Category: Portfolios & Galleries
-
Michelle Groskopf: Sentimental | LENSCRATCH
Michelle Groskopf: Sentimental “This is how I see. This book is a map of my whims. It’s a diary, in memory of all the days I trotted half in love down the street. We tend to forget that most of life takes place up close, where we cross each other’s paths. When we frame that…
-
Joseph Rodriguez’s El Barrio in the ’80s – The New York Times
Joseph Rodriguez’s El Barrio in the ’80s A new book revisits Joseph Rodriguez’s first project, a yearslong look at El Barrio, which was once the heart of New York’s Puerto Rican community. via Lens Blog: https://lens.blogs.nytimes.com/2017/11/03/joseph-rodriguezs-el-barrio-in-the-80s/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Multimedia&action=Click&pgtype=Blogs®ion=Body Joseph Rodriguez was no exception: Though born and raised in Brooklyn — with detours at Rikers and a life-changing…
-
Li Ming, Journey to the Three Gorges – The Eye of Photography
[contentcards url=”http://loeildelaphotographie.com/en/2017/11/03/article/159971348/li-ming-journey-to-the-three-gorges/”] Li Ming, Journey to the Three Gorges – The Eye of Photography From the 5th of October to the 30th of December, Phot’Aix in Aix-en-Provence welcomes China: the works of five Chinese photographers paired with five French photographers are being shown in the old Collège des Prêcheurs and in the Aix-en-Provence town centre.
-
Sarah Pabst – Zukunft « burn magazine
Sarah Pabst – Zukunft Sarah Pabst Zukunft [ EPF 2017 – HONORABLE MENTION ] I was still standing on a northern corner. Moonlit winter clouds the color of the desperation of wolves. Proof of Your existence? There is… via burn magazine: http://www.burnmagazine.org/epf-2017/2017/11/sarah-pabst-zukunft/ Between 1933-1945 Germany and many parts of Europe were dominated by Nazism and…
-
PhotoPlus Seminar Report: Using Instagram Wisely | PDNPulse
PhotoPlus Seminar Report: Using Instagram Wisely | PDNPulse Four photographers who have used Instagram to raise money, promote their work and land assignments explained how they curate their Instagram feeds during a seminar at PhotoPlus Expo. They also explained how they handle clients’ requests and expectations a via PDNPulse: https://pdnpulse.pdnonline.com/2017/11/photoplus-seminar-report-using-instagram-wisely.html Four photographers who have used…
-
Out West: A Visual Narrative of China’s Westernmost Region
Out West: A Visual Narrative of China’s Westernmost Region Borrowing from romanticized notions of the American frontier, synonymous with ideals of exploration and expansion, I captured a visual narrative of via PetaPixel: https://petapixel.com/2017/11/01/west-visual-narrative-chinas-westernmost-region/ Borrowing from romanticized notions of the American frontier, synonymous with ideals of exploration and expansion, I captured a visual narrative of China’s…
-
Patrick Zachmann, Photographing the Night – The Eye of Photography
[contentcards url=”http://loeildelaphotographie.com/en/2017/11/01/article/159971026/patrick-zachmann-photographing-the-night/”] Patrick Zachmann, Photographing the Night – The Eye of Photography Whilst daylight gives birth to the rainbow of colors under the sun, when night falls, the black backdrop conjures up new contrasts of color. The orange glow emanating from an open doorway on a dark street, suggesting late-night life inside, the flickering of…
-
The attentive gravity of Stephen Shames – The Eye of Photography
[contentcards url=”http://loeildelaphotographie.com/en/2017/11/01/article/159971035/the-attentive-gravity-of-stephen-shames/”] The attentive gravity of Stephen Shames – The Eye of Photography The American photographer who has documented the civil rights struggle in the United States, is the subject of a retrospective at the Maison de la Photographie Robert Doisneau, in Gentilly outside of Paris.
