Looooong ago, when I was early in my photography career, I discovered F-Stop Magazine (celebrating their 20th Anniversary this year!). I was always so excited to get a photograph in one of their exhibitions and feel part of a community. When I started Lenscratch, Christy Karpinski was one of the few women in a landscape
One thing that I think generally is helpful with project based photography is to spend a good amount of time with your project before you share it as finished. With digital it can be so inexpensive, quick and easy to get images out into the world, and this is such a great thing! But I think it also tends to mean people don’t spend as much time with their work or never see it off the screen as a print before completing it
Traveling through Gabura Union in Bangladesh, Shunta Kimura documents impact, adaptation, and resilience in his quiet photographs of everyday life on the frontlines of rapid climate change
Traveling through Gabura Union in Bangladesh, Shunta Kimura documents impact, adaptation, and resilience in his quiet photographs of everyday life on the frontlines of rapid climate change.
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling.
A woman won the grand prize for the first time in the 17-year history of the Red Bull Illume Image Quest contest, the world’s largest action sports photo competition. Australian photographer Krystle Wright wowed the more than 50 contest judges with an incredible photo of climber Angela VanWiemeersch scaling a cliff in Long Canyon, Utah.
“You may not even know that you have a good picture unless you take a look. Taking pictures is a response to what you see and what you think you see. And it’s very easy not to respond to the quality of the image you shot until you see it in a different circumstance.”
In a series of three essays published in 1991, the philosopher Jean Baudrillard argued that the Gulf War, which ended up with more than a hundred thousand dead Iraqis, had not really taken place. In his inimitable fashion, his argument was filled with internal contradictions, annoying trolling (Baudrillard had initially written that the Gulf War would never actually happen, which, of course, it did), and some pockets of real clarity. His ultimate argument was that what had taken place wasn’t so much a war but a one-sided aerial slaughter that was scrubbed clean through intensive media control. What people in the West saw were so-called live feeds of missiles and aerial assaults fuelled by new forms of technology, whether the Patriot missile or the stealth bomber. The war was communicated to us almost like an advertisement for a new car—here are all the new features, and here are the salesmen in the form of generals or foreign-policy experts paraded on cable news. We did not see slain enemy combatants, destroyed civilian homes.
Huibo Hou is a landscape photographer based in San Diego, California. She fell in love with photography about 25 years ago as a hobbyist while working in the wireless communication industry. Then life got in the way and she had to set aside her pursuit of photography for some time. In early 2015, her love
Fink was celebrated for his distinct photographic style, which showed his subjects somewhat isolated from their surroundings thanks to his use of a handheld off-camera flash, and his authentic depictions of his diverse, wide-ranging subjects.
The rise of AI imagery is of real concern to public discourse: The actress Rosie O’Donnell shared this AI image from TikTok of a Palestinian mother dragging her children and belongings down a rubble-strewn road. She believed it was real stating that it was not an AI image — but she later deleted the post.
Below is the 2023 Greatest Hits version of “Did you see this photo??”: an unranked collection of 100 of the images that moved us the most. We hope that you’ll take some time to reflect on the year that was, with thoughtfulness, clarity, and wonder.
Ernst, the pool photographer on duty that day, pushed back. He had already set up his equipment. And while he could have operated it remotely, as he saw it, there were enormous risks involved with leaving. The Oval Office was packed with staff, reporters and teleprompter and TV equipment. If his camera were to get knocked over or bumped off angle, the entire press corps would be left without a still shot.
The WPP’s Open Format category had allowed submissions of images partially created with a photo-editing tool known as generative fill, which automatically creates or removes elements in a photograph, sometimes through a text prompt.
Sony’s new in-camera solution creates a digital signature at the time of capture, and unlike Leica’s M11-P, Sony’s answer to the “fake news” problem does not require specialized hardware inside its cameras. Existing cameras, like the Sony a1 and a7S III will support in-camera signature and C2PA authentication alongside the upcoming Sony a9 III, which is slated to be a compelling new camera for many photojournalists.
“We’ve been pioneers in custom builds to help our photographers overcome all challenges and get the images they need. We’ve made history with our photo firsts — our first flash photograph, which was made by the ‘father of wildlife photography‘ George Shiras, was published in 1906. We published the first underwater color photographs, which were made by Dr. William Longley and staff photographer Charles Martin, in 1927. Fast forward to 2019 when photographer/filmmaker Renan Ozturk took the highest drone shot ever made — a 360 of Everest.”
Gruesome photographs of Palestinian children killed in rocket strikes and Israeli infants murdered by terrorists. Digitally doctored images that whip around social media before they can be verified. Accusations — since rejected by multiple news outlets — that photojournalists had advance knowledge of the Hamas surprise attack on Oct. 7.
In the 1980s and 1990s, I chronicled conflicts from El Salvador to Africa to the former Yugoslavia. Those images should remind us to work harder for peace and honour those who did not live to see it
I spent a decade as a war photographer, capturing conflicts from El Salvador to Africa to the former Yugoslavia. Far too many of those images could have been taken today
In the quiet, lonely hours of dawn, Dave Coyle faces his personal struggle while plotting a path towards the future in atmospheric meditations on the landscape of the Pacific Northwest
In the quiet, lonely hours of dawn, Dave Coyle faces his personal struggle while plotting a path towards the future in atmospheric meditations on the landscape of the Pacific Northwest.
Established in July 2020 by Polly Irungu, Black Women Photographers (BWP) is a global community, directory, and hub of over 2,000 Black women and non-binary identifying photographers, spanning over 60 countries and 35 U.S. states. BWP was launched with a $14,500 COVID-19 relief fund to help Black Women Photographers who were in dire need of
Established in July 2020 by Polly Irungu, Black Women Photographers (BWP) is a global community, directory, and hub of over 2,000 Black women and non-binary identifying photographers, spanning over 60 countries and 35 U.S. states. BWP was launched with a $14,500 COVID-19 relief fund to help Black Women Photographers who were in dire need of financial relief due to the pandemic. To date, BWP has provided over $115,000 in financial grants to Black creatives. Today we talk to the team at BWP to learn more about their goals, their hopes for the future, and how they are changing the photo industry still largely dominated by white men.
