This gentleman couldn’t figure out why food was going missing in his high-storey NYC apartment. His girlfriend denied taking it. So he set up a hidden camera to see what was happening, and sh…
Andy Adams of Flak Photo contacted me a couple of days ago to participate in a discussion about the future of photobooks. Seems that this discussion is a spin off of a brief article posted by Joerg…
Mark Laita’s new exhibition, Created Equal:New Work, opens at the Fahey Klein Gallery in Los Angeles on December 10th and runs through January 23rd, 2010. I first saw Created Equal at Fahey Klein in 2006 and was totally engaged by the large diptycs and the juxtaposition of the subjects.
A crack squad of London cops — three cars and a riot van — converged on a famous architectural photographer who was taking a picture of Christopher Wren’s 300 year old Christ Chur…
Football is easily my favorite sport to photograph. Combining peak action, great emotion and a sense of ritual and ceremony, football is not only a visual feast for the eyes, but also your camera. There’s a reason why up to 100,000 fans pack stadiums every weekend, planning days, weekends and even annual vacations around games.
Khaled Hasan received his master’s degree in Accounting from the National University of Bangladesh, and recently graduated from Pathshala South Asian Institute of Photography in Bangladesh. He has worked for The Daily Shomokal and Majority World photo agency.
When thinking about what Denver-based photographers I would most like to interview, Matt Slaby immediately came to mind. An 6 foot 7inch tall EMT, Firefighter, photojournalist with a law degree, Matt Slaby’s less than expected roots have sculpted his thoughts as well as his unique aesthetic as an artist. His photographs exhibit a documentarian’s sense of the fleeting, calling into question what lies beneath these captured moments. On a mild fall afternoon, Matt and I ventured out east to a small rural town shooting photos, discussing his journey in photography and how partial color blindness can make work challenging for a color photographer..
An NPPA Navigating the Downturn panel discussion will be held this Friday, December 11, at the Poynter Institute in St. Petersburg, Fla. from 10:00am-1:00pm. The panelists will be Bob Croslin, Joe Bamford and Andrew Innerarity.
Sean Gallagher tasted sand as he focused his camera lens on a masked man who had emerged suddenly from the bright orange cloud that enveloped both of them. Unable to see more than a few yards in front of himself, Mr. Gallagher pressed the shutter and the man disappeared into the sandstorm, as if he had been an apparition.
From the frontiers of climate change comes Consequences by NOOR. Featuring the work of nine, internationally acclaimed photographers, this exhibition documents the devastating effects of climate change around the globe. These stunning photographs show not what might happen in the future but what is happening today.
This DIY Kodachrome machine (the “Filminator”) was created to produce more film stock after the company discontinued productions. Michael, the creator, notes, “Plastic and goop go…
CLICK NOTE: Played with one of these yesterday. Interesting concept.
If you are a photographer, amateur or pro, you’ll be familiar with the two constants of the field: You can never have enough bags, and you can never find the right strap. James Duncan Davidson, photographer and podcaster, decided to do something about the strap.
Kamera & Bild reports that Leica has decreased the production of the Leica X1 camera and increased the production of Leica M9. As mentioned in the article, new cameras sell best right after the official announcement and long waiting times could discourage
The artists Institute represents are Jodi Bieber, Rena Effendi, Lauren Greenfield, Rob Hornstra, Nadav Kander, Gillian Laub, James Longley, Gerd Ludwig, Joshua Lutz, Amanda Micheli, Richard Mosse, Zed Nelson, Jehad Nga, Simon Norfolk, James Pomerantz and Paul Shambroom.
It’s that time of the year again, so without further ado, these are the photo books that impressed me the most this past year. I’m listing them in no particular order, with the exception of the very first one: jpegs by Thomas Ruff. Cutting-edge work, challenging the way we think about photographs, presented beautifully in a large (but not too large) book, maybe in the best possible way (since I don’t think the work gains anything from blowing it up even larger and hanging it in a gallery or museum).
“It was a photo illustration, based on a shoot with body doubles done in Los Angeles by photographer Martin Ellis. The fact that is looks like it might have been a photo is testament to the work of our [staff].”