禁煙が成功すれば体が変わる – 禁煙が成功すれば体が変わる
チャンピックスは禁煙補助剤の一つで、ニコチンを含まないと言った特徴が在ります。 一般的な禁煙補助剤はニコチン置 …
via 禁煙が成功すれば体が変わる: http://www.lalettredelaphotographie.com/
チャンピックスは禁煙補助剤の一つで、ニコチンを含まないと言った特徴が在ります。 一般的な禁煙補助剤はニコチン置 …
via 禁煙が成功すれば体が変わる: http://www.lalettredelaphotographie.com/
Slow Burn , Photographs by Renee Jacobs. Published by Pennsylvania State University Press, 2010. Slow Burn Reviewed by Tom Leininger…
Link: http://blog.photoeye.com/2010/12/photo-eye-book-reviews-slow-burn.html
Fujifilm has posted many, many more details about the innovative new hybrid viewfinder on its upcoming X100 rangefinder-style camera. As you may remember, the viewfinder combines both a straight-through optical ‘finder and an electronic viewfinder. Furthe
via WIRED: http://www.wired.com/gadgetlab/2010/12/fujifilm-posts-new-details-of-x100-hybrid-viewfinder/
Time exists on its own, but the way we organize it and manage it seems very artificial at times. It is always easier to put something in a box with other like things in an effort to understand them in a larger context, rather than viewing each thing on its own. Weeks, months, years: the way they begin and end sometimes seems so arbitrary. The beauty of this though is that time doesn’t really care. It just keeps on moving. Which means that the circular nature of these constructs keeps a rhythm.
The North Shore families who hired Vivian Maier as a nanny came to know a kind but eccentric woman who guarded her private life and kept a huge stash of boxes.
via Chicago magazine: http://www.chicagomag.com/Chicago-Magazine/January-2011/Vivian-Maier-Street-Photographer/
Discover and share the best in contemporary photography
via LensCulture: http://www.lensculture.com/webloglc/mt_files/archives/2010/12/john-stanmeyer.html
Why photographers like The Times’s Joao Silva, who lost his legs in Afghanistan this year, risk their lives for their profession.
Link: http://www.nytimes.com/2010/12/26/weekinreview/26kamber.html?_r=1
“It depends.”
That’s the very unsatisfying answer I always give to photographers after they ask me how much they should be charging for prints.
Since a lot of news is light in our coverage area, I feature hunt and shoot standalones usually multiple times a week, which makes me rely on what I think is one of my biggest strengths – my vivid, colorful and fresh perspective, which as Strazzante said better than I could, “images that rely more on composition and color than on a specific moment.” In addition, I’d also add light and subject to that list.
I’m not sure what “top” really means, but somehow I decided that these 25 images out of the over 95,000 that I shot during the 315 assignments this year are the ones that stuck.
Link: Top 25 of 2010 » Louisiana, Gulf, Midtown, City, Oregon, York » Thomas Boyd Photography
In Reason magazine, Radley Balko takes an in-depth look at all the places in the USA where it’s nominally illegal to record the police, and all the people who’ve faced fines or prison f…
via Boing Boing: http://www.boingboing.net/2010/12/21/one-law-for-them-ano.html
Not to minimize police harassment of photographers here in the US, but that’s nothing compared to the pain and suffering of Burmese photographers at the hands of that country’s regime. According to a report in the Burmese opposition news site Irrawaddy, a
via PDNPulse: http://pdnpulse.com/2010/12/burmese-photojournalist-gets-8-year-prison-term.html
To assemble a well-rounded “best-of” list, I asked the PhotoShelter staff (all 17 of us) and many of our favorite bloggers to contribute suggestions from stories that captured their attention during the year. The result, a list broken down into 9 different categories, is a collection of useful, inspirational, funny, smart, creative and simply brilliant posts that make us all a little bit smarter, and a lot more motivated to keep seeing, shooting, and sharing.
Link: Best of 2010 – Our Favorite Photo Blog Posts of the Year – A Picture’s Worth | PhotoShelter
There’s always a bit of discord that comes along with the end of each year. In my opinion, this has to do with the way that we draw arbitrary lines that tend to try to force us to close the book on one span of time, body of work, or chapter in our lives. I’ve always felt like these lines are a little unruly and don’t lend themselves to the slower things that are more germane to the human experience. In short, life –just like photography –doesn’t really give a damn about the boundaries we try to impose on it.
Teru Kuwayama, one of the photographers of Basetrack, tells Michael Kamber why the future of journalism may be on Facebook.
via Lens Blog: http://lens.blogs.nytimes.com/2010/12/21/covering-marines-at-war-through-facebook/
Link: http://www.washingtonpost.com/wp-dyn/content/article/2010/12/21/AR2010122102253.html?wprss=rss_world