Brave Beauties: Zanele Muholi on Self-Portraiture - Photographs and text by Zanele Muholi | LensCulture

Zanele Muholi teases apart one of her favorite images from her 2016 series of self-portraits in an exclusive conversation with LensCulture

South African photographer (and self-titled visual activist) Zanele Muholi has gained international recognition for her direct, powerful imagery. Muholi devoted years to a body of work called Faces and Phases (2006-2016), in which she directed her camera towards members of the black lesbian and trans community in South Africa. Muholi has exposed herself to innumerable acts of aggression and violence during the course of her career. Despite this, she continues to pursue her work, in part to insist on a visual history and visibility for members of her long-overlooked community.

Reimagining a continent: The new generation of African photographers

A new generation of image-makers are presenting a kaleidoscopic portrait of the continent, exploring African myths, memories and taboos.

From gender and sexuality, to myths and memories: a new generation of image-makers are presenting a complex, kaleidoscopic portrait of the continent.

Powerful portraits confront the politics of race and representation - Feature Shoot

‘I’m reclaiming my blackness, which I feel is continuously performed by the privileged other. My reality is that I do not mimic being black; it is my skin, and the…

Visual activist photographer Zanele Muholi has her first solo exhibition opening this month at the East London gallery Autograph ABP. For more than a decade, she has focused on documenting black LGTBQI people in South Africa. Her ongoing portrait series Somnyama Ngonyama was inspired by her experiences on the road and the socio-political events she encountered along the way. Using her body as a canvas, her psychologically driven portraits confront the politics of race and representation.