Even though there are tons of us out there, being a photographer can, at times, be quite lonely. In an industry where so many of us are in direct competition, it’s hard to step back and remember that we’re all in this together. We’re all working to share
“I find that showing up and expecting that the universe will deliver, actually paves the way for it to do so. You need patience because often it takes time.” Deanne Fitzmaurice For Deanne Fitzmaurice, Pulitzer Prize-winning photographer, Think Tank Photo
Tabitha Soren’s “Surface Tension” defamiliarizes the touch screen, where our warm animal bodies collide with the machine’s cold and infinite knowledge of the world.
Danish Siddiqui was with soldiers on the front line of an Afghan Special Forces clash with the Taliban. New reporting, and his final photographs, cast light on his final hours.
The 33rd international festival of photojournalism, organised by Visa pour l’Image, has more than 25 exhibitions around the French city. Available to view from 28 August to 26 September
Like so many of us in the Photographers on Photographers series, I was first introduced to my interviewee, Linda Connor, while studying at school; the School of the Museum of Fine Arts, Boston to be exact. Her name kept reappearing in my critiques, as I w
In her early twenties, the American photographer Mimi Plumb looked back to her Californian childhood to make a series of photographs about suburban yo…
He juxtaposed the mundane and the exotic, transforming ordinary objects into the desirable — an approach he took in his still-life images as well as in fashion.
A special memorial exhibition for Ingeborg Gerdes traces the photographer’s fascination with the American West, which started with a road trip to Nevada in 1982 and became a decade-long project.
For more than 20 years, from the start of the Soviet-Afghan War through the rise of the Taliban and their control of the country, Edward Grazda photographed Afghanistan. The photographs he made show an Afghanistan going through great changes, and mirror w
I learned about Alec Soth’s work right when I was starting my sophomore year in college when I was studying photography. A professor showed me his work for the first time through a photobook (A small version of Sleeping by the Mississippi contained inside
In the Republic of the Congo, stylish individuals piece together vibrant and sophisticated outfits that function as a form of colonial resistance, social activism and peaceful protest