Elephants in Dust
Nick Brandt’s latest photo project in East Africa underscores that people, and not just wildlife, are the victims of nature’s destruction.
via The New Yorker: http://www.newyorker.com/culture/photo-booth/elephants-in-dust
Nick Brandt’s latest photo project in East Africa underscores that people, and not just wildlife, are the victims of nature’s destruction.
via The New Yorker: http://www.newyorker.com/culture/photo-booth/elephants-in-dust
“I didn’t want to be some invisible photographer”
via Time: http://time.com/4245659/south-sudan-conflict-dominic-nahr/
As newsrooms disappear, veteran reporters are being forced from the profession. That’s bad for journalism—and democracy.
via The Nation: http://www.thenation.com/article/these-journalists-dedicated-their-lives-to-telling-other-peoples-stories/
“Walking in the door has been easy,” says NY-based photographer Andrea Star Reese, whose ongoing documentary inside Indonesia’s mental facilities has taken her into the homes, schools, shelters and hospitals, where hundreds exist in appalling conditions b
via Feature Shoot: http://www.featureshoot.com/2016/03/shocking-images-document-the-disturbing-living-conditions-of-indonesias-mentally-ill/
Back in 2014, Denver Post photojournalist AAron Ontiveroz’s boss asked him to travel to Russian to cover the Sochi Winter Olympics, Aspen for the Winter X
via PetaPixel: http://petapixel.com/2016/03/03/video-one-month-life-road-photojournalist/
Isadora Kosofsky documented a New Mexico family racked by addiction and incarceration. Now, they respond to her images.
via Medium: https://medium.com/vantage/listening-to-those-who-are-photographed-e65e2f80fa56#.juy69top5
As a curious little girl growing up in Tiksi, a small Russian town on the Arctic coast, Evgenia Arbugaeva’s window to the rest of the world was television. She couldn’t get enough of the wildlife programs that flickered across her screen, and watching explorer Jacques Cousteau became her inspiration. Her dreams were filled with journeys to Asia and Africa.
via Non Profit News | Nonprofit Quarterly: http://www.tinyspark.org/podcasts/war-photographer-to-war-crimes-investigator/
One of the tenets of photojournalism is to give voice to those who are unable to speak for themselves, but what does this mean for our digital world where the photograph has never been more potent or more accessible? Are photojournalists still needed to tell stories when everyone supposedly has a camera-enabled smart phone and can tell their own stories?
In conjunction with the recent release of the monograph of the same title, the Robert Koch Gallery presents the second installment of Notes for an Epilogue, a series of large-scale color photographs by Hungarian photographer Tamas Dezso.
In “Bacalaitos & Fireworks,” Arlene Gottfried chronicles the Lower East Side’s once-vibrant Puerto Rican community, rendering it with love, humor and warmth.
The photographer Davide Monteleone accompanied Peter Hessler to El-Balyana, in Upper Egypt, to photograph the region’s unusual parliamentary elections.
via The New Yorker: http://www.newyorker.com/culture/photo-booth/on-the-campaign-trail-in-upper-egypt
Joseph Sywenkyj photographs the painful reality of rehabilitation
via Time: http://time.com/4239775/ukraine-war-injured-veterans/
“Oumar Ly leaves behind him a large family and unique photographic archives.”
As migrants from across the Middle East and Africa continue to make the journey to western Europe by the thousands, the flow of refugees traveling the “Balkan corridor” is now being constricted.
via The Atlantic: http://www.theatlantic.com/photo/2016/03/stranded-on-the-macedonian-border/471933/
On this episode Robert speaks with NPPA Lawyer, Mickey Osterreicher, about the importance of photo advocacy. We talk about drones, copyright, 1st Amendment issues, and the importance of being a part of an organization like National Press Photographers Ass
via The Photo Brigade: http://thephotobrigade.com/2016/03/photo-brigade-podcast-98-with-mickey-osterreicher/
A three-time World Press Photo laureate offers invaluable advice on how to work well with an emerging source of funding in the photojournalistic world: NGOs
via LensCulture: https://www.lensculture.com/articles/blink-network-working-with-ngos-an-award-winning-photojournalist-weighs-in
It was while studying computer science abroad in Trento, Italy that Portuguese photographer André Vicente Gonçalves found his passion for photography. During his second year of studies, he changed his entire route in life, applied for a Photography Bachel
via Feature Shoot: http://www.featureshoot.com/2016/03/one-photographer-is-traveling-the-world-taking-photos-of-doors/
2015-2016 is France-Korea Year and to coincide with this,the Théâtre Maillon and La Chambre gallery in Strasbourg are putting on a major exhibition entitled Turbulent Transition. There are two chapters to the show and today the theatre is inaugurating the first instalment bringing together works by Sekwon Ahn, Ok Hyun Ahn, Taedong Kim Hanyong Kim, Ki-Chan Kim and Hein-Kuhn Oh on the themes of urbanisation and humankind’s place in society. La Chambre’s exhibition opens on 4 March. It features the photography of Hein-Kuhn Oh looking at the importance of social codes in Korea.
Concurrent with the release of her latest book Got to Go, Bruce Silverstein Gallery presents Rosalind Fox Solomon’s fourth solo exhibition with the gallery. This immersive multimedia installation will include 30 photographs, as well as a three-channel projection with approximately 40 images and audio.