Ricoh has a habit of making weird cameras. Good, well-performing cameras, but odd nonetheless, like the GR III, a point-and-shoot with a fixed, 28mm ƒ1.9 lens. The newly announced GXR series takes that weirdness and turns it inside-out. The GXR takes the
Ricoh has a habit of making weird cameras. Good, well-performing cameras, but odd nonetheless, like the GR III, a point-and-shoot with a fixed, 28mm ƒ1.9 lens. The newly announced GXR series takes that weirdness and turns it inside-out.
Think you made THE sports photograph of the year? Well, it’s put-up-or-shut up time: The Sports Shooter Newsletter is again holding its annual contest to find the year’s best sports photographs.
About a month ago I was fortunate to get the opportunity to spend a few days shooting with a couple of pre-production Canon 1D Mark IV’s. Because the camera had not yet been announced, I was somewhat limited in where I could shoot. In other words, I wasn’t able to shoot an NFL game or the like. Also, the raw processing software had not yet been finalized, so I couldn’t shoot anything for Sports Illustrated as we always shoot RAW files.
Lectured last week at the University of Missouri’s School of Journalism. In the photojournalism department, the students all had that traditional mix of energy, enthusiasm, angst, and doubt so typical of that time in your
Being lost isn’t the worst thing in the world, either, especially at 19. I hadn’t even discovered photography at 19, but nothing in particular concerned me about my aimlessness. Probably a lack of depth on my part, no doubt, but then it did leave me with room to move and the ability to imagine myself in different contexts. I do know that when I finally engaged in photography, it was like a black hole, an irresistible force that pulled me, my time, my energy and, without exaggeration, my every waking (and sleeping) moment. I had never known such a resonant thing.
After the recent closure of the historic agency Grazia Neri, fourteen of its long-standing photographers decided to pool their archive of six hundred thousand pictures and found a new image archie.
Recently, German magazine Photography Now approached me for an interview. To give me an idea of such interviews, they sent me an older issue, which featured a long and very interesting interview with Gerhard Steidl. Unfortunately, the interview was in German and not available online – so I asked the makers of Photography Now whether I could translate the interview and re-publish it here.
Is it possible for a lens to make you a better photographer? That was the selling point the salesman used when trying to convince me to purchase a $10,000 camera lens. The Leica Noctilux-M 50mm F/0.95 ASPH lens is way out of my price range at $9,995. I would have to sell all of my camera equipment plus add a few extra dollars to purchase it. I knew I could not afford it but I was curious…what made this lens worth $10,000.
Troy Bartell, 22, former editor-in-chief of Boston University’s student newspaper The Daily Free Press, said Monday that his once-prestigious paper is in “free-fall,” and is now printing only “ridiculous, brutally incompetent shit.”
Picture Black Friday is a photojournalism project that aims to revisit and analyze a combination of forces- a worsening economy, financial desperation, excitement, fear, absurdity, and a distinctly American cultural tradition- that culminate the morning after Thanksgiving.
In celebration of the release of his latest book ‘GRUNGE‘ Michael Lavine is this weeks WTJ? sponsor. Michael took the pics and Sonic Youth’s Thurston Moore provides the text. Grunge is not only a collection of portraits of musicians synonymous with the 80’s punk scene and grunge explosion in Seattle but also documents the counter culture of the time. Michael had many personal relationships with many of the artists which lead to unparalleled access.
Mark Klett and Bryon Wolfe have been collaborating on a series, Charting the Canyon, since 2007. The photographers have been re-photographing a variety of iconic views of the Grand Canyon and using digital technology to present old images in new contexts. The old images, which include paintings and drawings as well as photographs, are superimposed on new photographs—and vice versa—with provocative results.
Krishnan Vasudevan is a multimedia intern at The New York Times. Vasudevan, a third semester graduate journalism student at New York University, will graduate in May 2010.
We parked our car and I positioned myself behind several protesters as Claudia asked two men to allow me to balance my camera on their shoulders, in order to make a long exposure without flash, of the lineup of Stasi and their dogs that were biting protesters. After making many images, I was suddenly swept off my feet by several undercover police officers. I was sure that I would lose this important film as I was taken to a paddy wagon and asked to surrender my film and cameras.
Simply put, there is way too much information on Twitter — lately, it defies navigation. In January, there were 2.4 million tweets a day, according to Alessio Signorini, a researcher at the University of Iowa. By October, he reports, there were 26 million tweets a day.
The dpBestflow.org site will be going live on November 11. Everyone on the project team is excited and proud to bring this important resource to completion. We have high hopes that the information in dpBestflow will make your workflow easier and more efficient, lead to better cooperation within the larger graphic arts community, as well as, help the Library of Congress achieve its goal of preserving our digital cultural heritage far into the future.
I just made my first major trip to NYC, from Portland, OR, to show my portfolio around for a while. Alot of people were very curious to learn how the whole operation works, so I decided to write about the process on my flight back to the West coast last night.
Richard B. Stolley is one of the preeminent names in American journalism. Over his 56-year career at Time Inc., Stolley spent 19 years at the weekly Life, capturing the events and people of our time, and placing them in perspective for our history. “Life,” he once said, “wasn’t simply about taking great pictures that knocked your socks off, but taking pictures of human contrast and emotion. We saw violence beyond human comprehension and outstanding incidents of human compassion, and we recorded it all for the readers with such skill that pictures we’ve seen a hundred times still evoke exactly the same emotions as they did when they were first published.”
Vewd delivers OTT and hybrid TV solutions on nearly 40 million connected devices each year, with more than 300 million Vewd-enabled devices shipped to date.
This photographic essay documents the violence due to the drug war in Mexico in 2008. The story, was completed over a period of 6 months, mostly in the notorious barrios of Tepito and Nezahualcoytl in Mexico City. However, in October, I also visited Juarez where, with the help of local journalists was able to document just a fraction of the rampant violence that has turned the border town into a war zone.
