The Trump assassination attempt in Butler, PA, dominated the 2025 Eyes of History® photo contest — organized by The White House News Photographers Association — as the two top honors both went to photographers present that day.
Here are must-read Aperture titles this Women’s History Month, from the Japanese artists who transformed photography to Tina Barney’s large-scale portraits.
From the Japanese artists who transformed photography to Tina Barney’s large-scale portraits of the haute bourgeoisie, here are must-read titles this Women’s History Month.
The trove comprises drawings, notes, concert flyers, prints, zines, skateboards, and a surfboard, filling 28 boxes, as well as paints and materials related to the artist’s process.
The trove comprises drawings, notes, concert flyers, prints, zines, skateboards, and a surfboard, filling 28 boxes, as well as paints and materials related to the artist’s process.
We are pleased to announce that Maria Guțu is the winner of the Leica Oskar Barnack Newcomer Award 2024. The Moldovan photographer’s series, Homeland, draws from her personal experiences of growing up with her grandparents, while her parents, like many in her homeland, had to move abroad for economic reasons. Her work reflects on the themes of roots and home in the context of a country where nearly a quarter of the population has left in the past two decades.
How can sustainability emerge in the future without repeating the errors of the past? The series questions the change-over to renewable energy sources and reveals the problems related to the complex geopolitical, social and ecological effects of copper, lithium and cobalt mining.
Photographer Sophie Ristelhueber is the 2025 Hasselblad Award laureate, the world’s largest photography award, and is set to receive a Hasselblad camera and two million Swedish Krona ($197,000).
Carl De Keyzer made his name by capturing very real photographs from the Soviet Union, India, and the Belgian Congo. However, for his most recent project, De Keyzer swapped the camera for artificial intelligence imaging tools.
This year’s awardees are American photographer Priya Suresh Kambli, Canadian Jennifer Osborne, Mexican photographer Koral Carballo, and Anna Neubauer of the United Kingdom. They were selected by a panel of acclaimed and notable judges, including award-winning photojournalists, and each winner will receive a Leica SL3 camera, Vario-Elmarit-SL 24-70mm f/2.8 ASPH lens, and $10,000.
The real danger lies in photographs of US military personnel. Photographs of people who have sacrificed their lives are now purged from military archives to satisfy a false supremacist narrative.
It’s a housecleaning effort that exposes a truth often whispered but rarely acknowledged: When governments feel threatened by images, it’s not the pixels they fear but the truth those images represent.
In 2024, Gun violence resulted in 40,886 deaths and 31,652 injuries. More than 5,200 of those were children and teens. The number of school shootings in each of the last 4 years is more than 107 percent higher than any year prior to that for the last 25 years. In 2024, there were 330 incidents
It’s with words heavy in pain that we write these lines. Jocelyn Manfredi, the unwavering pillar of Sipa Press and photojournalism, has left us. Jocelyn was a multiple exception. A woman in a world full of macho men, she juggled multiple conversations while watching the news, in various languages, still making you feel like you were the most important person in the world. She was always on, always meeting deadlines, always getting film in and photographers out, smiling and frowning at the same time.
My favorite part of Record 2 is the writing. The pictures are superlative, no doubt, but there is something so rigid and stylistic about Moriyama’s approach. The short texts, however, have an informal, conversational appeal, like he’s talking to you on the train. In them we witness Moriyama reflecting on ideas developed during his friendship with Takuma Nakahira; things he learned from Bruce Davidson, Eikoh Hosoi, Nobuyoshi Araki, and Eraserhead; the COVID lockdown; and receiving the Hasselblad Award
Moving accounts of some of the men and women behind the striking images that have encapsulated the war.
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In the three years since Russia launched its full-scale invasion of Ukraine, hundreds of photographers have documented the human impact of the war on the front line and in civilian areas.
A significant aspect of Conroy’s work is the deep bond he shared with Marie Colvin, a renowned journalist who was tragically killed in Syria. Their relationship was built on trust and a shared mission to tell the stories of those affected by conflict. Conroy describes their partnership as almost telepathic, allowing them to operate seamlessly in chaotic environments.
If AI can paint, compose, and design with intent, what remains uniquely human in creativity? Is the process of making—intuition, struggle, discovery—essential, or will humans become mere curators of AI-generated art? When execution is automated, does creativity lose its meaning?
The belief that AI merely imitates while humans originate is being challenged by rapid advancements in machine learning. If we increasingly outsource execution, we risk losing not only craftsmanship but the process that allows ideas to evolve into something more than their original spark.
From the gritty realism of the miners’ strike and anti-racist protests to the subversive art of staged portraits and image-text works, Tate Britain’s latest show, The 80s: Photographing Britain, attempts to bring to life a decade shaped by Thatcher-era turbulence, revealing the stark divisions within photography throughout the process. Yet, with nearly 350 images from over 70 photographers, Mark Durden asks if Tate Britain has taken on an impossible challenge?
From the gritty realism of the miners’ strike and anti-racist protests to the subversive art of staged portraits and image-text works, Tate Britain’s latest show, The 80s: Photographing Britain, attempts to bring to life a decade shaped by Thatcher-era turbulence, revealing the stark divisions within photography throughout the process. Yet, with nearly 350 images from over 70 photographers, Mark Durden asks if Tate Britain has taken on an impossible challenge?
An experimental photographer customized a 100-year-old 360-degree camera so it can shoot four rolls of film at the same time to create one cohesive picture.
“This move tears at the independence of a free press in the United States. It suggests the government will choose the journalists who cover the president. In a free country, leaders must not be able to choose their own press corps,” WCHA president Eugene Daniels said.