Category: Portfolios & Galleries
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‘War can feel distant at times like that, but it can also feel never-ending’: Ashley Gilbertson’s photographs of bombing sites in Nigeria – The Washington Post
Perspective | ‘War can feel distant at times like that, but it can also feel never-ending’: Ashley Gilbertson’s photographs of bombing sites in Nigeria The insurgent group Boko Haram has increasingly victimized children as suicide bombers. Ashley Gilbertson traveled to sites of these bombings to photograph the daily life that is disrupted by these tragedies.…
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1:54 NY Art Fair: John Liebenberg – The Eye of Photography
1:54 NY Art Fair: John Liebenberg His Namibian photographic collection documenting Swapo’s war of Liberation and the South African occupation is widely used by historians, researchers and film makers.
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Wesaam Al-Badry: Thunderhawk | LENSCRATCH
Wesaam Al-Badry: Thunderhawk Meeting with Wesaam Al-Badry at the 2017 PhotoAlliance Our World Portfolio Reviews was more than cathartic. I came away from our time together a little bit changed, impacted by his work, his personal story, and with the intuitive feeling that we would re via LENSCRATCH: http://lenscratch.com/2017/05/wesaam-al-badry/ The series I am featuring today…
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The Horrific Truth About Pigs in Factory Farms – Feature Shoot
The Horrific Truth About Pigs in Factory Farms – Feature Shoot A sow looks out between the bars of her gestation crate © Jo-Anne McArthur / Animal Equality Piglet fetuses in a dumpster © Jo-Anne McArthur / Essere Animali When the… via Feature Shoot: http://www.featureshoot.com/2017/05/horrific-truth-pigs-factory-farms/ When photojournalist Jo-Anne McArthur documents life inside a factory farm,…
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The Second edition of Martin Bogren’s Tractor Boys – The Eye of Photography
The Second edition of Martin Bogren’s Tractor Boys Exhausted or relaxed, perhaps both, they are asleep inside the car, caught unawares by the photographer. Filtered grey light, grainy texture, reflections playing off the car windows: everything in the image is soft and tender
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Jamel Shabazz’s 40 Years of Sights and Styles in New York – The New York Times
Jamel Shabazz’s 40 Years of Sights and Styles in New York When Jamel Shabazz began photographing New York in 1980, the city was recovering from one of its most tumultuous periods. By the late-1970s, New York was facing a faltering economy, a serious drug problem and the physical deterioration of many neighborhoods. New York was…
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The Bizarre Subterranean World of an Australian Opal Town | Time.com
The Bizarre Subterranean World of an Australian Opal Town The town is a subterranean world of shopping malls, schools, churches and homes, all carved out of dusty cavities via Time: http://time.com/4755050/subterranean-opal-town/ “I was really amazed by the manufactured landscape, with all the little mountains all over the place with millions of holes,” says photographer Antoine…
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Candice Jackson: The States Project: Massachusetts | LENSCRATCH
Candice Jackson: The States Project: Massachusetts Like many of the young artists that I follow, I met Candice Jackson as a part of the Undergraduate Photography Now programming that I have run for the last five years in Boston. Candice was both in our portfolio walk at Gallery Kayafas and exhibition at t via LENSCRATCH:…
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Wonderful and Bizarre Photos of Mirrors Sold on Craigslist – Feature Shoot
Wonderful and Bizarre Photos of Mirrors Sold on Craigslist – Feature Shoot Eric Oglander estimates he’s spent 700 hours on Craigslist looking for pictures of mirrors. The New York artist has culled through countless advertisements made by regular people throughout the country,… via Feature Shoot: http://www.featureshoot.com/2017/04/wonderful-bizarre-photos-mirrors-sold-craigslist/ Eric Oglander estimates he’s spent 700 hours on Craigslist…
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Casablanca: A City Nothing Like the Film – The New York Times
Casablanca: A City Nothing Like the Film For most of his life, Yassine Alaoui Ismaili didn’t know anything about street photography. But he knew a lot about the street.
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Kurdistan: Photographs Show the Beauty of Springtime in Iraq | Time.com
Capturing the Beauty of Springtime in Iraqi Kurdistan In Iraqi Kurdistan, spring is the time for lavish picnics via Time: http://time.com/4751126/kurdistan-springtime/ For three years, photographer Erin Trieb has been covering the conflict against ISIS in northern Iraq. She followed Kurdish women fighters and shadowed some of the 5,000 U.S. soldiers involved in the fight against…
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The Iconic 1940s Photographer Who Never Wanted to Be Famous – Feature Shoot
The Iconic 1940s Photographer Who Never Wanted to Be Famous – Feature Shoot “LaSalle at Amsterdam” 1946 © Todd Webb Archive, Portland, Maine USA “125th Street” 1946 © Todd Webb Archive, Portland, Maine USA The photographs arrived at The Curator Gallery in a… via Feature Shoot: http://www.featureshoot.com/2017/04/iconic-1940s-photographer-never-wanted-famous/ As it turned out, the package had been…
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Art + Science: In the Dark: Mark Klett | LENSCRATCH
Art + Science: In the Dark: Mark Klett Mark Klett is a photographer and educator based in Arizona. The photographs from his series Time Studies explore the concept of time and space. Theories on this subject have been a topic of debate for physicists and philosophers throughout history, and an via LENSCRATCH: http://lenscratch.com/2017/04/art-science-mark-klett/ Mark Klett…
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Sage Sohier, Americans seen – The Eye of Photography
Sage Sohier, Americans seen These photographs were made between 1979 and 1986 when I was a young photographer living in Boston. In that pre-digital and less paranoid era, families – and especially children and teenagers – used to hang out in their neighborhoods
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The Funny Photographic Sculptures of Nino Cais – The Eye of Photography
The Funny Photographic Sculptures of Nino Cais In his exhibition Opéra do Vento (Opera of Wind), which just opened at the Casa Triângulo in São Paulo, the Brazilian artist Nino Cais reminds us that we can laugh at everything, even photographs.
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Lauren Greenfield, Generation Wealth – The Eye of Photography
Lauren Greenfield, Generation Wealth Documentary photographer and filmmaker Lauren Greenfield has been working for the past twenty-five years to chronicle a previously unprecedented global obsession with wealth and materialism. Remarkable in scope and depth, from Moscow high society to Atlanta strip club royalty, Greenfield’s photographs explore the desire for more and succeed in revealing gender…