#34;&gt;MATTE Magazine Presents: Photos That Don&amp;rsquo;t Fit Anywhere&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;For the latest edition of MATTE, 20 photographers submitted work that they loved but for whatever reason, have never found a home.&lt;/p&gt;
&lt;p&gt;via Vice: &lt;a href=&#34;http://www.vice.com/read/matte-magazine-presents-the-homeless-issue-405&#34;&gt;http://www.vice.com/read/matte-magazine-presents-the-homeless-issue-405&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;When I approached photographer Curran Hatleberg about dedicating an issue of MATTE to his photographs, he suggested I instead should let him curate an issue. I said yes, and that&amp;rsquo;s how we got MATTE&amp;rsquo;s first-ever group issue, featuring 20 photographers who each submitted pictures and text.&lt;/p&gt;</description>
    </item>
    <item>
      <title>TIME Exclusive: Magnum Emergency Fund Announces 2015 Grantees | TIME</title>
      <link>https://theclick.us/2015/01/22/time-exclusive-magnum-emergency-fund-announces-2015-grantees-time/</link>
      <pubDate>Thu, 22 Jan 2015 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2015/01/22/time-exclusive-magnum-emergency-fund-announces-2015-grantees-time/</guid>
      <description>&lt;h2 id=&#34;magnum-foundation-emergency-fund-2015-grants-announced&#34;&gt;&lt;a href=&#34;http://time.com/3672263/time-exclusive-magnum-emergency-fund-announces-2015-grantees/&#34;&gt;Magnum Foundation Emergency Fund 2015 Grants Announced&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;The Magnum Foundation Emergency Fund today announces, exclusively through TIME LightBox, the winners of its 2015 grants&lt;/p&gt;
&lt;p&gt;via Time: &lt;a href=&#34;http://time.com/3672263/time-exclusive-magnum-emergency-fund-announces-2015-grantees/&#34;&gt;http://time.com/3672263/time-exclusive-magnum-emergency-fund-announces-2015-grantees/&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This year’s selection of awardees are Massimo Berruti, Matt Black, Peter DiCampo, Emine Gozde Sevim, Curran Hatleberg, Guy Martin, Pete Muller, Elena Perlino, Nii Obodai Provencal, Asim Rafiqui and Peter van Agtmael&lt;/p&gt;
&lt;/blockquote&gt;</description>
    </item>
    <item>
      <title>Curran Hatleberg&#39;s Intimate Photos of Strangers Met on Road Trips Across America</title>
      <link>https://theclick.us/2013/10/04/curran-hatlebergs-intimate-photos-of-strangers-met-on-road-trips-across-america/</link>
      <pubDate>Fri, 04 Oct 2013 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2013/10/04/curran-hatlebergs-intimate-photos-of-strangers-met-on-road-trips-across-america/</guid>
      <description>&lt;h2 id=&#34;curran-hatleberg&#34;&gt;&lt;a href=&#34;http://www.featureshoot.com/2013/10/curran-hatlebergs-intimate-photos-of-strangers-met-on-road-trips-across-america/&#34;&gt;Curran Hatleberg&amp;rsquo;s Intimate Photos of Strangers Met on Road Trips Across America&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;Taking pictures while drifting back and forth along the continental United States, Curran Hatleberg has created a photographic world that can only be described as American. From his vantage point a world of dichotomies and contradictions is revealed to us&lt;/p&gt;
&lt;p&gt;via Feature Shoot: &lt;a href=&#34;http://www.featureshoot.com/2013/10/curran-hatlebergs-intimate-photos-of-strangers-met-on-road-trips-across-america/&#34;&gt;http://www.featureshoot.com/2013/10/curran-hatlebergs-intimate-photos-of-strangers-met-on-road-trips-across-america/&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Taking pictures while drifting back and forth along the continental United States, Yale MFA graduate Curran Hatleberg has created a photographic world that can only be described as American&lt;/p&gt;</description>
    </item>
    <item>
      <title>Curran Hatleberg photographs America in &#34;Dogwood&#34; and &#34;The Crowded Edge.&#34;</title>
      <link>https://theclick.us/2013/09/18/curran-hatleberg-photographs-america-in-dogwood-and-the-crowded-edge./</link>
