The Associated Press (AP) has released an extensive report looking at whether Nick Ut is the author of the Vietnam War Napalm Girl image. After a detailed investigation, it has decided that it will not change the credit on the famous photograph.
Doug Mills, photographer for the New York Times, and Moises Saman, contributor to the New Yorker, have been named the winners of the 2025 Pulitzer Prize in the two photography categories. Mills’s series of photos captured during the assassination attempt on Donald Trump won the Breaking News Photography category while Saman’s photos of the Sednya Prison in Syria took home the award for Feature Photography.
Steve Lasker, a pioneering photojournalist in Chicago, spent decades photographing the life in and around the city. From devastating tragedies like the fire at Our Lady of the Angels School to poli…
Steve Lasker, a pioneering photojournalist in Chicago, spent decades photographing the life in and around the city. From devastating tragedies like the fire at Our Lady of the Angels School to politics and sports, Lasker was always there to document. He was known as the man with the “golden eyes.”
In early March I had the pleasure of attending this year’s Society for Photographic Education annual conference in Reno, NV and participating in the portfolio reviews. It is always great to connect with others across the table while discussing the work and ideas that they are eager to share. For the next few days, we
In 2004 I was asked by members of the Lakota Nation to document the 300-mile memorial horse ride to the site of the Wounded Knee Massacre—the Oomaka Tokatakiya, Future Generations Ride
Zélie Hallosserie has been awarded the first-ever Saltzman-Leibovitz photography prize. The 21-year-old photographer’s work shines a light on migration and exile in northern France.
The aerial image of 34 men spelling out a distress signal from a Texas detention center stands in defiance of a government that wants to crowd our field of vision.
The aerial image of 34 men spelling out a distress signal from a Texas detention center stands in defiance of a government that wants to crowd our field of vision.
For five decades, Humble focused his lens on areas of the city often overlooked or dismissed, from its industrial infrastructure to its mom-and-pop storefronts.
For five decades, Humble focused his lens on areas of the city often overlooked or dismissed, from its industrial infrastructure to its mom-and-pop storefronts.
But by creating that project and presenting it in the photoland context, and by accepting the outsourcing of your audience’s conscience, you’re essentially exposing yourself to their rage about what you show them.
International street photography platform Pure Street Photography (PSP) announced today the winners and finalists of the Pure Street Photography Grant 2025, showcasing and celebrating incredible photographic voices from around the world.
Thus there’s no market in paying authors to use their copyrighted works, Meta says, because “for there to be a market, there must be something of value to exchange,” as quoted by Vanity Fair — “but none of [the authors’] works has economic value, individually, as training data.” Other communications showed that Meta employees stripped the copyright pages from the downloaded books.
LensCulture returns to Photo London with a group show featuring remarkable work by 68 photographers from 24 countries — an up-to-the-minute overview of contemporary photography from around the globe.
Today, I’m pleased to feature the work of Gregory Jundanian, whom I met at last year’s Review Santa Fe. During our review, Greg and I discussed his photographic projects exploring his Armenian heritage and the lingering generational trauma of the Armenian Genocide that started on this day in 1915 and lasted for a number of
Written by genocide survivors about their ancestral homes across the Ottoman Empire, the aim of these memory books was to preserve the history and traditions of village life, hence our identity, as communities reimagined themselves in the new world. Once There Was and Was Not explores the effects of genocide on Armenian identity
