British photographer, Harry Flook, has taken an American road trip, but rather than wander the highways of  the American West, he has traveled the two lane roads of the South in a quest to understand a region so steeped in religion that it becomes a way of life. His project, Beyond What is Written, examines a culture where the looming presence of God is on every corner, in every small town, and down every dirt road. But in the midst of the faithful of are the non-believers. Harry juxtaposes Houses of God with a population that has turned away from the pulpit as a way to consider a more diverse population.

At Photo London 2018 the street photography legend exhibits his series shot with the Leica S

With this in mind, Hartt sets out to curate a photography exhibition that speaks to our times. This Synthetic Moment at David Nolan, New York, brought together the works of Liz Johnson Artur, James Barnor, Kwame Brathwaite, David Hartt, Zoe Leonard, and Christopher Williams to explore, in Hartt’s words, “pictures of power and pride and grief and desire and confusion and community and celebration and abandonment.”

Steven Foster’s photographic career spans six decades and continues to this day. Beginning at the age of 10 Steven realized that he would dedicate his life to photography. In the years following Steve would create many photographic projects with subjects ranging from music and poetry to family and spirituality. I first came across Steven’s work as an intern at The Alice Wilds Gallery and was instantly captivated by his photographs. Steve seemed to have his own unique formal language with subjects that were very familiar. From the atmospheric subtle landscapes of Lake Michigan, to the sharp musical compositions of his Steve Lacy Series, Steven applied his vision across a range of subjects and processes. His Garage series and Lake Collages demonstrate an even deeper consideration for the photograph as an object. Working at an extremely small scale within the darkroom, these works not only speak to his unique language of seeing but also reveal a departure from straightforward observation through hand-constructed landscapes. More recently, Steven has been exploring synchronicity and the sacred in contemporary art practice. Currently, Steven Foster is showing selected works from 1977-2017 at The Alice Wilds in Milwaukee, WI from March 16th – April 28th.

Before he died in 2011, Tim Hetherington showed us intimate moments between soldiers on the front lines.

In Buenos Aires the dirty waters of Riachuelo delimit borders and people who have their houses in its proximity live in alarming conditions.On one side it is Capital Federal on the other it is Avellaneda, here Buenos aires there the Province. One of the suburbs on the river is called Isla Maciel.Amores Perros is a story of love and pain, a story of skin, street, drug, fight and violence. It is the story of some adolescents. Their stories are the stories of many Argentinean boys and girls who grow up on the streets, to whom the drug Paco has sold since the age of eight years old because cocaine is too expensive (20 pesos is the cost of a dose of Paco, just over one euro), whose effects last about two minutes and condemn people to life of dependence and slavery, often to death.