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The ambrotypes of Mauricio Toro-Goya are dense tableaux that blend the graphic horrors of Chile’s post-coup repression with Christ’s passion.
via Lens Blog: http://lens.blogs.nytimes.com/2016/07/18/recalling-christ-consumerism-and-chiles-coup/?&_r=0&module=Slide®ion=SlideShowTopBar&version=SlideCard-3&action=Escape&contentCollection=Blogs&slideshowTitle=Recalling%20Christ%2C%20Consumerism%20and%20Chile%E2%
The contradictions of religion in Latin America have long fascinated Mauricio Toro-Goya. The Chilean photographer has devoted much of his attention to producing ambrotypes that offer unsettling tableaux about events and attitudes in a region that, on the one hand, is deeply religious, yet has also been the setting for merciless political violence and harsh economic reforms.