• Feature Shoot

    The International Street Photography Awards are now accepting submissions from street photographers around the world. Twenty esteemed judges are looking for photographs that display a unique style in this genre that crosses over into portraiture, documentary and fine art photography.

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  • Why Isn’t Art Used To Change The World? – A Photo Editor

    Jonathan Blaustein talks with Jörg Colberg of the blog Conscientious about using art to change the world. Jonathan Blaustein: I wrote a long article recently about my trip to Reno, and you pulled from it a particular question and posted it on Conscientiou

    via A Photo Editor: http://www.aphotoeditor.com/2011/12/06/why-isnt-art-used-to-change-the-world/

    All right. I think the first thing is, a lot of the talking that’s going on online is about artists using their skill sets for social media and promotion. That’s the first thing. There is very little talk (or maybe I’m just missing all that talk) about what you’re talking about. You know, how artists can use a variety of skill sets to expand the reach of their work. Expanding the reach of their work doesn’t seem to get beyond making sure that more people see it to potentially buy a book or buy a print. I could be mistaken, but that’s something that I’ve been rather critical of, more and more. Social media is really just about blanket promotion, because, in theory, it could be about exactly what you’re talking about. Reaching more people, and talking about the work, and what’s behind the work, and how what is behind the work has connections to all these other things that go on in non-artists’ lives.

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  • American Journalism Review

    Several recent incidents suggest a disturbing new trend: public safety officials targeting photographers, including professionals. “Cops don’t want to be identified,” says Lucy Dalglish, executive director of the Reporters Committee for Freedom of the Press. “They don’t want their pictures taken.”

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  • LPV Magazine

    There are plenty of destinations to find quality work these days but I find there are very few that have a distinct point of view, and finding quality writing about photography is still a challenge. Far too many new blogs and magazines simply want to replicate what’s been done already (me too!) or have misguided editorial missions

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  • 20111205 lens brazil slide JLOV custom1
    Lens

    The photographer André Cypriano went searching for the same answers some years ago, spending 30 days and nights in the slum, capturing its essence in black and white. Mr. Cypriano wound up there as a guest of Rocinha’s notorious drug lord at the time, Luciano Barbosa dos Santos, who went by the affable nickname Lulu. He had met some of Lulu’s associates while photographing some of the inmates at Ilha Grande prison, Brazil’s equivalent of Alcatraz, and they suggested Rocinha as the setting for a future project.

    in

  • LightBox | Time

    Read the latest stories about LightBox on Time

    via Time: http://lightbox.time.com/2011/12/06/the-old-one-two-underground-boxing-in-new-york/#1

    Photographer Devin Yalkin first heard about underground boxing the way many legendary things are passed along—through the grapevine.

    in

  • Christopher Chadbourne

    Looking at portfolios from Critical Mass 2011…Christopher Chadbourne is a visual storyteller. His series, State Fair, is a series of narratives that add up to a kalidescope of color, captured moments, and off kilter relationships, creating a photographi

    via LENSCRATCH: http://www.lenscratch.com/2011/12/christopher-cadbourne.html

    Christopher Cadbourne is a visual storyteller. His series, State Fair, is a series of narratives that add up to a kalidescope of color, captured moments, and off kilter relationships, creating a photographic novella of sorts. He is a “storyteller intrigued and motivated by the relationships between subjects and between subject and context within the “accidental community” of strangers who momentarily and randomly occupy a common physical space.”

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  • Mike Davis

    A photographer asked: “If cliches are so bad, why do so many of them win contests?”

    Good question.

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  • LightBox | Time

    Read the latest stories about LightBox on Time

    via Time: http://lightbox.time.com/2011/12/05/happy-valley-a-photographer-reflects-on-his-mormon-upbringing/#1

    It’s beyond cliché to say, “You can never go home again.” For the last 10 years, photographer Brian Shumway has been doing his best to turn this time-honored adage on its head, returning to his native Utah, a place known as “Happy Valley” to create a visual and emotional exploration of his own childhood and adolescence by photographing his siblings and their children.

    in

  • Jason Lee Parry Defends Himself Against $28,000,000 Lawsuit – A Photo Editor

    You may remember photographer Jason Lee Parry from the $28,000,000 lawsuit brought against him in August by parents of a young model he photographed (APE story here). The parents flipped out when a sexually suggestive image that Parry took of their 16 yea

    via A Photo Editor: http://www.aphotoeditor.com/2011/12/05/jason-lee-parry-defends-himself-against-28000000-lawsuit/

    You may remember photographer Jason Lee Parry from the $28,000,000 lawsuit brought against him in August by parents of a young model he photographed (APE story here). The parents flipped out when a sexually suggestive image that Parry took of their 16 year old daughter on a motorcycle (she was 15 at the time) appeared on clothing in Urban Outfitters

    in

  • Photog Released on Bail After Rough Arrest at Occupy L.A. | PDNPulse

    A man arrested while photographing the police raid to shut down the Occupy L.A. encampment last Wednesday was finally released on $10,000 bail late Friday, according to press reports. Tyson Heder was charged with assault and battery on a police office and

    via PDNPulse: http://pdnpulse.com/2011/12/photog-released-on-bail-after-rough-arrest-at-occupy-l-a.html

