CLICK NOTE: Points for spotting Joey, Mike, Gary, and me. (not all in the same shot)
Work Only, Episode 1: Murray Bowles. An Incomplete History of East Bay Punk Rock. Murray Bowles is one of the most important photographers of the Bay Area punk scene. 924 Gilman, Mabuhay Gardens, Ruthie’s Inn, you name it, Murray was there. Work Only looks at the photos he selected for an exhibition in 2001, and Murray chats with a KALX DJ about his work.
Special Notice: Photography, recording, webcasting and any other reproduction of Vice President Al Gore’s speaking appearance is strictly prohibited.
About a year ago, my husband started getting Facebook friend invitations from every girl he ever went to school with.
And it seemed as if half of them confessed crushes on him. These were girls frozen in his memory with teenaged breasts, AP English minds, and a sense that anything was possible. Like this one girl from seventh grade. She friended my husband on Facebook and then reminisced about the day his family moved away. She had put on her favorite dress, painted her nails purple, and worked up all her courage to hug him good-bye. “Isn’t that SO funny,” she wrote, “How silly we are as kids.”
This is for all of you who have been asking for part numbers etc of the rather nifty tethered set up I use nearly all the time these days
Mark Silber, over at Silber Studios Blog, was able to obtain the rare Ansel Adams footage above. In the short clip Ansel Adams talks about visualization. The process whereby a photographer sees a photograph in their mind’s eye before and during the making of photograph.
Miru Kim is a New York-based artist who has explored various urban ruins, such as abandoned subway stations, tunnels, sewers, catacombs, factories, hospitals, and shipyards.
That is, what if they were to combine for critical mass and keep most of their journalism off the public Internet for a few days after publication but then make the archives freely available?
Photojournalist Alan Chin and Michael Shaw, founder of the BAGnewsNotes blog, have been collaborating on coverage of political events for several years. Here Michael explains the way they uncover discrepancies between media spin and what’s happening on the ground
The successful introduction of the Mamiya DL28, in addition to requests from professional photographers throughout the U.S., has prompted Mamiya America to announce the next level in high-end digital camera systems – the Mamiya DL33.
Shepard Fairey x Glen E Friedman x Bad Brains
24 x 18, 3 Color Screen Print
Edition of 425
Signed by Shepard, Glen E Friedman, and all the original members of Bad Brains
$120
Boston raised Paul D’Amato now resides and teaches in Chicago, where he has extensively photographed three public housing projects from the city’s near west side.
Last week, a juror in a big federal drug trial in Florida admitted to the judge that he had been doing research on the case on the Internet, directly violating the judge’s instructions and centuries of legal rules. But when the judge questioned the rest of the jury, he got an even bigger shock.
Intent on documenting the effects of climate change, nature photographer James Balog ventured into ice-bound regions with 26 time-lapse cameras, which he programmed to shoot a frame every daylight hour for three years.
Words can tell a story, describe emotions, and explain the facts, but they can never replace a powerful moment captured in a photograph. Compelling images offer a window into people’s lives, often depicting their reality with a unique perspective. For more than 30 years, MSF has sent photographers into its projects to document both MSF’s work and the people we are trying to assist. This is a collection of some of their best work, including images from award-winning photographers, both independent and affiliated with international newswires and photo agencies.
The MSF photo blog will be providing an daily image from our current work and archives, in an effort to make these exceptional images available to the public. We will draw from three decades of material in the many countries where we have worked, or work today.
There isn’t another camera anywhere in the world that takes larger digital pictures than the Seitz and the 160 Megapixel files produce incredible results. In terms of scale, image definition and sheer drama, this camera brings to photography what the IMAX brings to cinema.
