In the few day’s since the passing of Larry H. Miller, owner of the Utah Jazz, I have been very busy working in my role as a photo editor and photographer trying to do our best to tell this important story for our readers.
I had a few minutes last night to reflect on his personal impact on my life.
Yeah, we use it for a poor-man’s RSS feed, but The Click’s Twitter situation is fixed. I’m wondering how this was broken for two months before I noticed. Oh yeah, beta plugin software. That’s what it was…
There are a number of factors to be considered when buying a new camera. Just a few include – image quality, resolution (pixel count) and price. In addition there is the matter of lens availability, ergonomics, features and much, much more.
I am typing this on a 9-inch, 3G-equipped, almost-pocketable computer, running the best consumer OS money can currently buy. It costs around $400. Do you want one too? Here’s how to get yours.
Helvetica Bold Oblique was the big winner at Tuesday’s 73rd Annual Fonty Awards, taking home 11 statues, including those for Best Sans Serif and the highly coveted 2001 Best Font prize.
Over on Boing Boing Offworld, our Brandon’s found Jumpman, a hypnotically nostalgic and mesmerizingly fun retro-game
I agree with efforts to lift the ban on photographs of returning fallen servicemen and women. Nothing says more of the sacrifice they and their families have made than that.
For more than 40 years Tom Arndt has trained his Leica MP on his fellow Minnesotans at work and play, especially at the State Fair, in small-town diners, parades and high school gyms. He loves fireworks and the fair’s midway, threshing crews, cabbies, commuters, construction workers, cars with tailfins and kids on bikes.
UPDATE: Apparently not. See the first comment from Alex at Last.FM
word is going around that the RIAA asked social music service Last.fm for data about its user’s listening habits to find people with unreleased tracks on their computers. And Last.fm, which is owned by CBS, actually handed the data over to the RIAA
We support an aggressive press and TMZ is probably within its First Ammendment rights. But we can’t think of any justification for publishing this photo.
Adrian Searle dissects this year’s contenders for the biggest photography prize in the world
CLICK NOTE: Not that anyone is asking me to, but remind me never to agree to be a judge at POYi.
Some cool rundowns on the workflow of a few photographers, including some serious flowchart work. Nice…
BRAD MANGIN’S EDITORIAL PHOTOGRAPHY WORKFLOW
ARCHIVE, WEBSITE, & MARKETING: THE ALL-IN-ONE PHOTOGRAPHY WORKFLOW OF JOCK FISTICK
JENSEN LARSON’S WEDDING PHOTOGRAPHY WORKFLOW
IPHOTOLIVE’S PHOTOGRAPHY WORKFLOW: DESIGNED FOR MASS DISTRIBUTION
“When you’re working on a film, it’s almost like photographing paintings at a museum,” says Mary Ellen Mark, now 68 and dressed entirely in black, with twin braids over her shoulders. “You’re photographing somebody else’s world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.”
Brian Kosoff was a top advertising photographer for 25 years, up until the beginning of the end of advertising photography’s golden age. As he watched photographers’ incomes drop and overhead costs rise, he found a way to transition to the world of fine-art landscape photography. Here he talks about the roots of the challenges advertising photographers still face.
