My first order of business after accepting the internship was to look for housing. Searching craigslist I came across a bunch of Brigham Young University housing, but I had no idea what that meant. When I found a place with $95 monthly rent, I couldn’t turn it down. I mean, I could do BYU housing right?
I’m amazed by the cinematic qualities of this high definition footage from Frontline’s documentary Obama’s War. The color, the depth, the texture, it all screams film to me. Except it’s just a Canon 5D Mark II rigged by Danfung Dennis.
In photography, chance is often the overlooked understudy of talent. New Yorker Brett Beyer embraces this philosophy with his New Amsterdam project. Shooting lower Manhattan with a Holga and a Zeiss Nettar, he invites flaws and doubles exposures and then
Wildlife photographer Michael Nichols wanted to photograph a 300-foot-tall redwood in a dense forest with no clear lines of sight. So he built a custom camera rig to take tons of close-ups to stitch together.
This small, sixteen-page pamphlet is produced to put inside the postage-paid, business-reply envelopes that come with junk mail offers. Every envelope collected is stuffed with the pamphlet and mailed back to its original company.
Russell Brown showed off some new “from the labs” painting and warping technology during today’s Photoshop World keynote address, and now he’s posted a recording of the demo…
China formally kicked off its mass celebrations of 60 years of communist rule with a 60-gun salute that rung out across Beijing’s historic Tiananmen Square earlier today. Hundreds of thousands of participants marched past Tiananmen Square in costume or un
For over fifty years the World Press Photo contest has captured images of our times. Our archive of winning photos is not only a record of more than half a century of human history, but a showcase of successive styles in photography and reportage.
The archive gallery comprises some 10,000 images. It includes photos that have become icons, by some of the leading names in the profession. World Press Photo has put them online with the aim of sharing our knowledge, resources and experience with the widest possible network.
This site was made possible with the support of the Mondriaan Foundation and VSB Foundation.
Alexandra Avakian has led a fearless life, covering uprisings, civil war, famine and genocide. What she discovered in the shower one day, however, chilled her.
Choosing a Canon over a Nikon, an Olympus over a Pentax, or any other combination, comes down to matters of brand preference, feature comparisons, and personal whim. They all pretty much do the same thing, but of course with some differences in user interface, control placement and specific features, which may or may not appeal to any one individual. In addition there are a wide range of models (with new ones introduced every few months) to satisfy just about any budget. That’s fine. That’s the nature of the mass market and it means that we have some amazing cameras available to us at ever decreasing prices.
But for some the camera that they use is about more than being a tool for getting a certain task done – whether its a feature magazine assignment or simply recording a family vacation. For these photographers the camera becomes an extension of their ability to see and record, a tool for actualizing that process. The tool and the process become inseparable. It is for photographers that approach their work in this manner, and who have developed an appreciation for a minimalist esthetic that the M Leica appeals.
After publishing my review of Christopher Anderson’s Capitolio, I ended up exchanging emails with him about the work and its purpose and reception. Things got so interesting that I thought this would be a great opportunity to take things public and to have a conversation with him on this blog.