From The Big Picture:
Photographer Jason Hawkes returns to The Big Picture once more, this time venturing away from London (seen previously here and here). Recently, Hawkes has been carrying his Nikon D3 aboard helicopters around the world, hanging out the doorway and capturing landscapes – most somehow affected by humans – below.
From SuperTouch:
Last weekend saw the DAMIEN HIRST’s first grand spectacle of 2009 when his daunting career retrospective “Requiem” opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine.
From A Photo Editor:
I was corresponding with Elizabeth Avedon after I posted several pages from Rolling Stone Magazine’s seminal political photo essay “The Family” shot by Richard Avedon, because as it turns out Elizabeth was working in the photographer’s studio at the time designing the cover of the book “Portraits.” She was telling me some fascinating stories about working with Richard Avedon along with revealing the fact that she designed that issue of RS and so I asked her a few question. The first obviously was if she’s related to Richard to which she replied that at one time she was married to his son.
From PDN:
Beginning in December 2006, Balog and a group of scientists, photographers and cinematographers positioned a total of 27 Nikon D-200 cameras at 18 locations in Greenland, Iceland, Alaska, the Rocky Mountains and British Columbia. Carefully boxed and sealed to withstand the elements, the cameras are powered by a combination of solar panels, batteries and other forms of electronics and are programmed to photograph once an hour as long as there is available daylight.
From PDN Photo of the Day:
Today we present seven psychedelic fashion photos from photographer Mark Leibowitz’s current “Backstage at Galliano” exhibit, which opened as a private event April 25 in downtown Manhattan. The show includes 17 limited-edition prints created backstage at John Galliano’s fall-winter ’08 and spring-summer ’09 ready-to-wear shows in Paris.
From burn magazine:
i thought: why not turn the Kibbutz loft into a BURN gallery for the photographers here??…sell your prints from selected work….
From Style.com:
The other quality that characterizes Steven Meisel’s work is a strange kind of precision. “The thing that looks like Steven is an obsessiveness with an almost chilly perfection,” says Koda. “Even if the models are meant to look tousled, they are perfectly tousled,” he says. “There’s never a moment where there isn’t this intrusion of the photographer into a very controlled image.”
via Andrew Hetherington.
From Wooster Collective:
We’re extremely saddened to learn this morning of the death of Ian Talty, a photographer known for shooting amazing photographs of graffiti in and around St. Paul, Minnesota.
From The Fast Food Job Application Prank:
In the winter of 2008, I started noticing that all of the fast food places near work had these little acrylic application holders out in the open. So, I got to work designing a new job application, with much more entertaining questions. All I had to do was remove the spaces for “the last ten places you worked” and there was more than enough room for every question I could dream up.
To blend into any setting, I invented the fast-food conglomerate Serv-Joy. With this logo, a better name would be “GoatSe.rv-Joy”.
It was an application best described as absurd. My goal was to create questions that were ridiculous, contradictory and just a little seedy.
via Urban Prankster.
From NPAC – News Photographers Association of Canada:
The Photographer’s Q&A focuses on Canadian photographers and visual journalists. This is an ongoing series posted every Monday.
This week’s Q&A is with Ryan Enn Hughes, who will be joining The Globe and Mail as its summer intern.