    A man arrested while photographing the police raid to shut down the Occupy L.A. encampment last Wednesday was finally released on $10,000 bail late Friday, according to press reports. Tyson Heder was charged with assault and battery on a police office and resisting arrest.

    in

  • Even in Egypt, a Long Way to Go

    Moises Saman had been photographing the run-up to the Egyptian elections when the recent riots broke out. He spoke to Lens about the challenges of digging deeper into the story.

    via Lens Blog: http://lens.blogs.nytimes.com/2011/12/05/even-in-egypt-a-long-way-to-go/

    Moises Saman has been covering the Arab Spring for The New York Times since its beginning in Tunisia. In July, he moved to Egypt — where, for the last four weeks, he has been photographing the run-up to the Egyptian elections. Mr. Saman, a nominee for membership in the Magnum Photos cooperative, spoke with James Estrin and David Furst

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  • LightBox | Time

    Read the latest stories about LightBox on Time

    via Time: http://lightbox.time.com/2011/12/05/the-body-beautiful-arno-rafael-minkkinens-self-portraits/#1

    For Arno Rafael Minkkinen, nudity is akin to spirituality. “I don’t want to be seen as a nudist,” he says. “But there is something about how close you get to the act of creation by walking around by yourself in some stretch of forest in Finland, with nothing on, looking for a photograph, climbing rocks and moving around like a monkey. Bared assed and just digging your toes into the soft earth, you really feel like you’ve been created.”

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  • The Visual Student

    This is the first of a three part series on how you can plan, design, build and maintain a successful photojournalism portfolio website. Part 1 focuses on planning your website

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  • A Weekend with the Doolittle Raiders – Houston Tx Advertising Photographer Robert Seale

    Robert Seale Photography is an Advertising, Corporate, Commercial, Sports Portrait, Editorial, Oil and Gas, Industrial, and Annual Report Photography studio located in Houston Texas that works for Advertising, Corporate, Commercial, Editorial, Industrial,

    via Houston Tx Advertising Photographer Robert Seale: http://www.robertsealeblog.com/?p=837

    I’m a real military aviation history buff, so it was an incredible honor when I was recently assigned to take portraits of the Doolittle Raiders for Smithsonian Air and Space Magazine

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  • RED camera + Leica M lenses – Leica Rumors

    In addition to the Leica Cinema Lenses, cinematographers can soon also use Leica M lenses on a RED camera – Pier 59 with the assistance of Leica Camera have been testing the RED DSMC Leica-M mount in New York this week. Read more on red.com and reduser.ne

    via Leica Rumors: http://leicarumors.com/2011/12/03/red-camera-leica-m-lenses.aspx/

    In addition to the Leica Cinema Lenses, cinematographers can soon also use Leica M lenses on a RED camera – Pier 59 with the assistance of Leica Camera have been testing the RED DSMC Leica-M mount in New York this week.

    in

  • Front Lines: Life as a US Military Photographer

    via Popular Photography: http://www.popphoto.com/how-to/2011/11/front-lines-life-us-military-photographer

    Dedicated Combat Camera units photograph operation on the ground, at sea and in air–even in battle. We joined them for two days of training

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  • Guest Post: Robert Plotkin on the X100

    Shooting with a Fuji X100 ISO 2000, ƒ/2 at 1/60th. This is portrait bokeh with a 23mm ƒ/2 lens. By Robert Plotkin When the Fuji X100 was announced at Photokina 2010, the trade show held in Germany, it was as…

    via The Online Photographer: http://theonlinephotographer.typepad.com/the_online_photographer/2011/12/guest-post-robert-plotkin-on-the-x100.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+typepad%2FZSjz+%28The+Online+Photographer%29

    Fuji makes the H system lenses for Hasselblad, which are used by the most demanding commercial photographers in the world. The X100 is not as sharp as a Leica Summicron wide open, but stop it down to ƒ/2.8 and it crystalizes. One must remember that the lens has the field of view of a 35mm lens but the depth of field of a 23mm lens. Shot open and close, the background is pleasantly de-emphasized but not bokehlicious.

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  • In Yemen, a Photographer With No Name

    Samuel Aranda worked anonymously for weeks in Yemen, where he was the only Western photographer shooting for a number of weeks. Last week, his name began to appear with his images published in The New York Times.

    via Lens Blog: http://lens.blogs.nytimes.com/2011/12/02/in-yemen-a-photographer-with-no-name/

    It has been hard much of this year for Western photojournalists to enter Yemen to cover the political turmoil of the Arab Spring. It took Samuel Aranda more than a month to find a safe way into the country, giving him plenty of time to ponder what it would be like working in the deeply divided nation, where hundreds have died in protests.

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  • La Brea and Beverly

    The recent Aperture (205) contains an interesting article by Stephen Shore discussing this solstice photo: Beverly Blvd and La Brea Ave., …

    Link: http://blakeandrews.blogspot.com/2011/12/la-brea-and-beverly.html

    The recent Aperture (205) contains an interesting article by Stephen Shore discussing this solstice photo:

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