The project by Donna Ferrato is the third episode. Many conflict photographers talk about getting “close” to their subjects; but perhaps none get closer than Donna Ferrato. For more than 30 years, Donna has been making deep and lasting relationships with women, and then asking to take their pictures on the worst day of their lives
Camilo RamirezThe GulfThis work explores the entire length of the U.S. Gulf Coast and the way its varied history, economics, environment and culture intertwine to reveal a simultaneous revere…
Winter is the height of the photojournalism contest season, and entry deadlines are fast approaching for a number of international competitions. Among them are: The World Press Photo entry deadline is January 13, although entrants must register by January
From “The Jungle” in Calais, France, migrants fleeing Syria’s conflict hop onto trucks or moving trains in a desperate — and often futile — effort to reach England.
In a solitary corner of Northeast Colorado, the Mertens family makes their home on thousands of acres of wheat; before the rising of the sun, New York-based photographer Elliot Ross sits awake in the attic, where he has laid his head every night for the p
single image in Stephen Wilkes’s “Day to Night” series is composed of an average of 1,500 frames captured by manual shutter clicks over a period of anywhere from 16 to 30 hours. During this process, Wilkes must keep his horizon line straight and maintain continuity, which means keeping his camera perfectly still.
Photographer Donald Graham has sued appropriation artist Richard Prince and his gallerist Lawrence Gagosian for copyright infringement of a photo that appeared without Graham’s authorization on Instagram, and then in a gallery exhibition of Prince’s appro
Dan Younger spent two months in Italy this past summer and as he states, “I pride myself in taking on and transforming subject matter in photography which are mostly the province of amateurs: vacations and children.” His tableaux of tourists experiencing