The considerable gray area of what’s safe and not safe for the people who live in Fukushima is the focus of Bad Dreams?, a photo series by photographers Guillaume Bression and Carlos Ayesta.
Through images that explore class tension, hierarchy, confrontation, and liberation, Palos frames the determination of modern Mexicans to take justice into their own hands in a land where authority has rarely held moral weight, where assertion of individu
Photoville, the pop-up photo destination like no other, kicks off this week and there is no shortage of things to do and see—we’re talking 47 exhibitions and installations, 51 talks and workshops, and 7 nighttime events. Now in its second year and brought
As an educator, friend, and champion to my students, I am thrilled to announce the exhibition, Alternate Realities, that opens at the Julia Dean Photo Workshops Gallery on Friday, September 20th and runs through October 18th, 2013. The opening is from 7-
Moises Saman is one of the leading conflict photographers of our time. In recent years, he has worked in Afghanistan, Egypt, Iraq, and Libya. In the August Issue of WIRED, Saman’s photographs and interviews from Aleppo in Syria accompanied Matthieu Aikins
Guest Post by Erin Patrice O’Brien I was doing a shoot last week for Golf Digest with Christian Iooss, the magazine’s director of photography. We were photographing a celebrity who golfs with a bunch of set-ups. I have worked with Christian and his deputy
First, I wanted to mention that I had a very nice experience yesterday with Nathan Benn’s Kodachrome Memory. My copy arrive yesterday in the mail, from Nathan himself. (Along with a beautiful small print of this picture! Thanks so much,…
Seven hot summer nights ago in 2006, two photographer friends, Kathleen Laria McLaughlin and Amanda Keller Konya and I drove an hour south to an abandoned Air Force base in Southern California. We arrived to a buzz of activity, bullhorns, and the anticipa
A week ago editorial photographer and artist Daniel Shea published a post on his Tumblr, titled “On Sexism in Editorial Photography,” hoping it would “initiate a broader conversation.” Shea began the post with the disclaimer that he is “a white, cis male
Do you remember thisphotograph? In the United States, people have taken pains to banish it from therecord of September 11, 2001. The story behind it, though, and the search forthe man pictured in it, are our most intimate connection to the horror of thatd
Dana Matthews One Farm One Decade [ EPF 2013 SHORTLIST ] Over thirty years ago, photographer Dana Matthews and writer Richard Giles met in the rural deep south. Matthews came from her grandmother&#…
Good hack and lensman that I am, I fight for access to restricted areas, bemused that the young men and women in uniforms who see journalists as intrusive adversaries have no idea that, the dozen years back, I was here too.