-
The 2017 Unnatural Exhibition | LENSCRATCH
The 2017 Unnatural Exhibition Happy Halloween! Today’s exhibition features work that ranges from things out of place to the just plain weird…and maybe it’s what’s unnatural in the world that catches our eye and keeps things intesting. Thank you to Daniel Chung and Daniel McCullogh f via LENSCRATCH: http://lenscratch.com/2017/10/the-2017-unnatural-exhibition/ Happy Halloween! Today’s exhibition features work…
-
The Untold Quiet of Kurdish Iraq – The New York Times
[contentcards url=”https://lens.blogs.nytimes.com/2017/10/31/kurdish-independence-referendum-lam-duc-hien/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Multimedia&action=Click&pgtype=Blogs®ion=Body”] The Untold Quiet of Kurdish Iraq – The New York Times What the Vietnamese photographer Lam Duc-Hien first imagined of Iraq before traveling there on assignment were the usual media tropes from Saddam Hussein’s Iraq — tanks and violence, surges and refugees. Mr. Lam, who was working for nongovernment organizations and a French…
-
William Ferris: The South In Color | LENSCRATCH
William Ferris: The South In Color As a photographer of the American South, I sought the Holy Grail—that single image that captures the region in its fullest, most engaging expression. I pursued that quest knowing that the South and its diverse worlds can never be contained within a single via LENSCRATCH: http://lenscratch.com/2017/10/victoria-will/ As a photographer…
-
Quirky Photos of Small Town Halloween – The New York Times
Quirky Photos of Small Town Halloween For several years, Timothy Archibald has photographed how his neighbors in El Sobrante, Calif., celebrate Halloween. via Lens Blog: https://lens.blogs.nytimes.com/2017/10/30/quirky-photos-of-small-town-halloween/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Multimedia&action=Click&pgtype=Blogs®ion=Body Halloween in El Sobrante, Calif., is an irony-free zone. It’s not that the town takes the day overly serious. It’s that the people who decorate their homes with skeletons,…
-
Beauty, Politics and Humor in a Rapidly Changing City – The New York Times
[contentcards url=”https://lens.blogs.nytimes.com/2017/10/26/beauty-politics-and-humor-in-a-rapidly-changing-city/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Multimedia&action=Click&pgtype=Blogs®ion=Body”] Beauty, Politics and Humor in a Rapidly Changing City – The New York Times The street photographer Richard Sandler grew up in Forest Hills, Queens, but the chaos and menace of 1960s Manhattan was an irresistible lure for a young man. He would often trek to “the City” to buy fireworks in Chinatown…
-
Grief, Loss, and Hope in the Streets of New York City – Feature Shoot
Grief, Loss, and Hope in the Streets of New York City – Feature Shoot Daeja Fallas’s grandfather, Jack Peters, taught her how to spell her name. He taught her how to ride a bike, ice skate, build a fire, and plant a garden. In… via Feature Shoot: https://www.featureshoot.com/2017/10/grief-loss-hope-streets-new-york-city/ Daeja Fallas’s grandfather, Jack Peters, taught her…
-
Edward Bateman: The States Project: Utah | LENSCRATCH
Edward Bateman: The States Project: Utah In his series Mechanical Brides of the Uncanny, Edward Bateman occupies the role of both inventor and philosopher. Using the carte de visite – the calling cards of the mid 19th century – as a historical and visual point of reference, he replaces the human via LENSCRATCH: http://lenscratch.com/2017/10/edward-bateman-the-states-project-utah/ In his series…
-
The Stories Behind Brian Griffin’s Portraits of Seventies and Eighties Rock Stars | The New Yorker
The Stories Behind Brian Griffin’s Portraits of Seventies and Eighties Rock Stars Iggy Pop tried to intimidate him by urinating at his feet. Siouxsie Sioux never said a word throughout their entire session. via The New Yorker: https://www.newyorker.com/culture/photo-booth/the-stories-behind-brian-griffins-portraits-of-seventies-and-eighties-rock-stars In the nineteen-seventies and eighties, the British photographer Brian Griffin became a sought-after star in two seemingly…
-
Italy’s 81-Year-Old ‘Bride of the Sea’ – The New York Times
[contentcards url=”https://lens.blogs.nytimes.com/2017/10/25/italys-bride-of-the-sea/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Multimedia&action=Click&pgtype=Blogs®ion=Body”] Italy’s 81-Year-Old ‘Bride of the Sea’ – The New York Times When Annalisa Marchionna was a child, she and her parents vacationed in the Italian coastal town of Casalbordino Lido. One day she spotted offshore a woman fishing from a boat, nets and lines in hand. She never spoke to the woman, but…
-
Finding Inspiration in the Struggle at Resurrection City – The New York Times
[contentcards url=”https://lens.blogs.nytimes.com/2017/10/24/finding-inspiration-in-the-struggle-at-resurrection-city/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Multimedia&action=Click&pgtype=Blogs®ion=Body”] Finding Inspiration in the Struggle at Resurrection City – The New York Times Devastated by the assassination of the Rev. Dr. Martin Luther King Jr., Jill Freedman quit her copywriting job at a New York advertising agency and headed to Washington, D.C., to protest poverty and live among shacks and tents on the…
-
Photos of South Africa Show a Country Still Divided – The New York Times
Photos of South Africa Show a Country Still Divided Joao Silva came of age chronicling South Africa’s transition to democracy. In a new series of images, he looks at how the country’s gap between rich and poor poses new challenges. via Lens Blog: https://lens.blogs.nytimes.com/2017/10/24/joao-silva-apartheid-economic-inequality/?module=BlogPost-Title&version=Blog%20Main&contentCollection=Multimedia&action=Click&pgtype=Blogs®ion=Body Joao Silva came of age as a photographer documenting social upheaval…
-
Levi Jackson: The States Project: Utah | LENSCRATCH
Levi Jackson: The States Project: Utah Levi Jackson embraces a self-reflective approach towards his culture and place to re-author the great cultural myths of the west. By staging interventions and performances onto the open expanse of desert, he transforms the landscape into a staged set, or via LENSCRATCH: http://lenscratch.com/2017/10/levi-jackson-the-states-project-utah/ Levi Jackson embraces a self-reflective approach…