Beyond 4K video recording, the LX100 looks to be fast too, with a burst mode of 11fps. It uses the same contrast AF sensor that’s found in the GH4 which, along with the company’s Depth from Defocus technology, gives the LX100 the ability to lock AF in .14 seconds and track AF during 5fps burst shooting. Native ISO ranges from 200-25,600 and can be pushed down to 100.
Incredibly lightweight, the EF-S 24mm f/2.8 STM is a fast and versatile lens with advanced AF and superior optics. With a 35mm equivalent focal length of 38mm,
Beyond 4K video recording, the LX100 looks to be fast too, with a burst mode of 11fps. It uses the same contrast AF sensor that’s found in the GH4 which, along with the company’s Depth from Defocus technology, gives the LX100 the ability to lock AF in .14 seconds and track AF during 5fps burst shooting. Native ISO ranges from 200-25,600 and can be pushed down to 100.
The Canon EOS 7D Mark II digital SLR camera is designed to meet the demands of photographers and videographers who want a camera that can provide a wide range o
Beyond 4K video recording, the LX100 looks to be fast too, with a burst mode of 11fps. It uses the same contrast AF sensor that’s found in the GH4 which, along with the company’s Depth from Defocus technology, gives the LX100 the ability to lock AF in .14 seconds and track AF during 5fps burst shooting. Native ISO ranges from 200-25,600 and can be pushed down to 100.
Here is a long list on everything you need to know about the new Nikon D750 camera. Feel free to add to the comments section if I have missed something. If you have any other questions, you can post them in the [NR] forum. The Nikon D750 is only 10g light
Beyond 4K video recording, the LX100 looks to be fast too, with a burst mode of 11fps. It uses the same contrast AF sensor that’s found in the GH4 which, along with the company’s Depth from Defocus technology, gives the LX100 the ability to lock AF in .14 seconds and track AF during 5fps burst shooting. Native ISO ranges from 200-25,600 and can be pushed down to 100.
A few years ago after an exhibition in Istanbul, a journalist from Géo magazine told me about a photographer who wanted to come to Africa and follow me around in Porto-Novo, where I live. This was the first time I heard about Pascal Maitre.
Fancy some Leica bling in the form of a lens bracelet? The site Lens Bracelet (lensbracelet.com) (link is external) can help you out! They currently have a version of the Summicron-M 50mm f/2 (link is external) and Tri-Elmar-M 16-18-21mm f/4 (link is external) lenses. They’re made of 100% silicone rubber with authentic looking yellow/white impressions of the actual lens markings, complete with grip ridges – and sell for $15 USD each!
I’m going to keep banging this medium format drum. Why? Because life without medium format sucks. Maybe I’m just crazy, but I want my local restaurants back. I want more options on the table. I want this Bronica on my desk to be digital and I can’t, for the life of me, figure out why no one has done it yet. We are 15+ years into the digital photography revolution and medium format options keep getting smaller instead of larger. Someone needs to step into this game and shake it up.
In his project The Degradation of Villages, Chinese photographer Wang Yuanling gives us a glimpse into a vanishing world. China’s near miraculous economic transformation has resulted in the largest internal migration in human history. As over 160 million
In his project The Degradation of Villages, Chinese photographer Wang Yuanling gives us a glimpse into a vanishing world. China’s near miraculous economic transformation has resulted in the largest internal migration in human history
The Nikon D750 full frame DSLR camera is now officially announced (price: $2,299.95, $3,239.96 with 24-120mm f/4 lens, see all re-order options here). Additional information: Bring your vision to life with Nikon’s first full-frame D-SLR to feature a tilti
Situated between the D610 and D810, the D750 will have several firsts for Nikon’s full frame lineup including a new 24.3-megapixel CMOS sensor, Wi-Fi capability, a vari-angle LCD and a new build that makes it the thinnest DSLR in the company’s lineup.
This week on #LightBoxFF, we speak to commercial and editorial photographer Jeff Riedel, (@jeff_riedel_polariods) whose meticulous approach to photography has not only landed his work on the pages of GQ, Vanity Fair, Rolling Stone and Vogue, but has also helped him accumulate a massive collection of Polaroids, which he has used for years to test and fine-tune variables during shoots and is now posting to his Instagram feed.
This week on #LightBoxFF, we speak to commercial and editorial photographer Jeff Riedel, (@jeff_riedel_polariods) whose meticulous approach to photography has not only landed his work on the pages of GQ, Vanity Fair, Rolling Stone and Vogue, but has also helped him accumulate a massive collection of Polaroids, which he has used for years to test and fine-tune variables during shoots and is now posting to his Instagram feed.
Between 1978-1984, photographer Edward Colver documented the Los Angeles underground scenes and subcultures that included the adolescent beginnings of…
Between 1978-1984, photographer Edward Colver documented the Los Angeles underground scenes and subcultures that included the adolescent beginnings of punk, hardcore, New Wave, Industrial, thrash, ETC. Photographing relentlessly, Colver shot thousands of bands that would later become the most iconic musicians of their generation and genres. On September 20th in Los Angeles, Lethal Amounts will be presenting Colver’s work in an exhibition entitled Idle Worship.
Spurred by scenes of northern Iraq’s refugee crisis, Lynsey Addario soon found the story had become about the battle with violent Islamic fundamentalists.
Between 1978-1984, photographer Edward Colver documented the Los Angeles underground scenes and subcultures that included the adolescent beginnings of punk, hardcore, New Wave, Industrial, thrash, ETC. Photographing relentlessly, Colver shot thousands of bands that would later become the most iconic musicians of their generation and genres. On September 20th in Los Angeles, Lethal Amounts will be presenting Colver’s work in an exhibition entitled Idle Worship.
[slidepress gallery=’martinparr_conversation’]Hover over the image for navigation and full screen controls A Conversation With Martin Parrplay this essay David Alan Harvey: What I …
When I try a new technique, I always do it first on the beach. There are about six phases of my photography career, black and white, then wide angle with medium format, etc., etc., but I always try them out on the beach first because it’s like an experimental laboratory for me. You have all these people, you can do different things, so this is no exception. It is really like the last chapter of exploration. So inevitably, therefor, I begin at the beach first.
Many of the sub-Saharan migrants have tried and are still trying to reach Europe from Morocco jumping the border fences of Ceuta and Melilla or embarking on a boat to cross the Strait of Gibraltar
Bathers stand in Lake Balaton, in moment of timelessness. At first glance, the scenery reminds us of a coastal resort with its endless horizon, but on closer examination, the characters reveal their real identity with their faces, clothes and accessories. The Eastern European flavour is tangible, although it is fading away day by day. Still, after its trick on the viewers’ minds is exposed, Balaton remains only a lake, but, ironically, locals continue to call it the Hungarian Sea
Each ceasefire is a very active period with people running to their houses and taking anything that might be useful. Others look for their dead who couldn’t find a safe place and who have ultimately died because Israeli bombs gave them an inappropriate burial.
“Since its inception, photojournalism has competed with the movies, then television, and always seems to have been facing a crisis,” says Samuel Bollendorff in the introduction to the fascinating exhibition Amateurs à la Une (Front-Page Amateurs), now on view at the Visa Pour L’Image festival in Perpignan
