Read the latest stories about LightBox on Time
via Time: http://lightbox.time.com/2011/08/11/thomas-hoepker-views-of-a-vanished-country/#1
Magnum photographer Thomas Hoepker’s upcoming book Views of a Vanished Country contains photographs of East Germany shot over a period of some 30 years. It gives a unique look into the daily life of East Germans from the time the Berlin Wall was erected to the time it was demolished. TIME talked with Hoepker about his book.
Scott Strazzante:
New York is an amazing place for street photography, but I still failed much more often than I was successful.
I guess that’s up for debate.
On the ground floor of a converted, Victorian-era cinema in Coventry, England, Jonathan Worth delivers a world-class photography lecture anyone can attend at any time, from anywhere, for free.
via WIRED: http://www.wired.com/rawfile/2011/08/free-online-class-shakes-up-photo-education/
On the ground floor of a converted, Victorian-era cinema in Coventry, England, Jonathan Worth delivers a world-class photography lecture anyone can attend at any time, from anywhere, for free.
American Suburb X:
The principal issue raised by the remarkable photographs of Diane Arbus seems not to be their remarkableness, which few would dispute, but their morality. The very potency of her images, their dangerous, disturbing allure, demands an almost instantaneous moral judgement on the part of the viewer. Her pictures call forth an immediate stance which, it would seem, just cannot remain equivocal, yet which in many cases is tinged with uneasy contradiction. To some, Arbus is seen as the prime exemplar of the fundamental baseness of the photographic act, that act which caters ineffably to the disinterested voyeur lurking in us all. Others laud her for her compassion and her humanity, finding in her work an empathy with a disadvantaged subject matter to rival that of Riis, or Hine, or any of the great photographic humanists.
Matt Slaby, Luceo:
30 days, five planes, six states, 25 Polaroids. Travel can be broken down into fragments, its broader purpose described with the broader vision of something less disposable than business card-size Polaroids (er, Fujifilm). These are not written as epics. They are individual words to be strung together to make up the phrasings of a longer prayer, an ode to the memory of things less extraordinary.
From the Seattle Times
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Despite the Pentagon saying that photographing the return of the 30 American soldiers killed in Afghanistan would violate the wishes of the families, White House photographer Pete Souza photographed and distributed a photo.
The Government’s proposed reforms of intellectual property are criticised by the British Photographic Council, which says creators should have an unwaivable right to be identified as author of their works.
Twitter has launched its native photo-sharing feature, allowing Twitter users to post photographs to Twitter without using a third-party service such as TwitPic or yfrog. Images of 3mb or less can now be posted to Twitter by clicking a camera icon in the
via PDNPulse: http://pdnpulse.com/2011/08/twitter-launches-photo-sharing-feature.html
The launch of the function is good news considering the once-popular TwitPic signed a deal in May to license users’ photographs without compensation through World Entertainment News Network, provoking the ire of many its users.
Three of the film makers – Leon Neal of AFP, Ben Lankester of Progress Film and Sam Hunt – have been kind enough to spare the time to talk about these videos. I am still very keen to speak to Kris Thompson and have been trying to reach him. If he is reading this – or if you know how I can get hold of him – please get in touch.
Read the latest stories about LightBox on Time
via Time: http://lightbox.time.com/2011/08/10/ernst-haas-color-corrections/?iid=lb-late1#1
Haas’s Color Corrections will be released by Steidl in the United States this month.
Read the latest stories about LightBox on Time
via Time: http://lightbox.time.com/2011/08/11/picturing-the-american-drought-george-steinmetz/#1
TIME commissioned renowned aerial photographer and photojournalist George Steinmetz to document the effects of the drought in Texas, New Mexico, and Georgia. On his journey, Steinmetz quickly found that even in the driest sections of the country, the cliched idea of the bowl of cracked earth and dust was neither common nor representative of the crisis
If the Leica Guy (Matthew B. Harrison) had any doubt as to the marrying potential of his wife-to-be, it surely evaporated when he saw the wedding gift she got for him: a custom made Leica ring, modeled on a lens aperture ring. The detail is astonishing, f
via WIRED: http://www.wired.com/gadgetlab/2011/08/nerd-romance-leica-lens-ring-ring/
Andrew Barr of Canada’s newspaper National Post collaborated with illustrator Mike Faille to tally up the carnage from antagonist Jason Voorhees in the
via Laughing Squid: http://laughingsquid.com/graphic-of-everyone-killed-by-jason-voorhees-in-friday-the-13th-films/
Andrew Barr of Canada’s newspaper National Post collaborated with illustrator Mike Faille to tally up the carnage from antagonist Jason Voorhees in the Friday the 13th slasher film polylogy which began in the 1980s.
These are only very low resolution copies of the actual images, which are full size 10328 px x 7760 px = 80.1 megapixels. I promise you, if you look at this image in full resolution, you can see every detail, every tiny ink stroke on his tattoos, every hair, all the … Well, I’m glad I’m not shooting fashion or doing retouching, because the files coming out of the IQ180 are huge. Around 90 mb as raw files, and if you save them as 16 bit tiffs (you have to import them via the CaptureOne raw converter software for the best results), they turn out as 480 megabyte files… Heavy cameras demand heavy computers, and my iMac I5 with 8 gb ram came to its knees a few times.
Also, for photographers in the US, be sure to know your rights. There’s a handy pdf at that link that you can print out and keep in your wallet or camera bag.
Serious muggings and beatings suffered by photojournalists covering the civil disorder. By Lisa O’Carroll and Caroline Davies
via the Guardian: http://www.guardian.co.uk/media/2011/aug/09/london-riots-photographers-targeted
Serious muggings and beatings suffered by photojournalists covering the civil disorder
via The Atlantic: http://www.theatlantic.com/infocus/2011/08/riots-in-london/100124/
Riots that erupted in London neighborhoods over the weekend spread to four other cities yesterday, as hundreds were arrested and at least one person was killed. What began as a protest against the police shooting of Tottenham resident Mark Duggan spread quickly into general rioting and opportunistic looting — what Prime Minister David Cameron has called “criminality pure and simple.” For three days now, buildings and vehicles have been smashed and set on fire, while stores and warehouses were looted. Police have been unable to do much to slow the mayhem. Tonight, some 16,000 police officers will be deployed to London’s streets in an effort to quash the worst unrest in the city in decades. Collected here are images of the violence in the U.K. from the past several days. [41 photos]
To call Vision Research’s new Phantom v1610 a high-speed video camera is like calling a Bugatti Veyron Super Sport “nippy.” When ordered with the equally redundantly-named FAST option, the camera will shoot video at 1 million frames per second. To do this
To call Vision Research’s new Phantom v1610 a high-speed video camera is like calling a Bugatti Veyron Super Sport “nippy.” When ordered with the equally redundantly-named FAST option, the camera will shoot video at 1 million frames per second.
In a special presentation before a packed room at PDN’s Outdoor Photo Expo in Salt Lake City on Friday, photographers Frans Lanting and Art Wolfe talked about their careers as nature photographers who have focused on conservation.
When did you first know that you wanted to be a photographer? If for some reason you never picked up a camera, what other path do you think you may have followed? I got interested in photography wh…
via this is the what: http://www.thisisthewhat.com/2011/08/10-minutes-with-timothy-archibald/
But for me, the advent of blogs and Facebook has changed the way we show photography, and has changed what we want to see. Here at my studio, we are trying to create a printed portfolio that feels more like the looseness of a blog and has the personality that can come thru on face book. This casual tossing out of idea and photographs that blogs and face book allow us are starting to be expected and hungered for…and I do really find that exciting.