USA Today photographer Jack Gruber posted on his Facebook page on Jan. 23 that “the light from his iPhone helped deliver a baby in the totally dark outside triage area of Port au Prince General Hospital last night.”
“The photographs for Suburbia weren’t done by accident. I put together a shooting script of events that I wanted to photograph… Christmas, Thanksgiving, Fourth of July, Birthdays, et cetera.”
“In an attempt to conceal my mistake I submitted false images and deleted other images. I sincerely apologize for my lapse in judgment and I take full responsibility for my actions which were mine alone,” Fairey wrote in a statement on his Web site.
“I wanted to share a project with you that I started over the past month with my father. My dad Larry Nicholson was a commercial photographer in Kansas City for many years and I started working through his archive and posting my weekly findings on a website. As you will see my dad shot a little bit of everything from knights to circus elephants. I thought you might enjoy it.”
Following Matt’s lead, I’ve collected a few of my favorite photos of mine from 2009. It was a relatively good year, with a few assignments, corporate shoots, other gigs, and an award and exhibition or two.
The Museum of Modern Art will present Henri Cartier-Bresson: The Modern Century, the first major retrospective in the U.S. in more than 30 years of one of photography’s most original and influential masters, from April 11 through June 28, 2010.
That’s when I’m off to the street. Oooh. I didn’t know where I was. People were crazy, moving up and down. Looked like bombardment from cruise missile.
People were panicked, really. They were all over the place. I started taking pictures. And I walk all the way to the end of the avenue. And I shot eight gigs of photos. I shot until the night.
By Kenneth Jarecke I can tell you why the “frugal” Time cover written up in the previous post was such a bad harbinger for our industry. The going rate for a Time cover shoot—just the shoot, regardless of whether it…
PART ONE OF A SERIES OF POSTS DISCUSSING PHOTOGRAPHERS’ ACTIONS AND RESPONSES TO THE KILLING OF FABIENNE CHERISMA IN PORT-AU-PRINCE, HAITI ON THE 19TH JANUARY 2010. “The question is not…
Imagine every one of your PhotoShelter galleries that you care most about is showing up on the first page of Google Search results for their chosen keywords. Impossible, you say? Not so, according to John Lander, who is accomplishing this by using social media sites such as Twitter, Facebook, LinedIn and StumbleUpon as the main ingredient in his SEO-boosting recipe.
As I was driving through northern Thailand along the Mekong River I kept thinking about my time in Springfield, Illinois. There was nothing different from what I was doing now. Obviously, my current assignment was much more interesting to me, but if I traded places with that of a Thai photojournalist, I’m sure his interests would be equally as peaked.
At photovisi.com you first select one of the many collage templates, add your photos and then customize by dragging photos around. After the collage is finished, it’s available for download.
The National Press Photographers Foundation (NPPF) officers and board are pleased to announce the addition of a new scholarship in the memory of Seattle Times photographer Jimi Lott.
Those are some addition images to my previous post from 10 days ago about the “60th Anniversary of People’s Republic of China” limited edition Leica MP camera. The model will be available only in China. 161 pieces are produced with a price tag of 199,900
Penny Martin, Editor, SHOWstudio: There is an image in your current exhibition at Modern Art where you and your wife are pictured standing either side of an estate car, much in the way that Mrs and Mrs Andrews stand in front of their country estate in the Gainsborough painting. Are you asserting yourself as the new society painter?
Juergen Teller: First of all, it’s not an estate car. It’s a Mercedes 500CL. It’s for me the perfect family portrait where I’ve put everything: the car, the wife and the kid. It’s a happy photograph. It’s my state of mind.
Canon 1D Mark IV. It just sounds great, doesn’t it? We’re very fortunate here at the St. Louis Post-Dispatch to receive these new cameras following a recent slew of new lenses and gear. Most of us in the photo department have now had the opportunity to use these new technological wonders on assignment, and here’s a bit of a first impression and review if you’re looking to land one soon.