DoubleFine’s black metal adventure Brütal Legend, the sophomore game from the studio behind Psychonauts, headed by former LucasArts designer Tim Schafer.
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Too much chocolate specifically aims to serve and connect young emerging photographers all over the internet.
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Photographer Matt Sutton reports on the work of MAG (Mines Advisory Group) in Laos. The country was hit by an average one B52 bomb-load every eight minutes, 24 hours a day, between 1964 and 1973. Of the 260m “bombies” that rained down, particularly on Xieng Khouang province, 80m failed to explode, leaving a deadly legacy. These photos were taken over the past 12 years and are part of an ongoing book project. The book, Legacy of a Secret, was runner-up for the Leica European Publisher’s award
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Tim Clayton decided to leave his staff photographer job at the Sydney Morning Herald.
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We at the Muse don’t believe that what works for TV works for the Web. We don’t believe in the inclination to make multimedia bigger and more flashy, but rather smaller and more personal. More precise. With craft. We also don’t believe that posting amateurish imagery, no matter how cheap to obtain, is going to help publications to balance their books. Readers have a high degree of visually literacy; it’s the pictures that are going to sell a story. If you agree, and if your hard-earned project isn’t getting the play you think it deserves, don’t allow it to go under-noticed. Fight the power. Stick it to The Man. Send it to the Muse
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The Sony A900 is a very serious undertaking for that company, and is a camera to be reckoned with. Sony plays to win, and it becomes a dominant force in virtually every segment of the consumer and professional electronics industry that it chooses to participate in. (One of their only failures was with Betamax, but they then transformed that format into a professional product and went on to dominate the broadcast industry with it for the past 20 years.) So, as we look at the A900, think of it not just as a new high-end DSLR, but also as Sony’s stake in the ground – claiming their intention to become a major player in the DSLR marketplace.
in Equipment
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After spending three quarters on the A-ring catwalk at the Georgia Dome, I received nearly 30 e-mails from readers of The Atlanta Journal-Constitution asking how I got photos of their beloved Falcons from overhead. Some wanted them for Christmas presents, some just wanted to know how I did it. Well most if not all of you know I was standing on a catwalk. Quite a few of you have navigated catwalks for basketball, setting up remotes, et cetera. Standing about 200 feet over the field of play for four hours is slightly different, however, and requires additional precautions.
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Basically wherever you’re told to leave, you go, wherever the line of traffic or people are going, you go the opposite way. It’s kind of an eerie, almost lonely feeling as your passing by people and they’re screaming “wrong way buddy!!!” and I’m saying “I know, I know, I’m nuts to be doing this but I’m press”. Then you get to another police checkpoint, flash the press pass, and the cop gives you that “I ain’t responsible for you” lecture. After that, you’re basically free to do go wherever you want.
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Here is a quick behind the scenes look at the Canon 5D MKII – mounted on a Steadicam
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Big cities can sometimes seem like immense visual abstractions.The jam-packed juxtapositions of diverse styles of architecture — all compressed into dense overlapping vertical spaces — can be seen as things of rare man-made beauty.
These soaring glass-walled environments also invite a sometimes perverse delight in voyeurism. Michael Wolf’s new photobook, The Transparent City, captures both of these aspects nearly perfectly in his recent photographic study of downtown Chicago.
in Books
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Program host Bob Garfield uses Jill Greenberg’s controversial portrait session with John McCain as a point of departure for raising provocative questions about editorial portraiture in general: Why aren’t editorial portrait photographers held to the same journalistic standards as other journalists? And where’s the line between a photographer’s prerogative and a ‘gotcha’ image?
in Ethics
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in Equipment
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So, what exactly is a D3x, you ask?
It’s a D3 whose primary digital board and sensor have been updated and replaced (respectively). That appears to be the only change (there may be some minor tweaks and menu choices that we can’t see short of disassembling the two side-by-side and doing a full scroll of the menu system, but I expect those things to be beyond minor in practice). Swap out the D3’s sensor for a new stuffed-with-pixels one, swap in a slightly redesigned digital logic board. Voila, D3x.
in Equipment
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After countless leaks, the Nikon D3X is finally official! All you need to know is that it’s a slightly slower D3 with a 24.6 megapixel sensor — higher resolution but not as good in low-light. This is exactly the camera that I, and pretty much everyone else, predicted more than six months ago, so in a strange way it feels like old news. Of course, as a D3 and D700 user, I’m totally in the tank for Nikon, right? Wrong. Please watch as I ruin any chance at sponsorship.
in Equipment
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FORT WORTH, TX—Cash-strapped American Airlines announced a new series of fees this week that will apply to all customers not currently flying, scheduled to fly, or even thinking about flying aboard the commercial carrier.
in News
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Photographer & author Shangara Singh points out some helpful links to Adobe documentation on the new features in Camera Raw 5.2
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