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via Time: http://lightbox.time.com/2014/11/04/larry-sultan-retrospective-lacma-legacy/#1
Sultan’s images are, as he was, at once sincere and seductive, guarded and vulnerable. He was ultimately interested in our lifelong search for placement, picturing people who lost their homes (immigrants in foreign landscapes), changed their lifestyles (his own parents in their newfound retirement community), or staged domestic scenes (porn stars). Even his early work, Evidence, was about making images homeless by exiling them from their contexts