Life is all about how we handle the hard stuff and photographer Giles Duley handles the hard stuff in a remarkable way. He has managed to turn the challenges of losing his limbs into a way of connecting with his subjects. After a career as a commercial an
This special panel moderated by ViewFind’s Lead Photo Editor Andrea Wise explores some of the delicate issues that arise when making bodies of work on sensitive topics.
Polly Gaillard has a new project, December and Everything After exploring the difficult terrain of documenting aging and ill parents. It’s a formidable decision to turn the camera on loved ones in weakened and diminished states, but the result helps in un
Amnon Gutman Ukraine Crisis – The East [ EPF 2016 FINALIST ] Since the September 5, 2014 ceasefire deal in Minsk Both Pro Russia rebels and the UA army used the relative lull to build up thei…
37 year-old Italian photographer Tommaso Rada discusses The Danube Isn’t Blue, a documentary photography series he shot along that major portion of the Danube river in Eastern Europe that embodies the border between Romania and Bulgaria
As a former Art Producer, I have always been drawn to personal projects because they are the sole vision of the photographer and not an extension of an art director, photo editor, or graphic designer. This new column, “The Art of the Personal Project” wil
Warren Richardson, who won this year’s World Press Photo Award for his haunting image of Syrian refugees on the Serbian-Hungarian border, told us what refugees have taught him about survival.
Lena Mirisola is this week’s first honorable mention as we continue to showcase the outstanding works submitted for the 2016 LENSCRATCH Student Prize. Within contemporary practices, photographers and image-based artists alike have been working towards the
If you were considering doing some visual analysis this week then there would be one overwhelmingly obvious candidate for it. A photograph by Reuter’s photographer Jonathan Bachman which shows prot…
Jessica Dimson, a photo editor on the Politics desk of The New York Times, talks about how to find unique images in the midst of intensely covered and highly stage-managed campaign events.