Written by
in
Gilden’s images from New Orleans in the seventies and eighties find confrontations of character and power amid Carnival’s topsy-turvy social order.
via The New Yorker: http://www.newyorker.com/culture/photo-booth/bruce-gildens-mardi-gras
We find here, of course, the mirth of the party, though less than we might expect, as well as many photos in which the “underdog”—Gilden’s preferred subject—has his day