A conversation with Scott Strazzante about Common Ground

The vast majority of my successful diptychs have come about when I just shoot without looking to match farm photos. Only two of the pairings were planned before hand. One was the aerial comparison and the other was shooting out of a second floor bedroom window in the Grabenhofer home to match a photo I had from the second floor of the Cagwin farmhouse. The rest happen when something I shoot on Cinnamon Court reminds me of a farm photo or I make an image that I really like and I pore through my farm negs looking for a match. I don’t really put much thought into the project as a whole when I am shooting at the subdivision. I photograph there like I do when I shoot any other assignment.