if you don’t need that introduction1, then you probably will have by now had the same reaction I had several months back when I heard whisperings that Peter ‘Dr. Fun Fun’ Franco and Steve ‘Smashing Studios’ Broumley — former art and technical director, respectively, at the now-defunct Austin branch of Midway — were working on a game featuring Daniel Johnston’s art and music: I’ve more or less been waiting for this day since the early 90s.
With the release of the new H4D-60, the first H4D camera and most recent addition to the Hasselblad H System, Hasselblad marks the beginning of a new chapter in the history of medium format DSLRs. The H4D-60 will feature True Focus with APL (Absolute Position Lock), making auto-focus substantially easier and more accurate for photography professionals.
Join legendary Magnum photographer David Alan Harvey and Momenta for a free slideshow and party celebrating the American Family.
Bring friends, colleagues and co-workers and join us for great photos from our workshop, great music and a great party! It’s open to the public and all are welcome. Cash bar with beer, wine and drink specials starting at $3.00.
FREE ADMISSION.
Where: Coda Jazz Club, 1710 Mission Street @ Duboce in San Francisco
Two blocks from the Mission and 16th BART station, 4 Blocks from the Van Ness Muni station or the number 49 bus line runs right by the bar.
When: Monday, Sept. 28 – 6:00 p.m. until closing!
Doors open at 6:00 with the slideshow at 7:00.
D. Mark Andrews is a photographer living and working in San Francisco. Of this work he says, ‘Unnatural Curiosities is a series of still life images composed of an amalgamation of everyday objects arranged into a new context—a context symbolic of our hidden desires, motivations, and anxieties.
With the brand new Diana F+ SLR adaptors you can now introduce the whole range of effects achievable with the Diana F+ lenses and accessories to your 35mm Canon EOS or Nikon F series cameras. Bring on Fisheye wackiness, sweeping wide-angles and close-up curiosity – just some of the fantastic effects you can experiment with when you combine the Diana F+ SLR Adaptors with the Diana F+ creative add-ons! Simply attach and twist the SLR adaptor to the Canon EOS or Nikon F mounts and then you are ready to slap on your Diana weapon of choice!
What did I shoot and where? Where are my images stored and are they safe? Having a solid workflow keeps you organized, and allows you to focus more on the creative process than worry about the disposition of your images.
There are 11.5 million images stored at 65 degrees in a combination office and storeroom in the basement of the National Geographic Society’s headquarters in Washington. Mr. Bonner’s favorites — among the color slides, Autochromes and photo albums — are 350,000 vintage black-and-white photographs.
This summer I have seen more rain than any year before in my life. I grew up accustomed to terms like “insipid drought,” not swollen rivers or floods. Monday afternoon, David was trying to drive back into the city and what would have been a 45 minute drive turned into hours, as the the rain pounded down, I-85 flooded and was closed. I didn’t realize it had gotten much worse than that until I saw photos from the AJC Tuesday morning. So, when the New York Times called and asked me to meet a reporter and try to hop a boat into a flooded home in Buckhead, I obliged.
The National Press Photographers Association is warning photojournalists who will be covering the upcoming G20 Summit in Pittsburgh, PA, to be aware that local law enforcement has stated that the media will be “treated no differently than the public” when they issue an order to disperse.
In other words, photojournalists are just as eligible for arrest as anyone else on the streets, including protesters and other civilians.
The Laptop Burka is a sheet of “breathable, lightweight fabric” which you drape over both yourself and your computer to cocoon the pair of you in a glare-free, psychologically separate space.
In two years of global warfare, America had yet to see almost any pictures of dead Americans.
Then, in September 1943, an issue of Life magazine arrived in people’s homes and at their corner newsstands. It forced them to confront a stark, full-page picture by George Strock that showed three American servicemen sprawled on Buna Beach in New Guinea; two face down, one supine; their lifelessness unmistakable even in a still photograph.
While the industry is going through it’s most radical changes since its small and short existence, it seems that everyone is caught staring at the headlights. Many violent issues are affecting the way business is done today, with possible long lasting repercussion, yet it seems that all are taking cover under a business as usual blanket.
When Ed came to Stanford a few months ago for an Aurora Forum on the What Matters book, I was reminded how unsatisfactory the term “documentary photographer” is when applied to someone like him. Years before multimedia became a buzzword, Ed and his wife Julie Winokur were leading the way into “multi-platform” storytelling, including exhibitions, books, websites, videos, multimedia, and educational programs. Ed explains how they are now exploring “feedback loops” between documentarians, their audience, and the subjects, so that the people in the photos and the people looking at them contribute as much to a story as the person behind the camera.
“Addario’s dedication to demystifying foreign cultures and exposing the tragic consequences of human conflict is drawing much-needed attention to conflict zones around the world and providing a valuable historical record for future generations,” the MacArthur Foundation wrote in a statement announcing her award.