      <pubDate>Wed, 18 Sep 2013 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2013/09/18/curran-hatleberg-photographs-america-in-dogwood-and-the-crowded-edge./</guid>
      <description>&lt;h2 id=&#34;on-the-road-to-photograph-america&#34;&gt;&lt;a href=&#34;http://www.slate.com/blogs/behold/2013/09/18/curran_hatleberg_photographs_america_in_dogwood_and_the_crowded_edge.html&#34;&gt;On the Road to Photograph America&lt;/a&gt;&lt;/h2&gt;
&lt;p&gt;Curran Hatleberg has driven from coast to coast at least five times since he began taking photos on the road. &amp;ldquo;When I started I was interested in&amp;hellip;&lt;/p&gt;
&lt;p&gt;via Slate Magazine: &lt;a href=&#34;http://www.slate.com/blogs/behold/2013/09/18/curran_hatleberg_photographs_america_in_dogwood_and_the_crowded_edge.html&#34;&gt;http://www.slate.com/blogs/behold/2013/09/18/curran_hatleberg_photographs_america_in_dogwood_and_the_crowded_edge.html&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Curran Hatleberg has driven from coast to coast at least five times since he began taking photos on the road. &amp;ldquo;When I started I was interested in looking for some sort of shared familiarity and human contact in a country I called home but I didn’t know much about,&amp;rdquo; he said.&lt;/p&gt;</description>
    </item>
    <item>
      <title>Something more felt than known: a conversation with Curran Hatleberg</title>
      <link>https://theclick.us/2013/04/05/something-more-felt-than-known-a-conversation-with-curran-hatleberg/</link>
      <pubDate>Fri, 05 Apr 2013 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2013/04/05/something-more-felt-than-known-a-conversation-with-curran-hatleberg/</guid>
      <description>&lt;p&gt;[&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Link: Something more felt than known: a conversation with Curran Hatleberg | The Great Leap Sideways&lt;/strong&gt;](&lt;a href=&#34;http://www.thegreatleapsideways.com/?ha_exhibit=something-more-felt-than-known-a-conversation-with-curran-hatleberg&#34;&gt;http://www.thegreatleapsideways.com/?ha_exhibit=something-more-felt-than-known-a-conversation-with-curran-hatleberg&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The photographs I make, either found or invented, are my own fictionalized version of America and its inhabitants. My work strives to mediate and reimagine the American experience, in hopes of communicating a personal understanding of our shared time and place&lt;/p&gt;
&lt;/blockquote&gt;</description>
    </item>
    <item>
      <title>Meditations on Photographs: Riverfront by Curran Hatleberg</title>
      <link>https://theclick.us/2013/03/18/meditations-on-photographs-riverfront-by-curran-hatleberg/</link>
      <pubDate>Mon, 18 Mar 2013 00:00:00 +0000</pubDate>
      <guid>https://theclick.us/2013/03/18/meditations-on-photographs-riverfront-by-curran-hatleberg/</guid>
      <description>&lt;p&gt;[&lt;/p&gt;
&lt;p&gt;&lt;img alt=&#34;Curran hatleberg riverfront sm&#34; loading=&#34;lazy&#34; src=&#34;images/curran.hatleberg_riverfront_sm.jpg&#34; title=&#34;curran.hatleberg_riverfront_sm.jpg&#34;&gt;&lt;br&gt;
&lt;strong&gt;Link: Conscientious Extended | Meditations on Photographs: Riverfront by Curran Hatleberg&lt;/strong&gt;](&lt;a href=&#34;http://jmcolberg.com/weblog/extended/archives/meditations_on_photographs_riverfront_by_curran_hatleberg/?utm_source=feedburner&amp;amp;utm_medium=feed&amp;amp;utm_campaign=Feed%3A&amp;#43;jmcolberg%2Fextended&amp;#43;%28Conscientious&amp;#43;Extended%29&#34;&gt;http://jmcolberg.com/weblog/extended/archives/meditations_on_photographs_riverfront_by_curran_hatleberg/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+jmcolberg%2Fextended+%28Conscientious+Extended%29&lt;/a&gt;)&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The world is there to be watched, to be seen; and a good photographer will visually organize its content into pictures that make us see what we could but usually don’t see. And crucially, one can try to take apart a good photograph and figure out how it operates, but it will still work afterwards&lt;/p&gt;</description>
    </item>
  </channel>
</rss>
